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Dwin 500/700
Dwin, like most of the true CRT projector manufacturers (Electrohome, Barco,
NEC, Sony, etc.) built its model 500 and 700 projectors from the ground up instead of OEM'ing a chassis from a third party.
Build originally for the home theater market, the Dwin are fairly rare on the
used market as few were used in commercial installations. If you see one
up for sale used, odds are it came out of someone's home theater and not some
corporate boardroom like most refurbished CRT projectors.
Parts for both Dwin models are difficult to come by given that the projectors are rare.
Something to keep in mind if you're in the market for a used one.
Repairs by anyone other then Dwin themselves are also somewhat difficult as Dwin has never released the service
manuals to either model. Dwin does still repair these units however.
The Dwin 500 and 700 are best known for being very small and *extremely* quiet for data-grade projectors.
Actually, quiet is probably misleading as the two models are actually, for all
practical purposes, completely silent. The 500 has absolutely no fans in
it (completely convection cooled) while Dwin added a tiny fan to the 700 power supply
to offer slightly better cooling. The fan is completely
inaudible unless you're a few feet away in a completely silent room. How
many projectors can achieve that without a hushbox?
The Dwin 500 and 700 are extremely similar as the table below shows.
|
|
Dwin
500 |
Dwin 700 |
|
Tube size |
7" liquid cooled,
air coupled
(Toshiba T180 tubes) |
7" liquid cooled, air
coupled
(Toshiba
36mm "large neck" design) |
|
Number of fans |
0 (100% convection
cooled) |
1 ultra-quiet power
supply fan and two ultra-quiet fans in the belly |
|
Focus Technology |
Electromagnetic (EM) |
Electrostatic (ES) |
|
Light Output |
1100 lumens (10% peak
white) |
|
Lenses |
USPL HD-145 data grade
(colour corrected but not colour filtered) |
|
Throw distance |
1.25 x screen width +
9"
to front lens |
|
Screen size |
60-150" (153-381cm)
diagonal |
|
Screen configuration |
Front or rear throw,
floor or ceiling mounted |
|
Horizontal scanrate |
15.5-65 Khz |
30-65 Khz |
|
Vertical scanrate |
40-120 Hz |
50-80 Hz |
|
Bandwidth |
75 Mhz (+/- 3dB) |
|
Resolution |
Compatible with HDTV
formats and
computer graphics up to SXGA |
|
Optical Resolution |
10 line pairs per mm,
1250 TV lines |
|
Retrace Time |
Horiz: 3.5 uS
Vert: 450 uS |
|
Convergence System |
12 bit digital system with 60
preset memory
positions. Static and dynamic wave convergence via wireless remote or
RS-232 port. |
|
Convergence Accuracy |
Less than 0.2% of
vertical height |
|
Input |
RGB 0.7V p-p, 75 Ohm
positive (BNC)
H/V sync 0.7-4.0V p-p 7Ohm positive or negative (BNC) |
RGB 0.7V p-p, 75 Ohm
positive (BNC)
H/V sync 0.7-4.0V p-p 75hm negative (BNC) |
|
Test Patterns |
Cross Hatch, Cross
Hair, Focus Dot,
Window, H & E Patterns, Grey Scale, Flat Field,
Needle Pulse |
Cross Hatch, Cross
Hair, Focus Dot,
Window, Grey Scale, Flat Field,
Needle Pulse |
|
Power Input |
100-130/200-250VAC
50/60Hz |
|
Power Consumption |
220 Watts (max) |
|
Data Communication
Port |
RS-232C via DB-9
connector |
|
Dimensions (HxWxD) |
9.5" x 22" x 22.5" |
10.5" x 22" x 23.5" |
|
Weight |
65 lbs / 29.5 Kg |
Some important details/differences to make note of:
- Both models only offer one RGBHV input. Composite,
S-video inputs are not offered. Not much of a loss as composite and s-video
are low-grade (480i only) video inputs.
- The older 500 uses the technically better electromagnetic
(EM) focusing while the newer 700 uses simpler electrostatic (ES) focusing.
Focus quality is somewhat similar between the two models however given that
the 700 uses newer Toshiba "large neck" tubes which are shaper to make up
for the less advanced ES focusing.
- The minimum horizontal scanning frequency on the 700 is
30Khz, meaning that it requires a minimum of a line doubled signal to
display an image. You will not be able to feed it a 15.75
standard-definition (480i) signal without some sort of doubling or tripling
(not that you would want to - the scanlines of a 480i signal on a large
screen are far too annoying).
- On a 16:9 ratio screen, the 'sweet spot' resolution where
scanlines just meet is around 600p-720p. Both are very capable at displaying
1080i HDTV material perfectly well (as 1080i has the same scanrate
requirements as 540p).
- The 700 offers handles which makes moving around and
installing this small and light projector a bit easier.
- Both models offer fully colour-corrected lenses but
neither is colour filtered. Colour correction preserves the colour produced
by the CRT as it passes through the lens and is found on basically all CRT
projectors ever manufactured. Colour filtering is done via tinted coolant
glycol or lenses and corrects colour errors in the tubes' phosphors. Very
few projectors offer colour filtering as while it improves colour accuracy,
it sacrifices light output and increases cost. The good news is that
colour filtered red and green HD-145 lenses are commonly found on other
projectors (such as NECs) so it's an easy job to replace the two lenses with
colour filtered versions if you want this feature.
- The 700 is a bit easier to setup from scratch than the
500 if multiple memories are required. For each new memory set up on the
500, the setup has to be done completely from scratch. When new memories are
set up on the 700, it uses a
similar memory as a starting point so less work is required.
- Though both are very similar in appearance, the 700
cabinet is slightly 'sleeker' looking.
- The 700 appears to have better uniform brightness across
the screen (left to right). The 500 is brighter in the center.
- Both projectors use the popular Home Theater Master
SL-8000 remote which is OEM'ed by many manufacturers.
To see how the Dwin 500/700 rank in relation to other projectors for use in a
home theater environment see the
Projector Rankings
page.
See the Advanced Procedures
page for various DIY instructions on maintaining and improving CRT projectors.
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