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CRT projection too expensive?
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CRT_Ben



Joined: 28 Aug 2006
Posts: 1684
Location: Northern Virginia

Posted: Tue Mar 11, 2008 11:29 pm    Post subject:

Mark_A_W wrote:
Taping cable HD to DVHS is stealing too Dave (snip)


Um, sorry, it's not. Look up 5C protection.
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Mark_A_W



Joined: 15 Mar 2006
Posts: 3068
Location: Sunny Melbourne Australia

Posted: Tue Mar 11, 2008 11:52 pm    Post subject:

Ask the copyright owners what they think about that - you think they agree with that ruling? Different technicalities here anyway, although I believe the stupid Free Trade Act means US copyright laws can be applied to us.

There is no moral difference when you rip a HD-DVD that you legally own, in fact, given that you really do own a copy, as opposed to taping a copy that was broadcast, the moral position is much better.

Just pisses me off that every time you mention HTPC to Dave, he screams "THIEF", while he's admitted taping terabytes worth of Cable HD, which is morally WORSE if you ask me. It may come down on the legal side of the line in the sand, but not morally.

Of course, if you OWN a legal copy in HD-DVD/BD of EVERY taped HD movie in your collection, then there's no moral difference, and I will shut up.
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CRT_Ben



Joined: 28 Aug 2006
Posts: 1684
Location: Northern Virginia

Posted: Wed Mar 12, 2008 12:11 am    Post subject:

Mark_A_W wrote:
Ask the copyright owners what they think about that - you think they agree with that ruling? Different technicalities here anyway, although I believe the stupid Free Trade Act means US copyright laws can be applied to us.

There is no moral difference when you rip a HD-DVD that you legally own, in fact, given that you really do own a copy, as opposed to taping a copy that was broadcast, the moral position is much better.

Just pisses me off that every time you mention HTPC to Dave, he screams "THIEF", while he's admitted taping terabytes worth of Cable HD, which is morally WORSE if you ask me. It may come down on the legal side of the line in the sand, but not morally.

Of course, if you OWN a legal copy in HD-DVD/BD of EVERY taped HD movie in your collection, then there's no moral difference, and I will shut up.


So tell me, Mark, how does Dave get his content in the first place? Oh, he pays for FIOS. Who does FIOS pay for its content? Oh, the copyright owners. So I guess they get their money after all, huh? How much money do the studios get for every torrent downloaded?
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Wed Mar 12, 2008 12:50 am    Post subject:

CRT_Ben wrote:
Mark_A_W wrote:
Ask the copyright owners what they think about that - you think they agree with that ruling? Different technicalities here anyway, although I believe the stupid Free Trade Act means US copyright laws can be applied to us.

There is no moral difference when you rip a HD-DVD that you legally own, in fact, given that you really do own a copy, as opposed to taping a copy that was broadcast, the moral position is much better.

Just pisses me off that every time you mention HTPC to Dave, he screams "THIEF", while he's admitted taping terabytes worth of Cable HD, which is morally WORSE if you ask me. It may come down on the legal side of the line in the sand, but not morally.

Of course, if you OWN a legal copy in HD-DVD/BD of EVERY taped HD movie in your collection, then there's no moral difference, and I will shut up.


So tell me, Mark, how does Dave get his content in the first place? Oh, he pays for FIOS. Who does FIOS pay for its content? Oh, the copyright owners. So I guess they get their money after all, huh? How much money do the studios get for every torrent downloaded?


Fact is neither taping to DVHS nor time-shifting by ripping bluray are 'theft' (leaving aside that theft is entirely different than copyright infringement).

Timeshifting, whether from SD to VHS or HD to DVHS, is legal. Period. You could make a vague argument that it's immoral if you watch the movie more than once, but since your cable connection lets you watch them as much as you want (when they happen to be on) anyway, it's a moot point - still just timeshifting.

As far as ripping a disc to hard drive goes - same deal. If you have netflix you can get any movie you like at any time. If I rip to the HD, when's it immoral? If I watch it more than once? But I could just rent it again. Is the ability to watch the movie multiple times on my own schedule the immoral part? Is it only immoral if I have the maximum three netflix movies in my house on disc, three more I haven't watched yet on the hard drive, and then watch all six in one night? - but it's suddenly fine if I wait four days to watch the second three?

Is it immoral because they then don't get as MUCH as if I'd bought the DVD? That would make renting immoral under ANY circumstances (interestingly, this was the studios' argument when VHS first came out: Rentals and home taping would destroy the business).

If you're going to play this kind of game, somebody will always end up a 'thief'.

The fact is that if I'm paying a flat monthly fee to netflix, the filthy bastards running the studios - who would like nothing more than to do away with 'owning' media period, and make it flat out impossible to watch without paying a fee at ANY time - will still get their cut. If Dave rips to DHVS from his uber-fast cable connection, they still get their cut.

As objectionable as I find THAT morally, I'll concede it - at least with movies, some of the money ends up with the actors, writers, and artists, unlike with record albums.

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Mark_A_W



Joined: 15 Mar 2006
Posts: 3068
Location: Sunny Melbourne Australia

Posted: Wed Mar 12, 2008 1:03 am    Post subject:

CRT_Ben wrote:


So tell me, Mark, how does Dave get his content in the first place? Oh, he pays for FIOS. Who does FIOS pay for its content? Oh, the copyright owners. So I guess they get their money after all, huh? How much money do the studios get for every torrent downloaded?



The arrangement from the cable company to the copyright owners is to watch it when they broadcast it.

Not to make a HD copy for perpetuity.



Torrents is stealing. I never mentioned that at all, and no argument there.

I also didn't mention ripping a copy of a hired movie, which to me is stealing too.


It's a bit of a stupid debate, but everytime someone mentions HTPC, they get called a thief by Dave. Dave started it.
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Wed Mar 12, 2008 1:13 am    Post subject:

Mark_A_W wrote:
CRT_Ben wrote:


So tell me, Mark, how does Dave get his content in the first place? Oh, he pays for FIOS. Who does FIOS pay for its content? Oh, the copyright owners. So I guess they get their money after all, huh? How much money do the studios get for every torrent downloaded?



The arrangement from the cable company to the copyright owners is to watch it when they broadcast it.

Not to make a HD copy for perpetuity.



Torrents is stealing. I never mentioned that at all, and no argument there.

I also didn't mention ripping a copy of a hired movie, which to me is stealing too.


It's a bit of a stupid debate, but everytime someone mentions HTPC, they get called a thief by Dave. Dave started it.


The 'arrangement'? To watch it when they broadcast it?! My god. I suppose you support the MPAA exec who said that muting or fast-forwarding commercials is 'theft' too?

I'd like to see your perception of the borders / gray area I laid out in my post. Answer the netflix problem and I'll give you a cookie.

Attitudes like yours will see all of our rights disassembled piece by piece until we watch when they say, how they say, what they say.

I find it ironic that if you're watching HD content on your CRT PJ, you're breaking the encryption of the HD signal from your player. Guess what - that's illegal! Thief!

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Mark_A_W



Joined: 15 Mar 2006
Posts: 3068
Location: Sunny Melbourne Australia

Posted: Wed Mar 12, 2008 1:30 am    Post subject:

Perisoft, I actually agree with you 100%. Read back again - what I was actually complaining about.

I happily break Australia's laws everytime I rip a HD-DVD to my hard drive. It's the only way to get decent playback.

I don't have any problem with taping cable HD to DVHS personally. I record Free to Air HD to my PC all the time here. Same, same.

I just get riled up when someone who tapes cable accuses all HTPC owners of theft.
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CRT_Ben



Joined: 28 Aug 2006
Posts: 1684
Location: Northern Virginia

Posted: Wed Mar 12, 2008 2:09 am    Post subject:

Mark_A_W wrote:
Perisoft, I actually agree with you 100%. Read back again - what I was actually complaining about.

I happily break Australia's laws everytime I rip a HD-DVD to my hard drive. It's the only way to get decent playback.

I don't have any problem with taping cable HD to DVHS personally. I record Free to Air HD to my PC all the time here. Same, same.

I just get riled up when someone who tapes cable accuses all HTPC owners of theft.


Well, this is the way I see it:

IIRC, Dave subscribes to a lot of the premium channels specifically for these movies - StarZ, HBO, Cinemax, etc. So his cost per month probably approaches $80-100. To boot, he can only record what verizon broadcasts (duh), and then, only what is not 5C protected.

Somebody sitting at home torrenting away can download bootlegs of movies still in theaters, along with anything else, effectively unlimited. And they pay nothing.

The bottom line is it seems to me that Dave is paying an awful lot for what he is "stealing", not to mention the broadcast companies choose to give him access to copy. If there were an "agreement" in place as you mentioned previously...EVERYTHING would be 5C protected.
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Mark_A_W



Joined: 15 Mar 2006
Posts: 3068
Location: Sunny Melbourne Australia

Posted: Wed Mar 12, 2008 2:31 am    Post subject:

Like Dave, you are making an assumption. Everyone with a HTPC is busy torrenting away feverishly.

The Verizon (duh) comment goes over my head. Remember, I'm in a different country. We don't have Firewire recordable cable HD here, so the specific details are lost on me.
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CRT_Ben



Joined: 28 Aug 2006
Posts: 1684
Location: Northern Virginia

Posted: Wed Mar 12, 2008 2:39 am    Post subject:

Mark_A_W wrote:
Like Dave, you are making an assumption. Everyone with a HTPC is busy torrenting away feverishly.


Well if Dave does make this assumption, I disagree with him. Me, personally, I'm not talking about any and every HTPC user. I'm talking about those who download movies, one way or another, not those who rip discs they own or timeshift rentals. My apologies if this wasn't clear.

Mark_A_W wrote:
The Verizon (duh) comment goes over my head. Remember, I'm in a different country. We don't have Firewire recordable cable HD here, so the specific details are lost on me.


I only said Verizon because Dave has FIOS. A clearer sentence would be, "he can only record what the cable company broadcasts", because it is of course impossible to record something that's never broadcast.
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jask



Joined: 17 Mar 2006
Posts: 10187
Location: kamloops BC

Posted: Wed Mar 12, 2008 5:52 am    Post subject:

This keeps coming back to what you want in the experience.
screen distance is relative to image quality,I think all of us have a preferred local cinema to watch first run movies-and I would wager that this is due to the image quality at that location.A poor image will look better on a screen that is smaller or further away and a great image will look great inside of the previously quoted preferred distances- I ahve no problem watching HD content at 1.2X, but if it is sd progressive or upscaled I will go further back to decrease my awareness of artifact.
The fact that we are a group of computer literate forum users counters the HTPC point....we have the computer gear already,(and I have spent more on computers over the years than home theater by a large margin!) just like I had a lot of audio gear that "crossed over"into my theater.
The issue of content is another matter worthy of a whole other thread.
I have yet to see a single digital projector of any kind that will produce a reference image for more than a few hundred hours....there are some very good,very bright,very sharp projectors out there and not one of them will go 2500 hours,without serious image loss,bulb failure, pixel loss or total failure- the cost of ownership on CRT projectors is a bargain... IF you are willing to tweak(and I know we ALL are, otherwise we would be over at the other forum in the digital forum.)
In 5 year I doubt this forum will actively exist , and there is a good chance I will have a digital (hopefully laser) projector. I will still probably have a CRT running HD and with any luck it will be one of the many 909s or 9501lC units that will be orphaned by progress.
The market is falling out for Curt (and a lot of others) but when VDC stops production of new CRT projectors and tube sales become unprofitable then the curtain falls,without a source for good tubes we are marking time.
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deronmoped



Joined: 03 Nov 2006
Posts: 1154
Location: San Diego

Posted: Wed Mar 12, 2008 6:30 am    Post subject:

The one huge downfall to digitals is not digitals themselves, but human nature. Buy a digital today and six months down the road you will be drooling all over the latest greatest digital coming out. No longer happy with what you have, you start to think of ways to get together the bucks to get the latest and greatest digital.

Tax rebate time means you can upgrade, Christmas means another upgrade, "Might even get that bonus this year"! Hell, in a few years you should have a stack of old digitals in the closet reaching the ceiling Very Happy

Deron.
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WanMan



Joined: 19 Mar 2006
Posts: 10270


Posted: Wed Mar 12, 2008 10:04 am    Post subject:

First, let me say WOW, I never really thought I'd get this many responses in one day! Secondaly, I should have been more clear about the concept of critical viewing and non-critical viewing. I think a consumer seeking a digital front projection solution capable of 1080P could easily be had for under $3K going on list pricing alone. But that is by my definition of non-critical viewing.

And it is fun to entertain the possibilities for non-critical viewing when its 99% please to the wife and 80% pleasing to me. Expectations are not there so the results are not overly critical in delivery and response. BUT, I am comparing this to non-critical viewing within the 1920x1080P capable CRT world as well. I am not sure a Sony 12xx would be fair even in this match, and stepping up beyond this places the cost vs rewards system into a place above the non-critical level.

What do I mean by this? If I am going to be looking for a 1920x1080P capable CRT that will best its comparably capable digital then I am probably going to be spending more than $5-7K on the projector and french fries to get the sources into the unit and to afford a proper setup. This doesn't take into account the luxury mods, and this price point now comes with an expectation of critical-viewing scenario (I'm not about to spend above $3K for a non-critical viewing CRT--that's just nuts.

Yet, it is in this area, the area of non-critical viewing, I wonder where the cost vs rewards are playing out. I see the prices on the 1080P digitals and I am surprised. Why? Because they are at the cost of a flat-panel and that immediately makes me think for theater-like rooms in my home. Very Happy

Person99 wrote:
ecrabb wrote:
I also disagree with your description 'much better' as some sort of statement of fact. It depends upon which metrics you use to judge image quality.


I'm using the most widely accepted metrics for overall picture quality. I think you'd have a hard time finding more than a couple people that thought a 1271 looked better than an Optoma H79. In fact, I know you would pretty much find no professionals that thought that. Guy Kuo thought the H79 had a better overall picture than the NEC XG LC and the XG LC is significantly better than the 1271!


I was surprised as an initial reaction when Guy moved away from his XGLC, but then I had to remember his priorities are probably not 100% aligned to my own. He gave up BL and On/Off CR in favor of other things. Oops, time is short this moring and I'll have to pick this up later in the afternoon. Soor. Mr. Green

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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Wed Mar 12, 2008 2:41 pm    Post subject:

It's funny though how many people come back to CRT after 'experiencing' the digital experience. Of the CRTs I'm selling now to the HT market, quite a number of them are to former CRT people that went digital two or three times, got rightly pissed off at the bulb/projector life, and are BAAAACK!
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Wed Mar 12, 2008 2:44 pm    Post subject:

Hah, just opened this email this morning to follow up on the above comment:

i didnt study enough last time i got into projectors now i have 2 digital paperweights. lost the second last week -had to dust off the 27 inch in garage- ouch

This guy now has a Barco 1208..Wink
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Wed Mar 12, 2008 2:48 pm    Post subject:

Has anybody done a study, or found a study, on the human eye's ability to perceive ANSI contrast - checkerboard style contrast?

I have a really strong feeling that there's a limited dynamic range we can perceive across bright edges. If you imagine a window screen in front of you, think about seeing the screen up against a medium gray background: You can see the mesh quite well and it's very dark. But now think about it up against a bright white light - does the mesh look black? Can you even tell?

Is it possible to tell the difference between a blazing bright on/off ANSI checkerboard with high contrast and one with relatively low (CRT-level) contrast?

What's the ANSI contrast of projected film itself? Of the actual recorded data on film or digital?

Is very high ANSI contrast imperceptible, and if it is, does it make things look 'wrong' on-screen?

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dropzone7



Joined: 12 Jun 2007
Posts: 1069
Location: Charlotte, NC

Posted: Wed Mar 12, 2008 2:51 pm    Post subject:

The evolution of my projector usage:

Infocus SP4800 -> NEC 6PG -> NEC 9PG+ -> NEC XG110 -> NEC XG852
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Wed Mar 12, 2008 3:17 pm    Post subject:

OK, i've done a tiny bit of research. I'm gonna start another thread for this; it seems interesting...
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MikeEby



Joined: 24 Jun 2007
Posts: 5237
Location: Osceola, Indiana

Posted: Wed Mar 12, 2008 5:22 pm    Post subject:

I would like to also put in my 2 cents in the digital / CRT debate. It’s not all about static image sharpness. What about motion artifacts? I know of one RS1 owner that complains about his panel being slow. I find that to be just as distracting as bad black levels.

Now on the HTPC vs. STB/BR-HD-DVD, the ability to set just about any sync timing I want gives the HTPC an edge over a STB. Yes if you pop for a high end VP then you will most likely have that versatility but we are talking about way more cost. I use my HTPC as a STB, I load PowerDVD on startup and can pop disk in and out just like a STB, its rock solid I rarely go to the desktop. I have a Gen 1 Toshiba HD-DVD player and found I rebooted it more often than I do my HTPC. One other advantage the HTPC over a STB is the ability to keep your signal in the analog domain, I zero HDCP issues, period.

Mike

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Bruce 09



Joined: 08 Mar 2006
Posts: 747
Location: Kamloops BC, Canada

Posted: Wed Mar 12, 2008 5:44 pm    Post subject:

MikeEby wrote:
I would like to also put in my 2 cents in the digital / CRT debate. It’s not all about static image sharpness. What about motion artifacts? I know of one RS1 owner that complains about his panel being slow. I find that to be just as distracting as bad black levels.

Mike



This still one the MAIN reasons I Have a CRT For Gaming . NO LAG



http://www.youtube.com/watch?v=VT-4GTvxDqs&feature=related
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