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kal
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| Posted: Fri Apr 15, 2011 9:11 pm Post subject: |
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Another reference disc! Better than I would have thought too (I actually enjoyed it).
Tangled (Two-Disc Blu-ray/DVD Combo) (2010)
(Click on picture to order, hover over for price)
| Quote: | I admit it, I was enamored with 'Tangled.' On my first viewing, after Rapunzel's first song, I was afraid I was about to sit through a Disney cash grab full of pop songs better suited to 'Hannah Montana'. Boy, was I glad when that fear was utterly squashed. To go along with this brilliant little film, Disney has provided flawless video and audio presentations. There are a few special features here that may please fans. All in all, 'Tangled' comes highly recommended.
The Video: Sizing Up the Picture
Nothing against 3D. I know that the technology has its proponents, and if you want to watch 'Tangled' in all its 3D glory then go right ahead. As for myself, I'm not a fan. I remember watching 'Tangled' in the theater with those dark glasses on lamenting the fact that this vibrantly colorful movie was about two shades dimmer than what it should have been. This is my first time viewing the movie without a pair of 3D glasses on my face, and I must say, it looks simply amazing.
The 1080p AVC-encoded picture is breathtaking. Like I said in my review, the lushness and colorfulness of the animation make give this an almost hand drawn look. Colors are stupendous. From the bright greens of the forest to the golden blonde locks of the heroine, the colors simply burst off the screen. It's a relief to see the movie without being encumbered by darkened lenses. To see the natural color that was meant to be enjoyed.
Detail is optimum throughout. The textured walls of Rapunzel's tower home are well defined. Her magical locks, every strand, is perfectly placed and flows just like real hair would. All those strands of fine hair and not even a hint of aliasing. Just beautiful. Edges are well-defined and delineation works wonders, especially during the "Mother Knows Best" song as Mother Gothel creeps amongst the darkened shadows.
I didn't detect any banding, blocking or any other serious encoding side effects. This is a piece of high-def eye candy from start to finish.
The Audio: Rating the Sound
Disney provides a lossless 7.1 DTS-HD Master Audio track for 'Tangled' on Blu-ray. This is an action-packed audio mix featuring a wide variety of sound effects that pop in and out of each and every one of the surround channels. Surrounds are alive with sound during most of the scenes, whether it be a bar full of dangerous looking miscreants or a raging torrent of water that's just been released from the dam. The sounds here surround you, immersing you in the environment and action.
Dialogue is presented clearly through the front channels. Directionality is fabulous during many of the music scenes that have characters singing just out of frame. Fidelity is top-notch. Like many of the other lossless 7.1 tracks to come from Disney, this one is just as demo-worthy. It's an engaging track full of surround sound delights with a heavy helping of low end sonics whenever the situations become more intense. |
Kal
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kal
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| Posted: Fri Apr 15, 2011 9:14 pm Post subject: |
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Another reference disc!
Tron: Legacy / Tron: The Original Classic (Five-Disc Combo: Blu-ray 3D / Blu-ray / DVD / Digital Copy) (2010)
(Click on picture to order, hover over for price)
| Quote: | This is clearly the definitive version for any 'Tron' fan. You get four ways to watch 'Tron: Legacy' and you also get the original 'Tron' for the first time on Blu-ray! Aside from the two highly entertaining movies, this five disc pack includes numerous bonus features, especially for the original film! Sure, it would have been nice to have a commentary track for 'Tron: Legacy' but I felt the excellent 3D video and audio more than made up for that, and who knows, Disney may be waiting for a double-dip to release the commentary. Once again, Disney has released another 3D Blu-ray gem, but this release shouldn't just appeal to 3D owners. Everyone will find something to love about this release and it's a great value for the amount of content included. This is a must own!
The Video: Sizing Up the Picture
'Tron: Legacy' arrives on Blu-ray with a stunning 1080p/AVC MPEG-4 transfer that fans of the film will gush over. This movie is presented in the same manner as 'The Dark Knight.' Sequences alternate between a 2.35:1 and 1.78:1 aspect ratio, the later representing the sequences of the film that were designed for IMAX.
The strength of this transfer is all in the colors and detail. In the real world, blacks are inky deep, colors are not overly bright, and textures are spot-on. The colors really start to shine in the sequences on the grid. Blacks and infinitely deep blues, reds, oranges, and other bright neon colors burst out of the screen. Skin tones are equally impressive, and detail from the clothing down to the shiny surfaces is nearly perfect. You will truly be drawn into this visually stunning film. This transfer is also entirely free of any digital artifacts. This is truly a demo disc on par with some of the best looking releases on Blu-ray
The Audio: Rating the Sound
As awesome as the video transfer for 'Tron: Legacy' is, Disney has also provided a top of the line DTS-HD Master Audio 7.1 soundtrack that will work your sound system to the max. Every single speaker will get a full workout. LFE effects are strong throughout, really pulling you into the action, and bass effects will shake your floor and wake the neighbors. Spoken dialogue is crystal clear and centered throughout, never being overpowered by the active sound and bass effects. The score by Daft Punk is on true display here, right from the start you know you're in for a fun ride. Overall, this is truly a 360 degree sound track, you'll feel drawn into the film and be blown away by the end result. |
Kal
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| Posted: Fri Apr 15, 2011 9:16 pm Post subject: |
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Another reference disc!
Harry Potter and the Deathly Hallows, Part 1 (Three-Disc Blu-ray / DVD Combo + Digital Copy) (2010)
(Click on picture to order, hover over for price)
| Quote: | The seventh movie in the 'Potter' franchise has been, by far, the best one. It's finally gotten to the point where we're actually afraid for the lives of the main characters. Yates does a tremendous job here keeping the movie intense and laden with danger around every turn. Even the camping parts of which so many people complained about while reading the books, aren't annoying here at all. They reveal a side to Harry, Ron, and Hermione that we haven't seen before. It's nice to see that this movie comes to Blu-ray with a wonderful looking transfer, bolstered up even more by its demo-worthy audio presentation. I was sad that I didn't get to witness the opening scene to the next movie, but rest assured -- it will surely be on the retail copies. 'Harry Potter and the Deathly Hallows Part 1' comes highly recommended for 'Potter' fans and movie lovers alike.
The Video: Sizing Up the Picture
As the 'Potter' franchise continues on it's almost as someone is dimming the lights more and more. The next movie might as well be in total blackness. The darker color palette, and overall dreary look of the film is quite purposeful. Voldemort is taking hold, and there's no light following that guy around, that's for sure.
Warner's 1080p picture uses an AVC encode. The picture is technically proficient. I couldn't pick out any scenes like the scenes in 'Half-Blood Prince' that caused a grumble among some reviewers when that came out. Artifacting is non-existent, although there are a few occasional instances of ringing. I was surprised to not see one ounce of banding, though, especially in the gray to black gradient skies.
This is a dark, dark movie. Probably the darkest of the bunch. Shadows are well-delineated even though at times they may feel like they're taking over the entire movie. Crushing isn't a factor here, because the strong shadows work with the overall detail rather than crushing it. Fine detail is spot-on, from the tiny pulsating rings of light that slowly move out from a wand's tip in concentric circles to the scraggly facial hair that Daniel Radcliffe starts growing after they've been roughing it in the wilderness for a few days.
Special effects look superb too. The clouds produced by the Death Eaters when they fly around have never looked so realistic. Color, however infrequent, looks great when it's given time to shine. Amidst the backdrop of a gloomy black England sky, Harry and Voldemort lock into a battle of wands. Bright orange and blue streams meet in the middle providing some much needed, beautiful color.
The animated sequence about the story of the three brothers and the Deathly Hallows also looks quite amazing. Blacks are especially deep here, offering perfectly defined edges.
This is a great looking transfer that is demo-worthy in many of its scenes. It should please anyone who is planning on purchasing it.
The Audio: Rating the Sound
The video has what can be described as maybe a few minor, negligible faults, but the DTS-HD Master Audio 5.1 presentation is perfect on ever level. This is an engaging, immersive mix that sucks you right into the dark world of magic looming around Harry and his friends.
You'll notice right off the bat, as the rusted WB logo slowly floats forward on screen, how great this track is going to be. The clink and clank of rusted metal smoothly pans from the center speaker, filling out the front speakers, and then traveling through the rear channels as the logo passes by. After that experience you know you're in for a great sonic ride. The battle in the sky over London is filled with zooming, whooshing brooms as they fly in and out of frame. The front and center channel handle these lightning quick pans with perfect clarity. The rear channels are constantly alive with the frenzy of magical action going on all around. LFE thunders as bolts of magic explode in the distance. From the opening scene, until the end, it doesn't seem like the subwoofer ever takes a break. There's always some sort of attack or intense scenes that need the attention of well-placed low frequency sound.
Other audio-tastic scenes of note include whenever someone dissapperates, when the big three jump into the green transport fires in the Ministry of Magic, and when the lifts in the Ministry shoot off into the distance with a resounding low frequency boom.
Dialogue is given a wonderful stage to shine front and center. Nothing gets lost in this chaotic mix of high-flying action, coupled with intensely dramatic talkative scenes. This is the kind of track that makes you glad you have the ability to play a lossless track. 'Harry Potter and the Deathly Hallows - Part 1' is as demo-worthy as they come. |
Kal
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| Posted: Fri Apr 15, 2011 9:18 pm Post subject: |
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Another reference disc!
Taxi Driver [Blu-ray] (1976)
(Click on picture to order, hover over for price)
| Quote: | The 1970s gave us many great films, and 'Taxi Driver' is indisputably one of them. Nominated for four Academy Awards, including Best Picture, Best Actor, Best Supporting Actress, and Best Original Score (Scorsese, in the first of many Oscar snubs, was inexplicably overlooked), this unsettling yet marvelously mounted and performed motion picture still provokes the same strong reactions as it did upon its initial release 35 years ago. Call him a psycho, call him a devil-turned-savior, call him a paranoid vigilante, but any way you look at him, Travis Bickle is one memorable character, and De Niro makes him unforgettable. Sony pulls out all the stops, honoring this Scorsese masterwork with top-flight video and audio, hefty supplements, and beautiful packaging. Without a doubt, this is one of the year's best Blu-rays - a movie to own, examine, and scrutinize.
The Video: Sizing Up the Picture
Who knew grit and grime could look so beautiful? 'Taxi Driver' showcases some of the seediest areas of 1970s New York, but Sony's striking 1080p/AVC MPEG-4 transfer captures it all with marvelous clarity, stunning depth, and well-modulated hues. Grain is an essential aspect of this film, yet it never overpowers the image. As a result, the picture sports a consistently natural, film-like look that draws us deep into the Big Apple's core and Travis' twisted psyche. The intentionally blurred city lights in the movie's opening sequence are crisply rendered, as are details such as rain droplets, while nicely graded contrast lends the overall picture surprising dimensionality for such an aged film. The source material looks as clean and vibrant as any recent release, with no blemishes of any kind catching the eye.
Colors appear bright and bold, but thankfully lack any hint of artificiality. The reds in Palantine's political office enjoy fine presence, and the yellows of the omnipresent taxi cabs look lush yet realistic. Black levels are deep and inky, and though one might think the predominance of nocturnal scenes would yield a few murky shots or incidents of crush, every nighttime sequence brims with well-defined details. Whites are cool, but never harsh; Shepherd's dress stands out well against the busy background of the cityscape while maintaining a lovely softness. Background elements occasionally look a bit fuzzy, but that's a minor quibble, and fleshtones are always spot-on. Close-ups exude a marvelous immediacy, with every skin blemish and hair follicle clear and distinct.
Yet the most indelible impression this transfer makes is the wonderful texture that enhances every frame. Rarely do high-definition movies look so much like celluloid, while maintaining the sharpness that's such a vital component of the Blu-ray format. And Sony has taken extra special care to keep the film's original look intact, steering away from edge enhancement, noise reduction, and other fine tuning elements. Banding and mosquito noise are also absent from this superior effort from Sony, which ranks up there with another of its 1970s Blu-ray gems, 'Kramer vs. Kramer.' Not only has 'Taxi Driver' never looked better, it's also one of most faithful and satisfying transfers of a film from this era that I've seen.
The Audio: Rating the Sound
The DTS-HD Master Audio 5.1 track is also top-notch. Though surround activity is limited, the excellent fidelity, dynamic range, and purity of tone, especially with regard to Bernard Herrmann's sultry, silky score, make the audio sound like it was recorded yesterday instead of 35 years ago. Herrmann's music, which combines dramatic elements of his classic Hitchcock scores with smooth, jazzy horns (I cannot get enough of the recurring theme), dominates this track, but the subtleties of the New York streets, bursts of gunfire, and voiceover narration all possess terrific clarity and presence. Dialogue is often spoken softly or delivered in an offhand manner, yet I never had to strain to understand the words. And though there are no thunderous bass moments that set off the subwoofer, low-end tones are warm and weighty, consistently complementing the rest of the audio. Distortion and surface defects are totally absent, making this track as immersive and pleasing as the video. |
Kal
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kal
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| Posted: Fri Apr 15, 2011 9:19 pm Post subject: |
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Another reference disc!
The Incredibles (Four-Disc Blu-ray/DVD Combo + Digital Copy) (2004)
(Click on picture to order, hover over for price)
| Quote: | The first CG animated film to feature an all-human cast, Pixar's 'The Incredibles' is a terrific look at the humdrum of suburban middle-aged life. The story comes with a wonderfully memorable cast of characters and tons of explosive action that will knock your socks off, making this a unique and highly entertaining family flick with smarts. The Blu-ray boasts remarkable, demo-quality video and audio, and an extensive collection of bonus material. If ever a movie's title was fitting as a description of the overall package, this is most definitely it. This Blu-ray truly is incredible. A must own release for sure!
The Video: Sizing Up the Picture
By now, it's a surefire bet that any Pixar title released on Blu-ray will look fantastic, and the much-anticipated 'Incredibles' is a solid gamble that pays dividends.
The AVC-encoded transfer is a dazzling extravaganza of sights and a resplendent assortment of brilliant colors. Primaries are rendered with vividly rich saturation, leaping off the screen with energy. Softer pastel and earthy hues also possess a boldness which gives the CG animation a life all its own. Contrast is right on the money and perfectly balanced with crisp, clean whites, giving the picture plenty of pop. Luxuriant, inky black levels are consistent from beginning to end with spotless gradations between lighter and darker portions.
The entire presentation arrives with a lovely cinematic appeal and breathtakingly three-dimensional realism. The transfer throughout is razor-sharp and highly detailed, revealing every tiny nuance and peculiarity of the background as we as in the foreground. Being the first Pixar movie to feature an all-human cast, the studio wizards did a tremendous job in creating these small, trivial details, and the high-def picture fully displays them as something to admire and appreciate. The fine lines and textures in hair, furniture, and jungle foliage are distinct and striking. The threading of clothing and the minor blemishes on random objects are clearly visible and precisely-defined. Aside from some barely perceptible but easily forgivable banding in one or two scenes, 'The Incredibles' truly is incredible on Blu-ray.
The Audio: Rating the Sound
As if the video weren't enough, the beloved Pixar film also arrives with a DTS-HD Master Audio soundtrack that is pure reference, through and through. Nearly every scene is demo quality, making this a strong contender for the best audio presentation of the year.
The listening area is enveloped with tons of activity in the rears, creating a continuous 360-degree soundfield that's simply marvelous. Whether we're in the offices of the insurance company where Bob works, or deep in the jungles of Syndrome's remote island, viewers are immersed in the clear, discrete sounds of ringing phones or the wild cries of exotic birds. Pans and movement between channels are flawless, especially during the very-cool battle scenes. Dynamics are expansive and far-reaching, defining the highs and mids with perfect crystal clarity. Low frequency effects provide action sequences with an earth-shattering and persuasive intensity while vocals remain perfectly balanced and intelligible amid the thunderous chaos.
All in all, 'The Incredibles' offers an exhilarating and highly engaging audio experience on Blu-ray, sure to go toe-to-toe with any Hollywood blockbuster. |
Kal
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kal
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| Posted: Tue Apr 26, 2011 2:51 pm Post subject: |
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Another reference disc!
BBC's been on a role for some years now with their documentaries: Absolutely phenominal video breathtaking content. It's amazing what they've been able to capture on film, sometimes waiting an entire year just to catch something for a few seconds. I own about a dozen of their Blu-rays and blind-buy anything they put out. They're that good.
Human Planet [Blu-ray]
(Click on picture to order, hover over for price)
| Quote: | All too often we sit around in our homes and offices, safe in our comfortable bubbles, not realizing what sort of difficulties humans all over the world suffer everyday. The trials they must face, and the day-to-day struggle just to find food to eat. 'Human Life' barely scratches the surface of human existence, but it's a start. It's a marvelous, sweeping documentary that takes us to the corners of the globe in search of how humans have adapted to living just about everywhere on earth. The video is top-notch, just like other BBC Blu-rays that have passed our way. The audio is likewise just as amazing. Like 'Planet Earth' and 'Life,' 'Human Planet' is simply a must own.
The Video: Sizing Up the Picture
Yes, it's true that the Blu-ray presentation of 'Human Planet' is in complete 1080i. On the 'Life' set only one episode was in 1080i, while the others were in 1080p. Here everything is in 1080i which is sure to infuriate some people out there. Personally, I don't have that big of a problem with it if it looks good, and boy does 'Human Planet' look good.
This video presentation beautifully captures the human life happening all over the globe. Colors are intense, vivid and rich. From bright red face paint, to the surging brown silt-filled Ganges river, all of the colors depicted here shine with exquisite beauty. Blacks are deep and inky. Shadows are, for the most part, perfectly delineated. There are a few scenes that involve night vision where the picture because overly grainy, but that's due to the night vision aspect.
Fine detail is simply stunning. Everything from fine animal hairs, to clouds of tiny dust particles, to tiny feathers on tribal headdresses is visible. The clarity is unbelievable, just like in past presentations like 'Life' and 'Planet Earth', 'Human Planet' shows no sign in slowing down or giving us a subpar look at life on earth.
Aliasing is present, but I only really noticed it in the "Cities" segment. Aerial shots of cities produce shimmering on buildings with tightly packed windows. A railing in Canada, above the frozen river, pulsates as the camera passes by. A CG rendition of a green city being built in Dubai is full of aliasing as the camera sweeps through a computer animated model of the city. Other than that I didn't notice any other technical anomalies that would distract viewing. All in all, this is just as well done as any of the other BBC Earth efforts.
The Audio: Rating the Sound
I took issue with 'Life' because BBC tends to add in silly sound effects like prison bars closing when a Venus Fly Trap clamps shut. 'Human Planet' doesn't really have that problem, but there are some corny musical choices that are supposed to emphasize the struggles happening on screen, but instead they only serve to patronize the subjects. I just had to let that out. It has no bearing on the score that I will eventually give 'Human Planet's audio presentation, but this seemed like the best place to air my grievances.
I actually enjoyed 'Human Planet's sound design a bit more than I did with 'Life'. 'Human Planet' has a more engaging soundfield. The surrounds are used much more effectively. Busy cities are bustling with life. Horns, bike bells, and merchants selling goods can all be heard in the surrounds, as the camera focuses on its subject. The large fishing celebration in Africa has an encompassing effect, making you feel like you're right there barreling down the hillside hoping to catch yourself a fish.
Dialogue is perfectly placed and wonderfully rendered. The musical score, as patronizing as it is sometimes, offers a deep thematic feel to the series. It's hard not to get drawn into the episodes when the music is given such a wide expanse to fill in the soundfield. Pans work smoothly as the signature BBC crane shots effortlessly move from one impossible spot to another all the while the sound happening in frame is transported seamlessly across the soundstage and then out the other side. If you're thinking about purchasing this set, rest assured you're getting a great sounding documentary. |
Kal
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kal
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| Posted: Thu May 05, 2011 6:39 pm Post subject: |
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Another reference disc!
The Green Hornet [Blu-ray] (2011)[Blu-ray]
(Click on picture to order, hover over for price)
| Quote: | There's not much to like about 'The Green Hornet'. It's a bland buddy hero comedy where the hero rants on and on about nothing in particular. There are some mildly fun action scenes in here, and if that's all you came for then you won't be disappointed. The video and audio are great, while the wide variety of special features will satiate any fan. My feelings about the movie aside, I've got to lightly recommend this one since the film's fans will certainly be pleased with the Blu-ray's technical qualities.
The Video: Sizing Up the Picture
Sony delivers another sparkling transfer. 'The Green Hornet' flies onto Blu-ray with a 1080p, AVC-encoded transfer.
This is exactly how you'd expect a modern day action movie to look. It's slick and clean. The movie is overtly dark, but blacks do a nice job adding needed depth and dimensionality to the picture. The color palette is cool, and like many modern day action films, the movie seems to have a slight teal tinge to it. Still, colors pop. The red roses of the Reid's garden appear lush and vibrant. The sleek black of the Black Beauty is perfectly rendered. Closeups offer a lot of facial detail, while action scenes offer startling amounts of minutiae (like tiny pieces of debris, bits of paper flying around, tiny shards of glass shattering).
For those of you hoping for a stellar transfer, congratulations, Sony has provided it.
The Audio: Rating the Sound
Slam, bang, crash! That's about the extent of 'The Green Hornet's sound design. Its 5.1 DTS-HD Master Audio track does a great job giving us a believable and immersive sound stage for an action film.
Dialogue is treated well, too, but there's no way that you'd be able to miss a single word Rogen shouts at you anyway. Sound effects travel with great velocity from one end of the stage to the other. As the Black Beauty roars past, directionality smoothly takes it through the front of the audio presentation starting in the side speaker, seamlessly gliding into the middle speaker, and out the other side. All within a few seconds.
This is an immersive track that I really enjoyed as far as action movies go. Fans will be elated. |
Kal
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| Posted: Mon May 30, 2011 7:19 pm Post subject: |
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Another reference disc!
The Illusionist (Two-Disc Blu-ray/DVD Combo) (2010)
(Click on picture to order, hover over for price)
| Quote: | Based on the last known screenplay of cinematic legend Jacques Tati, 'The Illusionist' is a heart-warming and inspiring tale of a father's devotion to a daughter and her faith in his magic. Directed by Sylvian Chomet, creator of 'The Triplets of Belleville,' the film is gorgeously illustrated, with a protagonist modeled after Tati's Mr. Hulot, making this also a loving tribute to one of the world's greatest filmmakers. The Blu-ray stuns with a perfect picture presentation and wonderfully engaging audio. The supplements could definitely be better, but overall, it makes for a terrific package for everyone with a heart. Highly Recommended
The Video: Sizing Up the Picture
'The Illusionist' debuts on Blu-ray with a gorgeously detailed 1080p/AVC MPEG-4 encode (1.85:1), beautifully preserving the elegant artwork exactly as the filmmakers intended.
Individual lines and pencil strokes are crystal clear and razor-sharp, giving viewers the opportunity to appreciate the amazing work that went into creating this lovely film. Because of its unique and enchanting visual style, every smudge, mark and textural impression is plainly visible and unmistakable. Contrast is terrifically balanced with bright, crisp whites and black levels inky rich and intensely penetrating. The color palette is primarily focused on softer, pastel hues, and they are superbly rendered and charmingly saturated while primaries remain vivid and often dazzling.
Overall, the high-def transfer is as perfect as they come.
The Audio: Rating the Sound
Despite lacking any real intelligible dialogue or lots of explosive action, this DTS-HD Master Audio soundtrack is in a class all its own.
The entire front soundstage is alive with intricate details and amazing clarity. Imaging is highly engaging and spacious, full of warmth and splendid fidelity. Listeners can clearly make out the tiniest sounds, like the exchange of paper money, the rattling of keys or each individual footstep as characters walk the wooden floors of the hotel. The mid-range is extensive and sharp while the low end is subtle not to be noticed but exhibits enough power to give certain scenes some weight. The surrounds are mostly reserved for key scenes involving large audiences, city streets and falling rain.
Along with the musical score, this track presents the soundtrack very effectively and immerses viewers in this imaginative tale. |
Kal
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| Posted: Mon May 30, 2011 7:21 pm Post subject: |
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Another reference disc!
The Mechanic [Blu-ray] (2011)
(Click on picture to order, hover over for price)
| Quote: | While I enjoyed Statham's starring role, the movie seems to derail when Foster's character enters the picture. It feels forced and unnecessary, not to mention the training montages are just downright silly. I almost expected 'Rocky' music to start playing in the background. In the end, 'The Mechanic' is another sleek action-thriller with loads of gunplay and hand-to-hand combat that are too quickly edited to create a coherent string of events. That said, the video and audio are fantastic, but the special features package is extremely lacking. I'd still end up recommending this to anyone who's looking for a near demo-quality action movie on Blu-ray.
The Video: Sizing Up the Picture
Just as we've come to expect from Sony, 'The Mechanic' bursts onto Blu-ray with a near demo-quality transfer. Its 1080p picture is filled to the brim with heavy amounts of fine detail. When I say fine, I mean you can see each scraggly hair on Donald Sutherland's unruly beard.
The opening sequence where Bishop takes out the cartel leader has pumped up contrast and looks like any other Jerry Bruckheimer/Michael Bay production out there. A golden filter is cast over the entire image giving it that modern day action film look, which is becoming rather tedious. After that opening sequence the golden hue and the pumped up contrast die down a bit, giving the movie a more natural feel.
A heavy grain settles on the picture giving it a very gritty feel, but it never hinders the overall detail. Colors jump off the screen while blacks are inky and bottomless. Shadows are delineated well giving faces and objects more depth in darker scenes. I didn't notice any significant video anomalies like banding or aliasing. A few soft shots aside, 'The Mechanic' looks rather flawless on Blu-ray.
The Audio: Rating the Sound
The video presentation set the bar pretty high, but the audio presentation is more than able to match its excellence. The DTS-HD Master Audio 5.1 surround experience is just that, an experience.
This is an exciting, balls-to-the-wall action movie audio mix that sucks you in and doesn't let you go until the credits roll. Explosions, of which there are many, will rumble your home's foundation with a constant and steady release of low frequencies. Gunshots ring throughout the soundfield, while the bullets quickly travel through the channels using directionality to its maximum effect.
Dialogue is always intelligible, even during Statham's whispered lines. Ambience provides an engaging listening atmosphere whether the characters find themselves in a laid back café or a room full of gun-toting security guards all firing at once. Whatever the scenario, the sound is reproduce with fidelity and clarity. This is what an action movie should sound like. People looking to pick this one up will be happy with the results. |
Kal
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kal
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| Posted: Mon May 30, 2011 7:23 pm Post subject: |
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Another reference disc!
True Blood: The Complete Third Season [Blu-ray] (2010)
(Click on picture to order, hover over for price)
| Quote: | I may be getting to my breaking point with the vampire genre, but 'True Blood' shows no sign of slowing down. To its credit, it's certainly the most interesting and worthwhile vampire show out there. These are the vampires that legend talks about. They don't sparkle – thank goodness. I've always enjoyed the dark humor of 'True Blood' and may continue watching if I can get past all the angsty action. Fans will be elated that HBO has put out another stellar release with fantastic video and demo-worthy audio. The wide variety of special features adds to the need for purchasing this season set. Recommended.
The Video: Sizing Up the Picture
Like it's previous Blu-ray releases 'True Blood: Complete Third Season' looks every bit as great as it ever has. HBO's 1080p/AVC-encoded image casts the city of Bon Temps and its residents in a crystal clear, but film-like presentation.
The colors in the south – like the earthy browns, rough reds, and rich greens – jump off the screen with this darkly saturated color palette. Skin tones never look unnatural. Everyone's face and skin retain their humanistic hues, down to Anna Paquin's pale rosy cheeks. Fine detail is optimum during the many intense close-ups that are peppered throughout the season. Blacks are another source of optimal viewing pleasure. They're deep, inky, and add depth and dimension to the picture. Since so much of the show is shot at night or in the dark it's imperative that the transfer does those scenes justice. The image maintains a nice filmic quality with a hovering, gritty layer of grain. The grittiness never distracts from the presentation, but rather adds to its Southern charm.
I didn't notice any egregious instances of technical anomalies. There's some light, negligible, banding here and there. Slight crushing also rears its head from time to time, but there's absolutely nothing big here that should worry fans who are excited to pick up this set.
The Audio: Rating the Sound
As far as I'm concerned, HBO has delivered nothing but demo-worthy audio presentations with each and every 'True Blood' Blu-ray release. Season three is no different, having the same kind of lossless track that you can use to show off your home theater sound system.
LFE is alive and well. It thumps along with the Southern-inspired soundtrack and during the more intense moments. Growls, groans, and gunshots are all given weighty low-end bass to really drive the sound home. Rear channels are ripe with activity as werewolves encircle their prey. Directionality works wonders as the wolves dive in and out of the scene, trying to tear off chunks from their latest victim. The standard whoosh that accompanies any fast-moving vampire seamlessly travels through the channels and follows them wherever they go.
Dialogue is perfectly intelligible, and even with those deep southern accents it's easy to understand everything that's being said. It's hard to compare the two, but if I had to I'd say that you'd be even more pleased with the demo-worthy audio than you will be with the stellar video. |
Kal
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kal
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| Posted: Fri Jun 24, 2011 1:14 am Post subject: |
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Another reference disc!
Battle: Los Angeles (Two-Disc Blu-ray/DVD Combo) (2011)
(Click on picture to order, hover over for price)
| Quote: | From director Jonathan Liebesman, 'Battle: Los Angeles' is a loud, bombastic alien invasion spectacular that doesn't offer much spark beyond the military action and the impressively grandiose visuals. Feeling more like a big-budgeted first-person shooter game, the sci-fi blockbuster is a cliché-ridden mess, full of trite characterization and unintentionally hilarious dialogue. The Blu-ray release features an outstanding and exciting audio/video presentation which fans will absolutely love and will want to play as loud as possible. With exclusive material taken into consideration, the package comes with a healthy assortment of supplements, making it worth the price for those who enjoyed the flick, but it ultimately works best as a rental only.
The Video: Sizing Up the Picture
'Battle: Los Angeles' debuts on Blu-ray with a highly-detailed and striking 1080p/AVC MPEG-4 encode. Presented in a 2.40:1 aspect ratio, this freshly-minted transfer displays great life-like textures, revealing every pore, scratch and bit of grime on the faces of the actors. Despite the shaky-cam making it difficult to comprehend the action, the smallest bit of debris and movement remains plainly visible and sharply defined. The overall picture is crystal-clear with outstanding depth and clarity resolution.
The rest of the video presentation comes with spot-on contrast and brilliant whites, allowing for excellent visibility in the far distance. Black levels are richly penetrating and intense, providing night scenes with a wonderfully cinematic quality and exceptional shadow delineation. The color palette is somewhat muted, leaning heavily towards steely blues and grays, to give the photography a gritty appeal, but reds and greens come through boldly and opulently.
The movie has a distinctive visual style, though far from original, and this high-def presentation appears true to the intentions of the filmmakers.
The Audio: Rating the Sound
The audio of 'Battle: Los Angeles' sounds precisely as one would expect an excessive, garish action blockbuster to sound: excessive and garish.
Spectacularly loud and bombastic, the DTS-HD Master Audio soundtrack rattles walls with a thunderous, authoritative low end, imposingly filling the room with effective intensity and suspense. The rumble of the alien drones is convincingly felt as they hover around the screen. Pans and movement are flawlessly rendered, creating an impressively wide and expansive soundscape as bullets wiz by, debris flies overheard, marines scramble for cover and mayhem engulfs the streets of Los Angeles. Atmospheric effects are discrete and precise, generating an immersive 360-degree soundfield that puts viewers directly in the middle of the action. The mid-range maintains excellent balance between the various sounds and delivers rich, clarity detail that never falters.
The one negligible shortcoming — and I mean very negligible, but noticeable nonetheless — is likely due to the movie's sound design. With so much noise going on everywhere, and actors grunting their lines half of the time, the dialogue is occasionally difficult to make out or understand. But aside from something that's possibly a personal dislike in the original recording, this lossless mix could easily be used as demo material in the home theater. Just not in my home. |
Kal
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kal
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| Posted: Fri Jun 24, 2011 1:15 am Post subject: |
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Another reference disc!
Sucker Punch (Blu-ray/DVD Combo + Digital Copy) (2011)
(Click on picture to order, hover over for price)
| Quote: | 'Sucker Punch' seemed to be universally reviled by critics when it hit theaters, I however am perplexed by it. Snyder seems to suffer when he's telling his own story as opposed to telling someone else's ('Watchmen' or '300'), but he definitely has his own style and can direct an action scene. 'Sucker Punch's success as a film, however, hangs on whether Snyder intended the movie to be ironic or serious. When it comes to figuring out that question, I have no answer whatsoever. Instead I sat back, let the movie's action scenes wash over me, and bided my time until the next one arrived. Its misogynistic overtones are hard to ignore. Mini-skirts and makeup that doesn't smear, even in war, doesn't make for empowered heroines. Still, there's something about 'Sucker Punch' that drew me in. It's either that, or I've just been suckered.
The audio and video are a perfect one-two punch. There aren't too many special features, but the Maximum Movie Mode Blu-ray exclusive more than makes up for that area's shortcomings. Believe it or not, I'm actually recommending 'Sucker Punch'. It needs to be seen. Of that much I'm sure.
The Video: Sizing Up the Picture
If you hoping that 'Sucker Punch' would be near demo-quality on Blu-ray, then your wish has been granted. Warner's 1080p AVC-encoded image is bright and bustling with digital life. Snyder, along with cinematographer Larry Fong, paint with a myriad of color palettes here, and the result is a often times stunning end product.
The mental institution setting is awash with dingy blues, grays and blacks. Shadows are well delineated and blacks provide a foreboding atmosphere. The brothel scenes feature a more lively atmosphere with strong reds and rich browns. The action sequences run the gamut from cyan-colored winter wastelands, to amber-colored battlegrounds. Colors are bright and vibrant. Even a World War II action scenes that involves a more monochromatic color palette is livened up by bright orange explosions as planes and blimps explode. There's seemingly no end to the different array of colors happening here and they all look perfect.
Detail is one of the many highlights of this Blu-ray's transfer. Close-ups of the girls reveal the tiniest pores and the smallest lip lines hiding under their thick red, lipstick. Detail may be too good when you have to look at the blotchy face of the brothel's cook, but fine detail doesn't discriminate. Textures, from lether-clad mini-skirts to the intricate weaves of Dr. Vera Gorski's suits, looks extremely lifelike. Skintones are immaculately represented, even though they do end up taking on the overall palette of whichever scene they may be in.
Snyder's digitally produced wars between the girls and all sorts of enemies look great. They never look hokey or cheesy. Say what you will about the movie and its premise, but when it comes to green screen effects, Snyder is quickly generating his own unique style that really wow's in high definition. Digital anomolies are kept at bay, except one instance of shimmering that I noticed on Dr. Vera Gorski's dance costume and some banding that's present during the end credits. Other than that, this is a nearly flawless video presentation.
The Audio: Rating the Sound
If the video was nearly flawless, then 'Sucker Punch's DTS-HD Master Audio 5.1 mix is flawless. This presentation is one of the best audio mixes I've heard on Blu-ray this year. This mix is full of everything you'd want from a demo-worthy audio presentation.
The action scenes are jam packed with seamless transitions, perfect panning effects, and ambient sound that engulfs you in the scene. Directionality is imperative as action is happening all around the movie's heroines. You're able to hear every crunch of metal as bullets permeate killer robots, and ever crash of steel as gigantic samurai warriors wield even bigger swords.
Dialogue is pristine, clear, and is prioritized just right so you're able to hear everything that is said amidst the non-stop action that's going on. LFE is generous and unrelenting. Your room will rumble when a huge dragon crashes, head first, into a stone bridge. Your floor will quake as explosion after explosion riddle a World War II battlefield.
Audiophiles will eat this mix up. It's got everything you'd want to show off your surround sound system. This is five-star demo material through and through. |
Kal
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kal
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| Posted: Wed Jul 13, 2011 1:27 pm Post subject: |
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Another reference disc!
Source Code [Blu-ray] (2011)
(Click on picture to order, hover over for price)
| Quote: | 'Source Code' is expertly crafted and executed. It's a proficient thriller that packs in its complicated tale into a brisk 94 minutes. It doesn't require you to shut off your brain to enjoy it, either. This is a thinking man's thriller full of action, suspense, and smart science fiction. What more could you ask for? The special features are a little thin, but the audio and video presentations are spot-on. 'Source Code' comes highly recommended.
The Video: Sizing Up the Picture
Summit's 1080p AVC-encoded transfer of 'Source Code' is a glistening, detailed video presentation that you won't soon forget. When the movie opens on a close-up of Gyllenhaal's face you'll notice right away the amount of clearly defined detail that's in store here. Pores are clearly visible, as is every piece of hero-stubble adorning his face. From the opening shot it never lets up.
Textures are rich and revealing. Fabrics are easily distinguishable from Christina's black and white weaved overcoat to the pressed blue of Goodwin's military uniform. Blacks are often perfectly bottomless, but there are a few scenes where they seem to be a bit overbearing. The biggest complaint I had with this transfer is that skintones seem to burn a little too hot as they take on a more reddish hue.
Other than that minor nitpick I didn't find any technical anomalies. There was a hint of aliasing right near the end on a skyscraper, but that may be the way it was being filmed and nothing to do with the technical proficiency of the disc (you'll see what I mean). All in all, 'Source Code' is a near demo-worthy disc that you'll be proud to pop in whenever you want to show off your TV's capabilities.
The Audio: Rating the Sound
The first thing you'll notice when the movie opens is Chris Bacon's lively, and somewhat Hitchcockian score that floats through the soundfield. The music immediately draws you into the movie and sets a perfect mood for the mind-bending thriller you're about to watch.
LFE is a common occurrence seeing that there's a giant train explosion every eight minutes or so. The low-end frequency booms and shakes the room whenever it's called upon to do so. The mix isn't just proficient at delivering the same old action sounds either. More nuanced sounds are prioritized perfectly; like a spill of coffee, the pfft of a soda can opening, or the clicking of a train ticket being punched. Sound effects are given room to breathe here. The soundfield engulfs you whenever Stephens is sucked back into The Source Code with a whoosh sound that fills the entire room. Making it feel like you're being sucked through right along with him.
Even though the DTS-HD Master Audio 5.1 surround sound track features much of the same type of sounds you expect to hear in an action movie, it does give credence to more understated sounds by bringing them to the forefront and creating a sometimes confusing atmosphere, which is exactly what the movie intends. |
Kal
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kal
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| Posted: Wed Jul 13, 2011 1:33 pm Post subject: |
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Gore Verbinski (director behind 3 of the Pirates of the Caribbean movies) take a stab at an animated feature! Another reference disc!
Rango (Two-Disc Blu-ray/DVD Combo + Digital Copy) (2011)
(Click on picture to order, hover over for price)
| Quote: | Gore Verbinski's 'Rango' is a thoroughly enjoyable postmodern western that essentially celebrates the spirit of the west. With voice talents, ranging from Johnny Depp and Isla Fisher to Ned Beatty and Bill Nighy, ILM's first animated feature is a comedic blast that may or may not perform as well with the kiddies as it will with older cinephiles. Nevertheless, it's a fun movie with a demo-worthy video and audio presentation that will viewers dumbfounded by its immense beauty and detail. The bonus collection is also an entertaining look into the making of the film, making the entire package highly recommended for fans.
The Video: Sizing Up the Picture
'Rango' debuts with a phenomenal AVC-encoded picture that is sure to make jaws drop.
From the moment it commences until the end credits light up the screen, viewers will be amazed at the incredible levels of detail. Every little nuance and variation on Rango's scaly skin is plainly observable, and all the other furry critters roaming about the town of Dirt come equipped with sharply distinct hairs that seem to move independently of each other. The facial and body movements of some creatures are simply astounding with breathtaking realism and lifelike motion. The architecture of the town is also sharply defined with exceptional clarity, exposing every tiny imperfection, splinter and grain on the rotting pieces of wood. There is so much information to take in that the picture quality alone demands repeat viewings.
Presented in its original 2.35:1 aspect ratio, the high-def transfer displays a gorgeous array of colors. Struck directly from its digital source, primaries are richly saturated while the softer hues show a vivid glow throughout. Not quite as dynamic as other animated features, but they're a deliberately artistic choice that's as equally striking and dramatic. The palette is expressive and beautifully arresting, leaving viewers with something to remember it by. Contrast runs intentionally hot and brilliant, but it's crisp and right on the money from beginning to end, allowing for superb visibility of the most miniscule details in the far distance. Black levels, too, are intensely inky and luxurious with elegant gradational detail. A case in point is Rango's initial arrival to town and when entering the saloon, nothing is obscured by the dark, dingy shadows. The transfer also exhibits some of the best three-dimensional depth we've seen in a while, making it a top competitor for this year's best video presentation
The Audio: Rating the Sound
Gore Verbinski's first animated feature comes blasting out of the gate with a thoroughly enjoyable DTS-HD Master Audio soundtrack.
Admittedly, the design carries a noticeably front-heavy presentation, but it also seems to be an artistic choice. Nevertheless, the quality is splendid with an endless display of activity all across the soundstage, providing the screen with a warm and inviting presence.
The lossless mix as a whole feels spacious with a very wide expanse in the imaging. Room-penetrating dynamics are crystal-clear with amazing clarity detail that perfectly differentiates between the highs and mids. One fantastic scene is when a dress-wearing Rango hangs from a rope while flying through the air. The sudden shift from intensely loud action to a whispered tranquility is absolutely smooth and highly dramatic. When we switch back to the thunderous mayhem, the track never falters or loses perspective, maintaining a sharply clean mid-range throughout. A powerful, walloping low-end is also there to assist with spotless response and an appreciable full-bodied extension.
Amid all the noise and commotion, dialogue remains intelligible and precise, so viewers never miss Depp's many funny lines. Rear activity is filled with several discrete effects, but it doesn't always offer a fully immersive experience. Instead, atmospherics and movement into the back seem employed so as to open up the soundstage and enhance the soundfield. And there's absolutely nothing wrong with this because it makes for a wonderfully satisfying mix in a terrific animated film. |
Kal
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kal
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| Posted: Fri Aug 19, 2011 8:20 pm Post subject: |
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Another reference disc!
Paul (Two-Disc Blu-ray/DVD Combo + Digital Copy) (2011)
(Click on picture to order, hover over for price)
| Quote: | 'Paul' isn't the funniest movie you'll see, and it definitely isn't the best from Pegg and Frost, but it's a decently funny way to spend 100 plus minutes. I guess in the end I wished for more sarcastic, dry British wit coming from these two guys rather than a movie that felt a little too slapstick for its own good. Thankfully, the Blu-ray looks and sounds great, and there's a heavy smattering of special features to keep everyone interested. 'Paul' comes recommended.
The Video: Sizing Up the Picture
Universal has minted a pitch-perfect transfer for 'Paul.' It's almost impossible to expect anything less from a big budget movie that was recently filmed. It's true that most of the movie relies on the fairly simple slightly boosted contrast look of a comedy, but there are a few moments where you'll realize how great this transfer really is.
Chief among those moments is the look of Paul himself. I was impressed with the CG when I first saw this in theaters. Seeing it on Blu-ray made me love it even a little more. Take Paul's eyes for instance, they're intricately designed and the HD makes them pop that much more. It's easy to get lost – in a completely un-cheesy way – in them. Fine detail doesn't stop there, the human characters have their fair share of revealing close ups. Colors pop perfectly, skintones are completely natural, and there's an explosion later on in the movie that features some brilliantly colored yellows and oranges.
Blacks are sufficiently inky, without a hint of crush creeping in. I didn't notice a hint of aliasing, banding, haloing or anything else that would distract from the viewing experience. 'Paul' is as demo-worthy as any other movie out there, especially during its more action packed scenes.
The Audio: Rating the Sound
The DTS-HD Master Audio 5.1 mix doesn't let up either. For the most part 'Paul' plays it close to the chest with its intimate face-to-face dialogue, but there are times where the mix shines just as much as the video (and they're usually at the same moments).
The first time you really get a feel of the punch this audio presentation is packing is when Paul violently wrecks his getaway car. It flips end over end with metal crunching and creaking under the weight. Surrounds light up with the havoc being wreaked by the rollover. LFE booms during the big explosion scene, and rumbles the room.
Dialogue is always intelligible. Directionality not only works perfectly for off screen talkers, but subtle placement of special effects like a door closing slightly off to the left. Surrounds are constantly engaged in producing lifelike ambient sound whether it be the milling about of townsfolk or the whirring machinery of a spaceship. I was just as impressed with 'Paul's audio as I was its video. |
Kal
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Last edited by kal on Fri Aug 19, 2011 9:08 pm; edited 1 time in total
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kal
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| Posted: Fri Aug 19, 2011 8:23 pm Post subject: |
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Another reference disc!
Rio (Blu-ray/ DVD Combo + Digital Copy) (2011)
(Click on picture to order, hover over for price)
| Quote: | 'Rio' is okay if you're looking for a movie to plop your kids in front of and hope they become distracted by the bright, flashing colors. Kids will most likely love 'Rio's silliness, but that same silliness may put parents to sleep. There's little here that will allow parents to enjoy the movie along with their kids, which is a real shame. Still the audio and video are simply stunning and there's a wide variety of extras to search through. Even though I'm not a big fan of the movie itself I'm still recommending 'Rio' mostly because of its amazing demo-worthy look and sound.
The Video: Sizing Up the Picture
Well, I'm not sure what I can really say here other than 'Rio' is perfect in every conceivable way. The film's animation is some of the best that's come from Fox. It's beautifully colored, and provides a realistic, charming look at Rio and its surrounding areas.
Colors are so bright and so vivid that you'll have to use this as demo material. The panning shots, as the camera zooms around Rio and its famous Christ the Redeemer statue, look stunning. Simply stunning. There's a scene towards the end where a bunch of birds burst out of an airplane and fill the sky with all kinds of colors from dark reds and electric greens, to jet blacks and watery blues. Clarity is top-notch. There's no surpassing the sharpness and refinement going on here. The animation is so finely detailed that it's easy to see the individual strands on each of the birds' feathers as they ruffle them.
This is perfection. Demo material through and through. Blu-ray shows that, once again, well done CG animation is its best friend. Everyone should be happy to show this one off.
The Audio: Rating the Sound
'Rio's 5.1 DTS-HD Master Audio track is almost as impressive as the visuals. It doesn't stack up to the more nuanced mixes of 'Monsters Inc.' or 'Wall-e', but it does find a great balance with all the sambas they're doing.
The pop-music filled soundtrack is piped through each and every channel. The rear channels offer a bevy of action; birds cawing, people cheering, and the everyday foot traffic of a busy Rio street. Dialogue is always intelligible even during the craziest, most intense action scenes. Panning effects work smoothly as birds and planes zoom from channel to channel.
LFE is constantly present drumming through the musical numbers, and pounding when the sounds of Carnival become increasingly louder. Prioritization and directionality are both handled with care. While 'Rio' may lack a more nuanced sound design – mostly because it's bashing you over the head with one catchy pop song after another – it still will please many audiophiles with its ability to showcase the great sound of a huge Brazilian party. |
Kal
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kal
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| Posted: Fri Aug 19, 2011 8:32 pm Post subject: |
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Another reference disc!
Rio (Blu-ray/ DVD Combo + Digital Copy) (2011)
(Click on picture to order, hover over for price)
| Quote: | 'Mars Needs Moms' isn't a horrible film, but it lacks charm, imagination, and soul, in both content and animation. I know a lot of hard work went into the production, but it's just a shame that so little of it is apparent on screen. Motion capture tends to work best when blended with live action and on its own still seems to have a long ways to go. Still, the video quality is great, and the audio is fantastic. Supplements are a little light, but the included picture-in-picture commentary track is well worth your time. While I can't really recommend this as a purchase, it might not make a bad family rental.
The Video: Sizing Up the Picture
The movie is provided with a 1080p/AVC MPEG-4 transfer in the 2.40:1 aspect ratio. Like most CG animated films, the video is pristine and very impressive.
The digital source is essentially perfect, with no real signs of artifacting or banding. Detail is excellent, showing off the intricate design work done by the animators. Everything from the high-tech space ships and computer consoles, to the rock formations of Mars and the expressions on the characters themselves, are all realized with sometimes startling clarity. A later scene in a Martian cavern, filled with glowing, vibrant painted walls and shimmering water, is particularly impressive. Colors are rich and nicely saturated, though the film can be a bit dark and drab in appearance, echoing the more rigid and disciplinary society of the Martian people. Black levels are deep and inky and contrast is strong leading to several instances of eye catching pop. Though this is the 2D version of the movie, the compositions and movements are still designed for 3D, leading to several scenes which show off a great sense of layered dimensionality.
'Mars Needs Moms' is a fantastic looking disc that offers an impressive and visually pleasing experience. So, you may be asking, why didn't I give it a perfect score then? Well, despite the nearly immaculate presentation, I still don't quite feel this disc deserves to be in the top tier of video presentations. It looks great and there isn't anything in particular to complain about per say, but for me, it's lacking that extra special something in visual detail, pop, and dimensionality that would push it over the top into perfect score territory.
The Audio: Rating the Sound
The movie is presented in an English DTS-HD Master Audio 7.1 track, an English DVS Dolby Digital 2.0 track (for the visually impaired), and French, Spanish, and Portuguese Dolby Digital 5.1 tracks. Subtitle options include English, English SDH, French, Spanish, and Portuguese. Marked by an almost constant onslaught of enveloping effects and sound design, 'Mars Needs Moms' sounds absolutely amazing.
Dialogue is crisp and full sounding with no pops or crackles. Directionality and surround use are almost non-stop, with the film's numerous action set-pieces leading right into the next. Rocket thrusters, laser blasts, clanking boots, screaming aliens, and a wide assortment of diverse effects envelope the soundstage in a lively display of aural delights. Bass is deep and strong, bringing a room shaking thud in several scenes. Dynamic range is wide, giving the film a complete assortment of frequencies that are all balanced well together within the mix.
Though the video might be missing that extra little punch to push it over the edge, the audio has no such problem, with an exceptional, absolutely demo worthy track. |
Kal
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WanMan
Joined: 19 Mar 2006
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| Posted: Sun Aug 28, 2011 12:49 pm Post subject: |
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Kal, the link for Pulp Fiction is currently pointing to the Lion King.
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kal
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kal
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| Posted: Mon Aug 29, 2011 4:02 pm Post subject: |
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Another reference disc!
Hanna [Blu-ray] (2011)
(Click on picture to order, hover over for price)
| Quote: | From director Joe Wright, 'Hanna' is a wonderfully engaging coming-of-age fairytale cleverly tucked inside a gripping espionage thriller. Filled with marvelous performances by Cate Blanchett and the young but highly-talented Saoirse Ronan, the film comes with a rather straightforward plot, but there's hardly a dull moment as Wright moves the narrative briskly with lots of visual style and a rhythmic, spellbinding pace. The movie debuts on Blu-ray with excellent, near-reference audio and video, which only heighten the film's already engrossing storyline. Supplements are somewhat disappointing, but make for an interesting watch nonetheless. This is a highly-recommended watch for fans of both the movie and espionage thrillers in general.
The Video: Sizing Up the Picture
'Hanna' debuts with a beautiful, near-reference 1080p/AVC MPEG-4 encode (2.40:1) that truly shines from its opening moments to the closing credits.
Practically everything on the screen is distinctly detailed and precise. Whether we're looking at Saoirse Ronan, Cate Blanchett or Hanna's pelt jackets, individual hairs are unmistakable with appreciable lifelike texture. Fine lines around foliage, the wood cabin or inside the blue family van are quite distinct and remarkable. Deep, dark shadows or poorly-lit sequences do little to obscure background information as all objects in the distance remain plainly visible and terrifically well-defined. Contrast is deliberately toned down but crisp and stable, giving the photography a cold, steely appearance which adds splendidly to the plot's grim atmosphere. The palette is affected somewhat by the cinematography, where secondary hues are heavily restrained, but primaries remain bright and accurately rendered. Black levels are, for the most part, true and inky, providing the image with a great deal of dimensionality. There are a few moments, however, where they lose a bit of their luster and flatten the picture slightly.
All in all, the newly-minted transfer looks spectacular on Blu-ray.
The Audio: Rating the Sound
'Hanna' also arrives with an excellent and terrifically satisfying DTS-HD Master Audio soundtrack that doesn't quite give the system a serious workout, but will keep it thumping for the majority of the movie's runtime.
Much of the design's brilliance and engaging presentation is thanks to an original, breathtaking score from The Chemical Brothers. Every time their electro-music fills the front soundstage, imaging feels all-encompassing and far-reaching with perfect, clean fidelity. Dynamics are rendered with wonderful distinct detail as the upper frequencies maintain rich, room-penetrating clarity. The low-end is highly-responsive and effective with the best moment of deep, phenomenal, omnidirectional bass coming from the scene when agents raid the cabin.
Amid all this constant wave of frontal commotion, dialogue and conversations remain perfectly audible and intelligible. Pans and movement between channels are seamless and fluid, generating a very gratifying soundfield that's more captivating and enchanting than it is immersive. There are a several instances of discrete rear activity, of course, mostly musical bleeds or light atmospherics. But the real show in this lossless mix comes from an anterior soundscape that's fantastically enjoyable. |
Kal
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