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Barco 1209s and 4K
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ElTopo



Joined: 07 Nov 2006
Posts: 1640


Posted: Mon Jan 16, 2017 5:35 pm    Post subject:

You could do 2048 x 1600 on each.

This would give you 3840 x 1600 (scope in 2.4) with a blend zone of 256


cheers

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Mr Jaeger



Joined: 24 Mar 2015
Posts: 41


Posted: Sat Jan 28, 2017 8:14 pm    Post subject:

kabuby77 wrote:
There's no point in trying to bring out 4k from a single projector.
CRT are born for 4:3 and there you have the best performances of tubes and electronic.
1920 x 1080 = 2M pixel
2048 x 1536 = 3M pixel
I know many with 9" can run FHD with 72 or 96Hz, it is the same pixel rate of QXGA@60Hz or 48Hz


This is true, and most important must be to get the best shown resolution out of the CRT, with the resolution it manages correct. 4K is way way over what a CRT can show or preform correct, even 1080P if you know the limitations on CRT. If you manage to show picture, does not mean it will manage the resolution Smile. Its like getting a frog to eat a elephant, and that is possible?. Smile
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Sat Jan 28, 2017 9:10 pm    Post subject:

1080p is most certainly highly resolvable on the best CRT projectors. Maybe not with an MTF of 100 percent, but the industry standard for defining resolution capacity is 15 percent measured MTF at 10 percent of peak current drive levels. All the top gun 9" machines can be expected to meet that standard in stock condition, and actually they do it rather easily. The part about doing the test at 10 percent of peak drive levels is routinely violated and MTF is often quoted at a much higher drive level.

Going back to about 2004 I was able to achieve clearly defined one on, one off test patterns on the green tube of a Marquee 8000 at a test resolution of 2048x2048, 60 Hz refresh rate, coming out of a Sencore CM2125 monitor analyzer. This was clearly visible and razor sharp on the CRT face but due to the optical limitations of the HD-8B lenses it could not be cleanly resolved on the screen. This was done using an alternative focus yoke, the very first "frankenyoke" I ever tried, which lacked astig windings but then again, the 8000 didn't have astig anyway. The projector was otherwise bone stock although the green tube was an alternative type, not a 180DMB. I think it was a P16LNN type?
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Mr Jaeger



Joined: 24 Mar 2015
Posts: 41


Posted: Sat Jan 28, 2017 9:44 pm    Post subject:

Again If you manage to show a picture, does not mean it will manage the resolution, even you know that CM J, no point of this discussion in 2017 its dead.
But yes 1080P SDR look good on top 9" CRT with correct color c-elements so it track Rec709 D65 fine.
Maybe not with an MTF of 100 percent. Correct, more like 20-40% if you are happy with that today then ok. Limitations stays in the lens like you say. They were made for a totally different purpose back then.
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Sat Jan 28, 2017 10:07 pm    Post subject:

The majority of lenses found on the remaining 9" CRT projectors still in home theater service are capable of resolving not less than 12 line pairs per millimeter. If you do the math, you will find that this is quite sufficient even for resolutions approaching 4K.

A 9" CRT is capable of supporting a 16x9 aspect ratio raster with a width of 6 inches and a height of 4.5 inches.

4.5 inches is 114.3 millimeters. That's 1371.6 line PAIRS (2743.2 lines) that can be written on the 4.5" tall raster before you reach the limit of lens resolution as defined by the lens manufacturer's testing.

We only have to resolve 1080 lines vertically but the lens is good for 2743.2 lines vertically in the same area.

So, no problem. The lens is NOT a limitation on achieving full 1080p HD. The lens isn't even CLOSE to being a limitation.

Incidentally, our CRTs are not built for rec. 709 colorimetry and do NOT achieve it.

Our CRTs are built to achieve NTSC (Rec. 601) colorimetry but only achieve it with filtered C elements on red and green.

No, you're not seeing the full rec. 709 color gamut on your CRT projector.
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Mr Jaeger



Joined: 24 Mar 2015
Posts: 41


Posted: Sat Jan 28, 2017 10:56 pm    Post subject:

Rolling Eyes
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jbmeyer13



Joined: 03 Dec 2010
Posts: 1135


Posted: Sun Jan 29, 2017 8:25 pm    Post subject:

cmjohnson wrote:
The majority of lenses found on the remaining 9" CRT projectors still in home theater service are capable of resolving not less than 12 line pairs per millimeter. If you do the math, you will find that this is quite sufficient even for resolutions approaching 4K.

A 9" CRT is capable of supporting a 16x9 aspect ratio raster with a width of 6 inches and a height of 4.5 inches.

4.5 inches is 114.3 millimeters. That's 1371.6 line PAIRS (2743.2 lines) that can be written on the 4.5" tall raster before you reach the limit of lens resolution as defined by the lens manufacturer's testing.

We only have to resolve 1080 lines vertically but the lens is good for 2743.2 lines vertically in the same area.

So, no problem. The lens is NOT a limitation on achieving full 1080p HD. The lens isn't even CLOSE to being a limitation.

Incidentally, our CRTs are not built for rec. 709 colorimetry and do NOT achieve it.

Our CRTs are built to achieve NTSC (Rec. 601) colorimetry but only achieve it with filtered C elements on red and green.

No, you're not seeing the full rec. 709 color gamut on your CRT projector.


Chris,

The lens are a limitation and fully resolving 1080p on screen is a major challenge. Tech specs and real world are two different realities. With the focus and lens flapping it's an absolute slug fest to properly display 1080p as is. 2741 lines, you must be kidding me....

As for REC 709, green is pretty much spot on (tiny overshoot) and so is blue. Red becomes quite oversaturated but overall CRT is the only display with a pretty much native REC 709. Rec 709 is 8-10bit RGB and was developed in the late 80's. How is it that we are not seeing the full color gamut?

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hal



Joined: 28 Nov 2012
Posts: 100


Posted: Sun Jan 29, 2017 8:29 pm    Post subject:

http://www.matrox.com/graphics/en/products/graphics_cards/m_series/powerdesk/edge_overlap/
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Sun Jan 29, 2017 8:32 pm    Post subject:

You can easily Google search and find CIE chromaticity charts showing the various standards with their color gamuts mapped to the chart. While Rec. 709 is not very far from 601, comparatively speaking, the jump from 709 to UHD's rec. 2020 is dramatic,
and it encompasses all other standard gamuts within its borders.
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kabuby77



Joined: 28 Mar 2011
Posts: 147
Location: Italy

Posted: Sun Jan 29, 2017 9:24 pm    Post subject:

Measured my 1292 with i1D3, the 3 primary are perfectly on reference
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CIR Engineering



Joined: 25 Aug 2008
Posts: 4269
Location: Chicago USA & Berlin Germany

Posted: Sun Jan 29, 2017 10:21 pm    Post subject:

cmjohnson wrote:

Incidentally, our CRTs are not built for rec. 709 colorimetry and do NOT achieve it.

Our CRTs are built to achieve NTSC (Rec. 601) colorimetry but only achieve it with filtered C elements on red and green.

No, you're not seeing the full rec. 709 color gamut on your CRT projector.

This is not correct.

Blue is nearly dead on for Rec709 or 601. Green with a clear celement is very close to Rec601. With the dark green celement green is almost perfect for Rec709. Red is a bit too green when unfiltered but, is actually a bit farther away from blue so is oversaturated on the "x" axis. With a red celement red is actually oversaturated for rec709. The distance from green is nearly perfect on the "y" axis, but red remains oversaturated on the "x" axis.

The only way to fix red fully is with a red celement and an external LUT box like a Lumagen Radiance or Pro. However, I find that fully correcting red to Rec709 with a LUT box looks off to my eye, so I usually tone red down a bit, but not fix it to its exact Rec709 coordinates.

But with correct celements we are absolutely able to create all the colors contained in the Rec709 gamut.

craigr

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jbmeyer13



Joined: 03 Dec 2010
Posts: 1135


Posted: Sun Jan 29, 2017 10:24 pm    Post subject:

cmjohnson wrote:
You can easily Google search and find CIE chromaticity charts showing the various standards with their color gamuts mapped to the chart. While Rec. 709 is not very far from 601, comparatively speaking, the jump from 709 to UHD's rec. 2020 is dramatic,
and it encompasses all other standard gamuts within its borders.


Have you actually ever calibrated/measured a projector with colored C elements? If so, how did it measure?

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kal
Forum Administrator


Joined: 06 Mar 2006
Posts: 18114
Location: Ottawa, Canada

TV/Projector: JVC DLA-NZ7

Posted: Sun Jan 29, 2017 10:52 pm    Post subject:

CIR Engineering wrote:
But with correct celements we are absolutely able to create all the colors contained in the Rec709 gamut.

Yup. No problems seeing Rec709 for me on my previous CRT projector.

See my 2008 "Greyscale for dummies" for pictures/graphs of exactly what Craig is talking about: http://www.curtpalme.com/forum/viewtopic.php?p=117708#117708

What he described in words is exactly how it graphed (on my Barco Cine 8 Oxyx with tinted C-elements).

Kal

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Mr Jaeger



Joined: 24 Mar 2015
Posts: 41


Posted: Mon Jan 30, 2017 8:35 pm    Post subject:

About REC709 on CRT just as I said before, no problem as many have now pointed out, you need color filtering to reach it. I got almost the same experience like you - CIR Engineering. And the calibrating went good on 30IRE and 80Ire with the greyscale but hard to get a low DE in total average, with good linear gamma at 2.4.
Customer happy.
Also about the lenses, that can easily be read wrong and misunderstood . In the time when CRT came the resolution 1280x1024 were almost a fantasy resolution. And most lenses according to specification and "also from CRT techniques" were maxed at this 1280x1024 (if you factor in high MTF) so far from 1080P. Also if you read about the MTF on best CRT lenses, 1080P might be under 15-20%MTF. To get around 80-85% MTF the resolution were 480P and about 50% in 720P. So what jbmeyer13 says are correct. So one of the limitations for CRT are lenses. So, 2741 lines, I will say is fantasy and not reality.
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Mr Jaeger



Joined: 24 Mar 2015
Posts: 41


Posted: Sat Feb 04, 2017 9:34 am    Post subject:

thewolfman wrote:
cmjohnson wrote:
Even then with 2 projectors, assuming you have a 1080p limit on each projector, 2 projectors does not equal 4K.

4K is FOUR TIMES the pixel count of 1080p. Twice as many horizontal and twice as many vertical pixels.

What's interesting, though, is that the HDMI 1.3 specification formally supports resolutions of up to 2560x1600 at up to a 75 Hz refresh rate.


So that begs the question: If we have an HDMI 1.3 spec input card in our CRT projectors, and we connect a 4K player
via HDMI, will this combination allow us to choose a resolution beyond 1080p and up to 2560x1600?

It may be that the answer to our question, the search for higher resolutions and more picture detail, is literally plug and play
with off-the-shelf equipment available today.

So is there someone here with a true 4K player, with 4K movies, and a CRT projector with an HDMI 1.3 or 1.4 spec input card that can explore the available output resolutions and report back?


Voldermort has that and tested it successfully. You should ask him or have Greg report back. I'd like to hear it as well. Interesting stuff with beyond 1080p for sure.


Stick with 720P or 1080P. Forget 4K on CRT.
There is limitations in lenses and many other factors.

Like I have posted before.
Also about the lenses, that can easily be read wrong and misunderstood . In the time when CRT came the resolution 1280x1024 were almost a fantasy resolution. And most lenses according to specification and "also from CRT techniques" were maxed at this 1280x1024 (if you factor in high MTF) so far from 1080P. Also if you read about the MTF on best CRT lenses, 1080P might be under 15-20%MTF. To get around 80-85% MTF the resolution were 480P and about 50% in 720P. So what So one of the limitations for CRT are lenses.
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Sat Feb 04, 2017 10:26 pm    Post subject:

Just to be clear about it, the industry standard for evaluating MTF is to perform the evaluation at 10 percent of rated maximum beam current (or equivalent brightness) and when the brightness variance between the scan lines and the gaps is 15 percent, that is the actual point at which MTF is specified for CRTs.

15 percent MTF at 10 percent of max drive current. The highest resolution that meets this standard is officially the highest resolvable resolution for a CRT. It may display higher resolutions than that. But not RESOLVE them to standard.

10 percent drive is not where we usually do our viewing. But that IS where MTF performance is evaluated.

Anybody who's ever played with the contrast control knows that resolution and contrast levels are interrelated. Turn it up high enough, and you will start to lose detail.

If you really want to know the ultimate resolving power limitations of your lenses, I can think of a way to do this. What you would do is have a miniature resolution chart made in the form of a printed clear decal, printed at very high resolution, and apply it directly to the CRT face and focus on it with the CRT backlighting it. Two catches to this method, though: 1: It will have to be in the coolant since most CRTs are liquid cooled. 2: The lens system is set up to focus on the phosphor layer, not a half inch short of it at the front of the CRT glass. So a modified lens may be required.

If I really wanted to do this I'd modify the faceplate of a broken CRT, cleaning it thoroughly of all traces of phosphor, polishing the inside surface flat and smooth, applying the decal, and backlighting it thru the lens. The advantage is I could do this without actually even having a projector. The disadvantage is the hazards of working with broken glass and chemicals that are normally contained within the CRT. (I do not recommend snorting the phosphor under any circumstances. It will not get you high. But perhaps you could call it "glow" rather than "blow". )
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kal
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Joined: 06 Mar 2006
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Posted: Sat Feb 04, 2017 11:08 pm    Post subject:

cmjohnson wrote:
Just to be clear about it, the industry standard for evaluating MTF is to perform the evaluation at 10 percent of rated maximum beam current (or equivalent brightness) and when the brightness variance between the scan lines and the gaps is 15 percent, that is the actual point at which MTF is specified for CRTs.

Reference?

Kal

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gjaky



Joined: 05 Jun 2010
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Location: Budapest, Hungary

Posted: Sun Feb 05, 2017 8:32 am    Post subject:

FYI:
http://www.curtpalme.com/forum/viewtopic.php?p=100751#100751

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Mr Jaeger



Joined: 24 Mar 2015
Posts: 41


Posted: Sun Feb 05, 2017 10:17 am    Post subject:

gjaky wrote:
FYI:
http://www.curtpalme.com/forum/viewtopic.php?p=100751#100751


So I was more or less spot on with my statement after the military test.
Smile

MTF in 1080P might be under 10% when 720P resolution is around 25% and 642x569 is around 50% MTF.
And this with the best lenses also.

like I said, can easy be misunderstood, if you read without understanding. But not everyone favor resolution and MTF.

Thanks for the link gjaky Smile interesting reading .
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gjaky



Joined: 05 Jun 2010
Posts: 2802
Location: Budapest, Hungary

Posted: Sun Feb 05, 2017 10:53 am    Post subject:

It is indeed interesting reading.
What is strange though that they often found the horizontal MTF better than the Vertical, because if the aspect ratio is set well then ideally they should be equal, but in the horizontal plane the bandwidth of the video chain also affects the MTF so, as I see the horizontal MTF never can exceed the vertical MTF (that is only limited by the focus system (optical or electrical)).

Also let me share a personal experience, with my XG135 I use 1080i 96Hz and it is not very well resolved, although using 1600x900P I can see pixelation artifacts of the movie material, while the MTF supposedly still not very good, so at the end of the day I find 1080i still better.

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