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jbmeyer13
Joined: 03 Dec 2010 Posts: 1135
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| Posted: Wed May 07, 2014 3:21 pm Post subject: Cap America and The Death of Black |
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Last night I went to a local theater which has undergone an "upgrade" to all digital projection (Bow Tie Cinema which bought out Clearview) to see Captain America: The Winter Soldier.
I loved the film and thought it was the best of the Marvel adaptations thus far. However, watching this film in digital projection is a sad reminder that "Cinema Black" is dying out. The sharpness and depth of image are wonderful but it lacks that low level punch that film can provide. From looking on Bow Tie's site it appears that they use the moniker "BTX" for their 4K equipped theaters which this was not, therefore I'll assume it was a 2K system. I should add that I have seen some recent films in 4K that looked amazing but the material wasn't suitable for truly evaluating low end performance.
Obviously the mainstream audience doesn't give a crap about this and as time goes on "film black" will be just a fading memory
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Wed May 07, 2014 3:59 pm Post subject: |
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Not sure what you're comparing to Justin, but "film black" was really never very good. Projected film prints usually only had a contrast ratio of around 10,000:1. That's far, far inferior to even most good home digital projectors now (100k:1 and on up), and massively inferior to a good gamma-corrected nine-inch LC CRT on/off, which is in the 500k-750k:1 ballpark.
What you probably saw was an older 2k Christie or Barco (very few cinemas have converted to 4k, and very little content is being produced in 4k even if it's being shot in 4k). Where it probably went wrong is that it was probably cranked up in dual-lamp mode for 3D, putting 30fL on the center of the screen, and elevating black levels to double where they should have been.
Sorry, but other than seeing pixels if you're sitting too close in a 2k theater (and then you're probably seeing screen perts, too), the experience with digital is much improved over what we ever had with film. That's the honest truth, and that's coming from a photography nut that loved film. I still love slide film and looking at projected slides. But, with motion picture film, in practice the experience wasn't what we romanticize it to be now. There was gate jitter, audio dropouts, film bow (resulting in non-unforum focus between sides and center), and unless you were there on the first couple of days, the print usually had scratches on it.
Cheers,
SC
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jbmeyer13
Joined: 03 Dec 2010 Posts: 1135
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| Posted: Wed May 07, 2014 4:37 pm Post subject: |
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| ecrabb wrote: |
What you probably saw was an older 2k Christie or Barco (very few cinemas have converted to 4k, and very little content is being produced in 4k even if it's being shot in 4k). Where it probably went wrong is that it was probably cranked up in dual-lamp mode for 3D, putting 30fL on the center of the screen, and elevating black levels to double where they should have been.
Sorry, but other than seeing pixels if you're sitting too close in a 2k theater (and then you're probably seeing screen perts, too), the experience with digital is much improved over what we ever had with film. That's the honest truth, and that's coming from a photography nut that loved film. I still love slide film and looking at projected slides. But, with motion picture film, in practice the experience wasn't what we romanticize it to be now. There was gate jitter, audio dropouts, film bow (resulting in non-unforum focus between sides and center), and unless you were there on the first couple of days, the print usually had scratches on it.
Cheers,
SC |
Hey Steve,
This wasn't meant to attack digital over all because I do agree with your sentiments, especially after film prints had been in use for any extended period of time. The focus uniformity issues are gone, the image is sharper with a better field of depth- no question. So much so that some scene's almost looked 3-D! With regards to 4K; when I first saw The Hobbit (non HFR) it was clear that a new level had been breached.
Regardless of the capability of the technology, if it's utilized in a non-optimal fashion (cranking lamp for non 3-D presentations) the image suffers IMO. The image wasn't even remotely close to displaying correct black level and I find that irritating along with under saturated colors.
Sadly, most theaters I frequent have these set types of set up issues.
Regards,
Justin
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jeffslife
Joined: 17 Apr 2010 Posts: 4190 Location: ohio usa
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| Posted: Wed May 07, 2014 8:38 pm Post subject: |
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The first day of my first real job (not yard or farm work) was running a PJ in a theatre. The first thing I saw was the original trailer for THE ROCKY HORROR PICTURE SHOW. It was bright red lips on a total black background, in a dark dark dark room. I will never forget the impact that trailer had on me. I never looked at black the same way again. I haven't seen anything to compare since.
_________________ We are ALL job creators !
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jbmeyer13
Joined: 03 Dec 2010 Posts: 1135
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| Posted: Wed May 07, 2014 8:56 pm Post subject: |
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| jeffslife wrote: | | The first day of my first real job (not yard or farm work) was running a PJ in a theatre. The first thing I saw was the original trailer for THE ROCKY HORROR PICTURE SHOW. It was bright red lips on a total black background, in a dark dark dark room. I will never forget the impact that trailer had on me. I never looked at black the same way again. I haven't seen anything to compare since. |
That's interesting because I don't have such a positive strong memory like that but rather a collection of more recent memories of underwhelming exhibitions. I really noticed this when I went to see Avenger's; total image wash out. And that was in a first rate theater. As Crabb said, probably cranking the lamp to the max..
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jeffslife
Joined: 17 Apr 2010 Posts: 4190 Location: ohio usa
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| Posted: Wed May 07, 2014 11:42 pm Post subject: |
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The pj was very old, probably from the fifties. It used a welding rod about a half inch in diameter to produce light. It worked amazingly well. I can only imagine what the electric bill was like. The lens was huge.
_________________ We are ALL job creators !
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Thu May 08, 2014 2:27 am Post subject: |
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Unfortunately, the theaters today have to have track lighting and exit signs which raise the black level. Because of this, no theater will ever be able to get as dark as the best HTs.
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jbmeyer13
Joined: 03 Dec 2010 Posts: 1135
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| Posted: Thu May 29, 2014 3:33 pm Post subject: |
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| jbmeyer13 wrote: | | ecrabb wrote: |
What you probably saw was an older 2k Christie or Barco (very few cinemas have converted to 4k, and very little content is being produced in 4k even if it's being shot in 4k). Where it probably went wrong is that it was probably cranked up in dual-lamp mode for 3D, putting 30fL on the center of the screen, and elevating black levels to double where they should have been.
Sorry, but other than seeing pixels if you're sitting too close in a 2k theater (and then you're probably seeing screen perts, too), the experience with digital is much improved over what we ever had with film. That's the honest truth, and that's coming from a photography nut that loved film. I still love slide film and looking at projected slides. But, with motion picture film, in practice the experience wasn't what we romanticize it to be now. There was gate jitter, audio dropouts, film bow (resulting in non-unforum focus between sides and center), and unless you were there on the first couple of days, the print usually had scratches on it.
Cheers,
SC |
Hey Steve,
This wasn't meant to attack digital over all because I do agree with your sentiments, especially after film prints had been in use for any extended period of time. The focus uniformity issues are gone, the image is sharper with a better field of depth- no question. So much so that some scene's almost looked 3-D! With regards to 4K; when I first saw The Hobbit (non HFR) it was clear that a new level had been breached.
Regardless of the capability of the technology, if it's utilized in a non-optimal fashion (cranking lamp for non 3-D presentations) the image suffers IMO. The image wasn't even remotely close to displaying correct black level and I find that irritating along with under saturated colors.
Sadly, most theaters I frequent have these set types of set up issues.
Regards,
Justin | t
So I went to see X-Men at the same local multiplex on Tuesday night but this time it was in a smaller theater (they typically reserve the larger theaters for a mix of 2-D and 3-D showings) and this time the image was far superior. The improvement in color and black level led me to assume that the PJ was not operating in dual lamp mode. I did sit further back which can have an effect on perceived sharpness but in my experience not on low end performance.
_________________ Projector: Modded 9501LC ULtra- MP VIM, Vold VNB, ETECH LVPS, Silver VIM Cables, HD10F's & a V1 case!
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loudmouse2
Joined: 30 Sep 2009 Posts: 72 Location: Portland, Oregon
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| Posted: Thu May 29, 2014 4:31 pm Post subject: |
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I thought I'd add that I was recently watching some films(no, not porn) on an old Eumig dual 8mm home film projector, and the image was absolutely dreadful compared to my Runco IDP980(NEC PG). Back in the day, we used to think home film projectors were fantastic. I guess they were great compared to our 19" black and white tv.
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