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Review: Greg Eisemann Barco 909 modifications
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stridsvognen
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Posted: Mon Aug 25, 2014 5:13 pm    Post subject:

redfox001 wrote:
You might be right. I was thinking the same thing but modding the Barco has mostly been the 808 and 1209 models it seems. But if it was easy Eisemann would have shown pictures so I have little trust that he solved it.

But still I don't want to jump to conclusions as I don't have a good hdmi converter yet and that is absolutely needed.

And I do have the feeling I learned a lot these past days. The neckboard chip is the only mysterie left. It should produce 110V high bandwith. There must be a chip somewhere maybe even in the Marquee world! Smile Does someone have a service manual describing the Marque neckboard? There must be something we can copy ?


It would be cheaper easier and better just to buy a Marquee as they are almost free, and just use the Barco tubes lenses and focus yokes.

The neckboard is 1 problem to solve, and for sure not the only one.

How big is your screen and how much light can the 909 trow and still hold a good gamma/ grayscale.?
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 5:24 pm    Post subject:

I have a 100 inch width screen. Green gamma going like an arrow and I have not maximised contrast yet so sorry can not say but there is much more light than I had with digital.


We might mod a barco housing and put a Marquee inside lol Surprised



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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 5:38 pm    Post subject:

But it would be fun to get a Marquee to compare. All these mods that are described on Curts site is that all or did Mike do more mods that are not in the public domain yet? Would be fun to mod a Marquee Smile The 8500 ultra did have bad focussing and bloomed very soon. But I still remember the picture and it was great perhaps a little more noisy but my memory is not that well.
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stridsvognen
Guest






Posted: Mon Aug 25, 2014 6:00 pm    Post subject:

Can you post the data of that calibration, im also using a 100" screen.
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 6:08 pm    Post subject:

I see I was on 8,7 ftL. But I was low because of the 'streaking' issue. I had 11 ftL on 70 or so. I was now on 65 I think.


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gjaky



Joined: 05 Jun 2010
Posts: 2802
Location: Budapest, Hungary

Posted: Mon Aug 25, 2014 6:14 pm    Post subject:

redfox001 wrote:
You might be right. I was thinking the same thing but modding the Barco has mostly been the 808 and 1209 models it seems. But if it was easy Eisemann would have shown pictures so I have little trust that he solved it.

But still I don't want to jump to conclusions as I don't have a good hdmi converter yet and that is absolutely needed.

And I do have the feeling I learned a lot these past days. The neckboard chip is the only mysterie left. It should produce 110V high bandwith. There must be a chip somewhere maybe even in the Marquee world! Smile Does someone have a service manual describing the Marque neckboard? There must be something we can copy ?


Hmm... The world of CRT amplifiers is very interesting yet very hard! Without doubt the Marquee has the best CRT amplifier construction of all crt projectors, its principle is called mirror cascode differential amplifier, And the funny thing is the key parts and the construction of the Marquee neckboard remained almost intact from the begining, 1993...

Here are some documents to read:
On semi AN1020D

National AN1013

_________________
projectors in the past : NEC 6-9PG xtra, Electrohome Marquee 6-7500, NEC XG 1351 LC ( with super modified Electrohome VNB neckboard !!!)
current: VDC Marquee 9500LC
The MOD: VNB-DB, VIM-DB
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 6:19 pm    Post subject:

Wow that is great stuff but I am already far over my head with the electronics. I studied physics some time ago but electronics was a hobby but for this work we need the real experts. Still if we could reroute the video signal through a Marquee board and leave the Barco board as a dummy than all the electronics would still think everything works but if there would be a failure I dont know? Smile
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stridsvognen
Guest






Posted: Mon Aug 25, 2014 6:39 pm    Post subject:

redfox001 wrote:
Wow that is great stuff but I am already far over my head with the electronics. I studied physics some time ago but electronics was a hobby but for this work we need the real experts. Still if we could reroute the video signal through a Marquee board and leave the Barco board as a dummy than all the electronics would still think everything works but if there would be a failure I dont know? Smile


Good luck with that project.. Wink

Not sure there is any more usefull CRT tubes around the day that happens.. lol

That calibration is noooooo goood.. A contrast 204:1 Thumbs Down

You need to have full atention to your low end.. all colors have to come perfect out of black, and you need to have a contrast that is higher than the HCFR can measure, think it maxes out around 25000:1
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 6:53 pm    Post subject:

The contrast is bad because the low end is not measured with my i1pro. Below 30 ire I will need another meter.

There is a trick however and that is to make a small screen and place it close to the CRT than the light level will be enough to measure the low ire part. But I never did that yet.
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stridsvognen
Guest






Posted: Mon Aug 25, 2014 7:05 pm    Post subject:

redfox001 wrote:
The contrast is bad because the low end is not measured with my i1pro. Below 30 ire I will need another meter.

There is a trick however and that is to make a small screen and place it close to the CRT than the light level will be enough to measure the low ire part. But I never did that yet.


What probe did you use.? I never had a probe so bad that i was not able to do a pertty decent 10% IRE, and by eye checking.

20% should not be a problem at all, maybe its not a reference measurement, but unless your reed time is very short, ill say it should display quite well whats going on.

In the old HCFR you can adjust the read time at low level, it takes some time, but it works quite well.
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 7:09 pm    Post subject:

As I said the i1pro. I bought it from a professional calibrator because he had to change his meter every few years but all these i1pro's don't do the low ire part he assured me. The good part is that they measure accurate colours but I will need a spider one of these days to measure the low ire because they do that better.
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 7:33 pm    Post subject:

He it is sharper with the new video amp! Smile I can clearly see it in the subtitles they are better at contrast 70 than they where yesterday.
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Francisco



Joined: 05 Apr 2007
Posts: 305
Location: The Netherlands

Posted: Mon Aug 25, 2014 9:32 pm    Post subject:

oh boy Stridsvognen you must be a really Barco and Eisemann hater. I do agree on a lot of things you are saying but sometimes you are jumping to conclusions.

With the Eisemann mods and moome internal IFB-HD V3 board the bandwidth improved significantly and it resolves 1:1 much better, see picture:

1080p@60hz


I do agree that the video chain of the Marquees is kept simple and straight forward with a good result on 1:1 resolvability and can handle very high BW up to 200mhz.

But it is also a machine that needs a lot of attention to get it that far with a lot of modifications and tweaking. Also simple fact I don't have one... I have a Barco and will try to get the very best out of it because that's the sport off course like you try to get the best out of your Marquee. I already love the picture that it gives and the fact that it is silent because of the split pack configuration.
About Greg Eisemann, he has a small business and it's decreasing rapidly due to digital solutions. His modifications does improve the BW, don't judge him if you haven't tested it yourself. And I agree on the figures and percentages he's claiming are BS, but that's just different culture he's an American they exaggerate to make their point, bigger better best. But he knows what he is doing and has a lot of knowledge don't be to harsh on him.

I think it's very cool that we can combine our knowledge here and try to get the best out of our projectors. Doesn't matter if it's a G90 909 or 9500 ultra.

_________________
Philips vacuum cleaner | Trystar double toaster | Car radio with orange plastic memory arrows | Class A Fridge
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Mon Aug 25, 2014 9:40 pm    Post subject:

Ok what I am seeing here (in these pictures above) is good enough for me. I played with some 1080p material and came to the conclusion that it looked best at 720p@72. Resolving the bandwidth is indeed important I realise now. Glad you lead the way as usual Wink

I wonder what your 1080p@72 looks like cause in my case 720p@72 had almost the same 1 on 1 resolution as 720p@60.
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stridsvognen
Guest






Posted: Tue Aug 26, 2014 6:36 am    Post subject:

Try play with your contrast seting while displaying the 1:1 pattern, Look at the tube face, and start from 0 contrast, and slowly turn it up, do the difference in output on the vertical vs. Horizontal stay the same no matter how you drive the yube, or do you loos all vertical high resolution at low level output.?

The pattern after the SMPTE pattern on the HD Basic blu ray have a 1:1 0-100% IRE and a 0-50% IRE.

If someone have the skills they should make a 1:1 testpattern for CRT with 10%IRE steps.
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stridsvognen
Guest






Posted: Tue Aug 26, 2014 1:03 pm    Post subject:

Francisco wrote:
oh boy Stridsvognen you must be a really Barco and Eisemann hater. I do agree on a lot of things you are saying but sometimes you are jumping to conclusions.

With the Eisemann mods and moome internal IFB-HD V3 board the bandwidth improved significantly and it resolves 1:1 much better, see picture:

1080p@60hz


I do agree that the video chain of the Marquees is kept simple and straight forward with a good result on 1:1 resolvability and can handle very high BW up to 200mhz.

But it is also a machine that needs a lot of attention to get it that far with a lot of modifications and tweaking. Also simple fact I don't have one... I have a Barco and will try to get the very best out of it because that's the sport off course like you try to get the best out of your Marquee. I already love the picture that it gives and the fact that it is silent because of the split pack configuration.
About Greg Eisemann, he has a small business and it's decreasing rapidly due to digital solutions. His modifications does improve the BW, don't judge him if you haven't tested it yourself. And I agree on the figures and percentages he's claiming are BS, but that's just different culture he's an American they exaggerate to make their point, bigger better best. But he knows what he is doing and has a lot of knowledge don't be to harsh on him.

I think it's very cool that we can combine our knowledge here and try to get the best out of our projectors. Doesn't matter if it's a G90 909 or 9500 ultra.


Dont worry i dont hate it, it just find it strange that no one like to see what they buy from Eisemann before they buy.

And that some find it ok that he can write all that bs about Ghz and stuff, and then still not resolve a 1080P 60 hz image.

What i notice on the pic you posted here is that it looks like you still have roleoff on the 2:2 line group, and some overshoot/ peaking to the start of the horizontal lines.

Why is there none of you Barco guys who A-B test a 909 with standard and Eisemann boards.?

Evaluate bandwidth and see how the analog gama respons behave, low level performance, how it holds bandwidth at all levels, see how high gamma you can run before you crush black.

Also a good idea to see that the DAC can output a perfect 8 bit resolution, and how the croma signal is passed.

I find that to be able to give a CRT a decent chance to compete with a good digital projector, it needs to handle all those points pretty well, if the reference has to be what the source intended it to look like/ true to the digital data.
And display a framerate who is at least 72hz to get smooth motion, or at least not worse than the native 24hz source.

I think its great to share experience and cross them on different projectors, but for it to hold any meaning, we need to have a common reference. And thats a bit hard with the distances involved here.

If you can send me a high res. Pic of that moome board used, ill most likely be able to tell if it has the bandwidth to do a perfect 1080P 60hz
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stridsvognen
Guest






Posted: Tue Aug 26, 2014 8:12 pm    Post subject:

redfox001 wrote:
Ok what I am seeing here (in these pictures above) is good enough for me. I played with some 1080p material and came to the conclusion that it looked best at 720p@72. Resolving the bandwidth is indeed important I realise now. Glad you lead the way as usual Wink

I wonder what your 1080p@72 looks like cause in my case 720p@72 had almost the same 1 on 1 resolution as 720p@60.


1080P 72 hz on my setup at the moment looks amazing to me. I been very picky selecting my video chain. There is still room for improvements. Later ill have to play much more with calibrating, only using the CRT adjustments, and see how LUG tubes look compared to the new LCP tubes.

At the moment im using the Hdfury 4 to frame triple, as it passes the best croma performance, the Radiance do have quite a lot of performance issues at the moment, it wont pass a 8bit signal producing a smooth gray ramp, and it has some funny croma behavior. Im exited to see how future software will fix that.

Something i like at the moment is that the MP mods i run in my Marquee has totally noise free low level performance, and i have bypassed the gamma correction on my VIM to be able to get a better gamma calibration.

I admit that the only other CRT i can refer to is my G90, and it simply looks like crap next to this modified Marquee.

In mostly all parameters it outperforms the G90, the G90 might be a bit sharper on some test patterns, but its noisy and the contrast looks washed out, no fine detail and dynamic.

Something i noticed recently is that even the G90 reacts to the Radiance performance, and it for sure trows a better image direct from a player. Just adding the Radiance is softening and making the image look more flat, activating any CMS features at all just makes it worse.

So now my goal is to run as few processors in the video chain as possible, the reason that i wish to get the analog output of the Hdfury4 to perform, making it possible to skip the Moome card, and let the player and Hdfury be the only processors involved in the digital transfer.

If you spend some time playing with different processors/ scalers you will find out that there is a lot lost in the processing.

On the HD Basic disc there is some 720P 60 hz demo clips, try play with those, compare to downscaled 1080P material, and you get a idea what you loos when scaling.
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Francisco



Joined: 05 Apr 2007
Posts: 305
Location: The Netherlands

Posted: Wed Aug 27, 2014 8:36 am    Post subject:

stridsvognen wrote:
Francisco wrote:
oh boy Stridsvognen you must be a really Barco and Eisemann hater. I do agree on a lot of things you are saying but sometimes you are jumping to conclusions.

With the Eisemann mods and moome internal IFB-HD V3 board the bandwidth improved significantly and it resolves 1:1 much better, see picture:

1080p@60hz


I do agree that the video chain of the Marquees is kept simple and straight forward with a good result on 1:1 resolvability and can handle very high BW up to 200mhz.

But it is also a machine that needs a lot of attention to get it that far with a lot of modifications and tweaking. Also simple fact I don't have one... I have a Barco and will try to get the very best out of it because that's the sport off course like you try to get the best out of your Marquee. I already love the picture that it gives and the fact that it is silent because of the split pack configuration.
About Greg Eisemann, he has a small business and it's decreasing rapidly due to digital solutions. His modifications does improve the BW, don't judge him if you haven't tested it yourself. And I agree on the figures and percentages he's claiming are BS, but that's just different culture he's an American they exaggerate to make their point, bigger better best. But he knows what he is doing and has a lot of knowledge don't be to harsh on him.

I think it's very cool that we can combine our knowledge here and try to get the best out of our projectors. Doesn't matter if it's a G90 909 or 9500 ultra.


Dont worry i dont hate it, it just find it strange that no one like to see what they buy from Eisemann before they buy.

And that some find it ok that he can write all that bs about Ghz and stuff, and then still not resolve a 1080P 60 hz image.

What i notice on the pic you posted here is that it looks like you still have roleoff on the 2:2 line group, and some overshoot/ peaking to the start of the horizontal lines.

Why is there none of you Barco guys who A-B test a 909 with standard and Eisemann boards.?

Evaluate bandwidth and see how the analog gama respons behave, low level performance, how it holds bandwidth at all levels, see how high gamma you can run before you crush black.

Also a good idea to see that the DAC can output a perfect 8 bit resolution, and how the croma signal is passed.

I find that to be able to give a CRT a decent chance to compete with a good digital projector, it needs to handle all those points pretty well, if the reference has to be what the source intended it to look like/ true to the digital data.
And display a framerate who is at least 72hz to get smooth motion, or at least not worse than the native 24hz source.

I think its great to share experience and cross them on different projectors, but for it to hold any meaning, we need to have a common reference. And thats a bit hard with the distances involved here.

If you can send me a high res. Pic of that moome board used, ill most likely be able to tell if it has the bandwidth to do a perfect 1080P 60hz


I will send you a picture in high resolution to judge on it when I'm ready. You must know that this is a iphone picture the only thing we can make out of it is resolvability. This because the iphone ad's a lot of noise and can't focus well.
Soon I will test new moome board as well to see what it will bring. By the way I did a lot of A-B test with greg's boards and original Barco stock boards. My findings are that it when I connect internal moome board it handles on greg's boards 1:1 is better, sharpness is better, less noise. Compared to stock boards.

Questions for you is, why are you using HDfury4? and not the MP modded VIM v3? Does it handle BW better?
Also how are you going to display 1080p@72hz without the Lumagen?
Another question is how is your setup now? Modded marquee? which modded boards do you use? and which tubes and lenses, color corrected? Video chain: oppo > HDfury4 > marquee?
Did you do grayscale calibration? how is your gamma holding.

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CasetheCorvetteman



Joined: 09 Nov 2008
Posts: 6326
Location: Australia

Posted: Wed Aug 27, 2014 10:40 am    Post subject:

I was going to buy the modded boards for my Barco and then thought f*** it, what for? The machine is capable enough as it is, why dump another heaps of unrecoverable cash into it?

I use a PC for 3D movies, the image quality is perfectly adequate. The biggest improvement i felt ive got from it so far is installing a far better screen and putting up a better ceiling using good quality German made tiles painted black. Those two items alone made a massive difference to image quality, but they can be used again on whatever machine eventually replaces my CineMAX.

I spend far more time playing my Nintendo WiiU on the Barco than i ever will watching movies, and i lost interest in test patterns some time ago. At the end of the day, you can improve the projector ten fold, but will it really matter? Probably not in five years time.

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Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...

RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Wed Aug 27, 2014 10:58 am    Post subject:

Thanks Case your words are true and I honestly tested the extra bandwidth and it is nice to have. But when I look at the screenshots MP has put online I am stunned they are very very sharp. So I conclude that the Marquee when modded to the end and I don't know what tubes and lenses MP uses is possable the best machine in picture quality and Strid might have a point there. But the differences are very small because I know how stunning the 909 looks too with the lugs and hfq's.

When I rethink everything and after reading and soldering a lot I conclude that what Eisemann has done is a tremendous thing. He has brought the 909 to a level that MP could not achieve in his own words. MP clearly stated that the neckboard holds limitations in bandwidth and that he could not get it right but as Francisco shows with the one on one together with Eisemann he has gone past these limits somehow and that seems like a miracle to me!

But I am honestly thinking that the 909 will be limited in bandwith anyway but makes up for that with the lugs lenses and focus and convergence and low noise. So they are on par is my best guess.

Will I do the Eisemann mods? I will tweak a little on my own and wait if my MP modded boards come close when I have a better hdmi converter. I also have some ideas for lowering the noise that are inspired by the MP modded boards.

But when I see that Vision one Curt has for sale I am tempted Very Happy
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