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Review: Greg Eisemann Barco 909 modifications
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Francisco



Joined: 05 Apr 2007
Posts: 305
Location: The Netherlands

Posted: Tue Apr 08, 2014 1:09 pm    Post subject:

Hi Greg,

Peaking was turned off indeed. Standard OEM Green Panasonic LUG but sharpness is excellent IMHO. Only BW SMPTE 1:1 pixel could be better compared to Marquee, but will see what happens after RGB amp mod.
Already canged the original cables for these shielded Belden cable with Canare BNC connectors some months ago.





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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Tue Apr 08, 2014 2:41 pm    Post subject:

I have been thinking about these cables too and perhaps would take out the video completely and arange everything in a way to make a very short video connection right through the ceiling into the housing bypassing all external connectors Rolling Eyes
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stridsvognen
Guest






Posted: Tue Apr 08, 2014 3:03 pm    Post subject: Re: BW

geisemann wrote:
Hi


I don't add any peaking. Peaking is tricky and I leave that up to the customer they need to add more or less based on preference. All peaking has been turned off it looks like in these photos. You can add peaking in the Barco Menu. That being said these pictures look very soft. Not sure if its the tubes, split pack config, or the calibration of the pole magnetic's?

I suspect a split back has much longer cable feeds to the neck cards causing more PF of loss in the cables. This will make the image softer. I hope barco compensated by using large RGB cables but I suspect they didn't.

I recommend people with split packs to look at these cables and possibly upgrade the Video feed to the neck cards ..

All peaking has been turned off it looks like in these photos. You can add peaking in the Barco Menu.

Some MOD specs:

Original cables from Switcher to RGB driver 60PF of capacitance. 17 PF after new lower loss RGB cables used. Factor of 3.

BW of original switcher at a gain of 2 card was aprox 650 MHZ before the mod after the mod 2.2 GHZ Factor of 3.3

BW of original RGB driver card at a gain of 5 was aprox 400 MHZ before and after the mod 860 MHZ Factor of 2



We have a custom neck card mod we are going to give this customer to give him better resolution. He will also be installing simulation grade new P19lug tubes so that should give him a big boost in sharpness aprox 25- 35% The green is the most important and I believe its has a standard resolution Panasonic standard oem Barco tube. We custom order our tubes and pay extra for better glass and gun.

So we are not done yet with this unit.

Again I have not the sharpness difference between split pack / regular 909 and am slightly concerned by larger interconnect cables.


GREG


www.eisemann-theater.com


Greg im not sure i understand those nr, so is it posible you can just explain the bandwidth of the complete video chain, meaning what its able to output on the tubes.

As i have understood the 909 spec say 180Mhz, but measures around 120Mhz.. What did you measure the bandwidth to with all mods instaled.?

Asked another way, what is the highest pixel clock it will fully resolve on screen.?
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barclay66



Joined: 27 Jun 2011
Posts: 1304
Location: Germany

TV/Projector: Marquee 9500 Ultra

Posted: Tue Apr 08, 2014 5:24 pm    Post subject:

Hi,

The bandwith of the complete video chain is determined by its weakest link and this usually are the output stages on the neck boards. Their limitation is caused by the large voltage swing they have to produce and the required slew rate of the output amplifiers (usually measured in V/µsec).
More about this here: http://en.wikipedia.org/wiki/Slew_rate
Just imagine: An amplifier capable of 800MHz bandwith at an output level of 0.5Volt peak to peak (= 1V swing) has a slew rate of 3500V/µs (e.g. datasheet of the CLC111). For an output swing of 100V (not unusual for a neck board) it would need almost 100 x this slew rate in order to amplify at the same bandwith. This is where physical limits collect their toll.

So: If the neck boards remain unmodified, the complete video chain's bandwith won't improve significantly...

Regards,
barclay66
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geisemann



Joined: 30 Nov 2009
Posts: 33


Posted: Tue Apr 08, 2014 5:33 pm    Post subject: 909 BW

The Signal path of the 909 goes in this order

Input BNC Jacks> Motherboard> Board Connectors> Switcher input transistor ( different for port 3 vs port 5)> Switcher opamp gain of 2> Interconnect cables> RGB driver gain of 5> Board Connectors> Interconnect coax> neck cards.

That being said the original port 3 input transistor on the switcher card is poor. We had to remove this and use a 5 GHZ transistor on port 3 to resolve more BW. The original port 3 went though 3 transistors that were all below 200 MHZ so using the port 3 alone on a 909 is horrible and at a min port 5 should always be used. The original port 3 was designed in late 1980 or early 1990 and was never changed and carried though all the barco modules including the old 800. This card went into a old Barco TTL switcher box that many customers used so barco had to induce this box in order to provide a quick plug and play design as a update. This old box and interface was horrible to say the least.

If you had a very early 1209, 800 model in some cases the port 3 actually gave you a better image but there was easy fix for that.

When the mod is made the port 3 input on the switcher card is removed and upgraded to a 5 GHZ input. Then the following path to the opamp to get it ready to move to the RGB driver card is put though a opamp gain of 2 and we remove this amp and replace with a 2.5 GHZ opamp to replace the old HFA1100 700-800 MHZ amp. This cleans up the input on the entire input stage.


BW is a function of making the first stages of the amp at a much much higher BW than the final stage. That's why audio amps with Vacuum Tube input stages with solid state output make a good pair because a tube has a very low input capacitance and excellent BW. Giving you a warm full sound.

Video amps are the same principle. The new BW of the projector will be a function of the entire chain. This figure 120MHZ RGB BW of the final stage depends on the input stage, input interface and source etc. So measuring this would require some baselines we don't have any data for so I cant verify this number and again we don't know the input resolution of the test. I was able to measure some BW over 190MHZ but again these numbers mean nothing if you have poor tubes or bad focus ....

I would say the barco neck cards on the 909 are superior with the custom output chip to say a 1209s.

Whats interesting is the old 1209G had a very well designed neck card with high BW. The tubes were not P19lug so they were soft and the back stage was poor. We have done many upgrades by re-wire the neck cards on a 1209G with P19lug simulation guns ( small aperture spot) and upgraded the back stages of the 1209G and had amazing results to the point where its almost sharper than a 909. So you can take a older Gen projector and work off its strengths. The 1209G with upgrades will have a far better BW than a 1209s.

www.eisemann-theater.com
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stridsvognen
Guest






Posted: Tue Apr 08, 2014 5:55 pm    Post subject:

Greg can you try post some screen shots of your test setup, showing a 1080P 72 hz 1:1 verticaland horisontal lines. so we finaly can see how its surposed to look like. ( closeup )

That should be possible with 190Mhz bandwidth.

What us that dont have a 909 wonder is why no one ever post a screen shot where 1080P 60hz is resolved right. Not even with all mods instaled.

You must be the man who can do it, and ill guess a prove like that will make quite a few BARCO guys jump on your mods.
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CasetheCorvetteman



Joined: 09 Nov 2008
Posts: 6326
Location: Australia

Posted: Wed Apr 09, 2014 3:25 am    Post subject:

stridsvognen wrote:
Greg can you try post some screen shots of your test setup, showing a 1080P 72 hz 1:1 verticaland horisontal lines. so we finaly can see how its surposed to look like. ( closeup )

That should be possible with 190Mhz bandwidth.

What us that dont have a 909 wonder is why no one ever post a screen shot where 1080P 60hz is resolved right. Not even with all mods instaled.

You must be the man who can do it, and ill guess a prove like that will make quite a few BARCO guys jump on your mods.

I posted the compared results of my stock CineMAX using port 5 RGB HV direct from the computer as well as port 3 and 5 using HDMI to the MOOME V3 external and if you look back at those you will see the difference just in that.

_________________
Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...

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CasetheCorvetteman



Joined: 09 Nov 2008
Posts: 6326
Location: Australia

Posted: Wed Apr 09, 2014 3:29 am    Post subject:

redfox001 wrote:
I have been thinking about these cables too and perhaps would take out the video completely and arange everything in a way to make a very short video connection right through the ceiling into the housing bypassing all external connectors Rolling Eyes

You can make your own using quad shield RG6.

_________________
Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...

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stridsvognen
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Posted: Wed Apr 09, 2014 4:36 am    Post subject:

CasetheCorvetteman wrote:
stridsvognen wrote:
Greg can you try post some screen shots of your test setup, showing a 1080P 72 hz 1:1 verticaland horisontal lines. so we finaly can see how its surposed to look like. ( closeup )

That should be possible with 190Mhz bandwidth.

What us that dont have a 909 wonder is why no one ever post a screen shot where 1080P 60hz is resolved right. Not even with all mods instaled.

You must be the man who can do it, and ill guess a prove like that will make quite a few BARCO guys jump on your mods.

I posted the compared results of my stock CineMAX using port 5 RGB HV direct from the computer as well as port 3 and 5 using HDMI to the MOOME V3 external and if you look back at those you will see the difference just in that.


Thanks Greg.

I forgot you posted those pics documenting the new 190Mhz bandwidth performance of your mods,

Please post those shots of your latest mods here to. Very Happy

Greg you make me confused when you use different usernames.. Wink
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CasetheCorvetteman



Joined: 09 Nov 2008
Posts: 6326
Location: Australia

Posted: Wed Apr 09, 2014 6:30 am    Post subject:

Stop being a dickhead.
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RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Wed Apr 09, 2014 10:54 am    Post subject:

CasetheCorvetteman wrote:
redfox001 wrote:
I have been thinking about these cables too and perhaps would take out the video completely and arange everything in a way to make a very short video connection right through the ceiling into the housing bypassing all external connectors Rolling Eyes

You can make your own using quad shield RG6.


Yes was checking on coax lately so RG6 is best? I imagine that the thinner the cable the less metal is in it and the less capacitance but of cause the dimensions matter the same. Sorry I just read that Greg says the thicker cable is better. Why not use twin lead at 75 ohm?
http://en.wikipedia.org/wiki/Twin-lead

Still a difficult topic these cables. They have a characteristic impedance of 75 Ohm but that is as a transmission line. Do they act as a shunt capacitance with their total length and that as a low pass filter? Greg has experience as says so. I think he is very right.


By the way where is your thread with the CineMAX pictures? I have not been lazy but could not find pictures nowhere! Very Happy


Last edited by redfox001 on Wed Apr 09, 2014 12:16 pm; edited 3 times in total
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Wed Apr 09, 2014 11:08 am    Post subject:

By the way I came up with a crazy idea the other night to make a stock CineMAX more silent. Why not split the convergence tray's plugs? That way the convergenc/focus unit can be placed elsewhere (with these fans) and all you have to do is make these connectors between the tray and the motherboard a meter long. Still just an idea to think further about. Someone take a shot please Smile
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geisemann



Joined: 30 Nov 2009
Posts: 33


Posted: Wed Apr 09, 2014 2:32 pm    Post subject: RG6

HI

I went though a lot of different cables to connect the RGB switcher to the RGB driver and had to find a cable that was larger and better PF per foot but not too cumbersome. I took the old cable and put it on my Cap meter. RG6 would be great but way too large and be impossible to close the projector back hatch.

I found one that was small but had low loss. There are several types that are small but the loss was too great and not worth the upgrade. The outer jacket was large and the differential between the center conductor and the outer shield was not. So you had to find a cable that was not rated to be external but internal. There are not many left at this point as digital electronics have taken over so internal interconnects coax is difficult to locate. You want to select a cable with a small outer shield but a large inner insulator. This provides less PF per foot and able to increase BW.

This selection of cable was hard to locate worse than the actual replacement transistors in the input section actually!

If you are referring running RG6 to the back connectors ( port 5) of the projectors its a OK interface but you are better off running straight HDMI to the projector. No matter how good the cable is you will have PF of loss to muddy the picture.

The HDMI internal interface I designed bypasses the motherboard of the projector, connectors and also cable loss and it is matched to the switcher so its extremely clean and sharp. I did this experiment years ago after getting noise and focus problems using the port 5 BNC in the back of the unit.

I hope that helps.

Greg

www.eisemann-theater.com
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redfox001



Joined: 16 Mar 2009
Posts: 2257
Location: The Netherlands

Posted: Wed Apr 09, 2014 3:33 pm    Post subject: Re: RG6

geisemann wrote:
HI
You want to select a cable with a small outer shield but a large inner insulator. This provides less PF per foot and able to increase BW.

www.eisemann-theater.com


That seems very correct! And than you did all the measurements to verify that it works with a spectrum analyser. Thumbs Up

I never thought of these cables in this way.
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CasetheCorvetteman



Joined: 09 Nov 2008
Posts: 6326
Location: Australia

Posted: Thu Apr 10, 2014 1:10 am    Post subject:

See in my case using RG6 straight from the PC, it is a better option than HDMI to the MOOME V3 external. Its noticable.

Fox, i cant remember the name of the thread, it was a while ago, Mike posted a fair few pics of his modded Marquee with the same pattern.

_________________
Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...

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Francisco



Joined: 05 Apr 2007
Posts: 305
Location: The Netherlands

Posted: Thu Apr 10, 2014 8:45 pm    Post subject:

CasetheCorvetteman wrote:
See in my case using RG6 straight from the PC, it is a better option than HDMI to the MOOME V3 external. Its noticable.

Fox, i cant remember the name of the thread, it was a while ago, Mike posted a fair few pics of his modded Marquee with the same pattern.


I think it was this threat: https://www.curtpalme.com/forum_archived/viewtopic.php@t=34512.html

But also analog RGBHV RG6 cables doesn't resolve full bandwidth 1080p. For my own experiences Moome ext. V2 is better than analog RGBHV straight from PC, IMHO.

@Case do you have the Eisemann boards? and the modified MP board?

@ElTopo did you try the Eisemann internal HDMI board, and what are your experiences as to BW?

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CasetheCorvetteman



Joined: 09 Nov 2008
Posts: 6326
Location: Australia

Posted: Thu Apr 10, 2014 9:22 pm    Post subject:

Not yet mate, i just havent had the time to get it organized with Greg. The easiest way for me would be if i can get a full set of modded boards outright instead of sending mine from Australia to him for mods.
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Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...

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stridsvognen
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Posted: Sat Apr 12, 2014 7:42 am    Post subject:

Hey Case, did you ever make any screenshots with the right 1:1 pattern where vertical and horisontal have the same level from the source.?
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Francisco



Joined: 05 Apr 2007
Posts: 305
Location: The Netherlands

Posted: Sat Apr 12, 2014 8:40 am    Post subject:

stridsvognen wrote:
Hey Case, did you ever make any screenshots with the right 1:1 pattern where vertical and horisontal have the same level from the source.?


Hey Strids,

What tubes and lenses do you currently have in your main Marquee? and what modifications did you do?

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stridsvognen
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Posted: Sat Apr 12, 2014 8:51 am    Post subject:

Francisco wrote:
stridsvognen wrote:
Hey Case, did you ever make any screenshots with the right 1:1 pattern where vertical and horisontal have the same level from the source.?


Hey Strids,

What tubes and lenses do you currently have in your main Marquee? and what modifications did you do?


I always used LCP tubes/ standard tubes in the Marquee, at the moment there is no mods in my machine, its just using the latest Moome board, and a 03VIM.

Im using HD10E lenses on my 9553LC, and GT17 on my Vidikron Vision one

I have a green and red lug tube and some mods ready to be tested in the future. VNB and VIM.
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