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Whats your favorite center channel ?

 
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jeffslife



Joined: 17 Apr 2010
Posts: 4190
Location: ohio usa

Posted: Fri Feb 28, 2014 10:56 pm    Post subject: Whats your favorite center channel ?

and why ? please only tried and true not the center you wish you had.

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Nashou66



Joined: 12 Jan 2007
Posts: 16171
Location: West Seneca NY

Posted: Sat Mar 01, 2014 12:49 am    Post subject:

I must say that the Phase technology PC series is a great center channel and even their book shelf speakers work great as centers. There was a single PC 60 for sale on ebay. It is a legendary sounding speaker. I have the PC 33.3 as a center. Very clear and crisp.

I Have also heard the BW 800 series center and that was awesome!! It goes really deep for a center, yet is very intelligible for dialog.

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RayN999



Joined: 25 May 2010
Posts: 207
Location: Minneapolis, MN

TV/Projector: Sony VPL-VW60 and Toshiba 65H84 CRT RPTV

Posted: Sat Mar 01, 2014 1:30 am    Post subject:

Martin Logan Cinema is what I'm using now, complements the Aerius i front channel speakers just fine. Excellent off-axis quality due to the curved ES panel. Much better than the NHT SC-1 I had previously.

Ray

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jeffslife



Joined: 17 Apr 2010
Posts: 4190
Location: ohio usa

Posted: Sat Mar 01, 2014 5:13 pm    Post subject:

I have seen a lot of Martin Logan stuff used on ebay with major price cuts, looks interesting, a 60 pound center sounds serious.
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stridsvognen
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Posted: Sat Mar 01, 2014 6:53 pm    Post subject:

After many years of experimenting, i prefer no center speaker at all.

I have been around 15-20 different center configurations with different center speakers, stacked center speakers, front speaker used as center speaker, and 2 front speaker in the center, and even with different sub solutions to support the center channel.
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Sat Mar 01, 2014 7:00 pm    Post subject:

stridsvognen wrote:
After many years of experimenting, i prefer no center speaker at all.

In the compromised situation of a non-AT screen with a speaker a half a meter off the floor, this can certainly hold true for some. Of course, it only works in the rare situation where you only want one really good sweet spot. For a smaller room with a number of seats, it's an epic fail.

I've seen and heard awesome-sounding theater setups done exactly one way: Three, identical large mains behind an AT screen, properly positioned, in a room with room treatments done right. I didn't have space for it this time around, but that will be how my next room is done.

SC
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stridsvognen
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Posted: Sat Mar 01, 2014 7:18 pm    Post subject:

ecrabb wrote:
stridsvognen wrote:
After many years of experimenting, i prefer no center speaker at all.

In the compromised situation of a non-AT screen with a speaker a half a meter off the floor, this can certainly hold true for some. Of course, it only works in the rare situation where you only want one really good sweet spot. For a smaller room with a number of seats, it's an epic fail.

I've seen and heard awesome-sounding theater setups done exactly one way: Three, identical large mains behind an AT screen, properly positioned, in a room with room treatments done right. I didn't have space for it this time around, but that will be how my next room is done.

SC


Im sure it depends preferences, and brand of speakers used, but in my case its mostly Dali speakers, and they are best when not listening on the axis of the speaker. Guess its that way for most normal speakers, about sweetspot, i also have a wider swetspot when not using center speaker, but im sure you know a WTW configuration do to the spreading of the sound.

The idea about identical speakers will be the best, but it will still make me listen directly on axis of the center speaker, and with much more distortion compared to the identical front speakers.

The best i had was 2 2way speakers side by side in the center, but it was still not able to handle the effect i feel is needet to keep up with the front speakers.

Another problem might also be that im not willing to buy a extra Dali Gravity amp just for my center channel to match the rest.

Ohh and not using the Dali Gravity while i have rebuilding my house have saved me 3378kwh in 1 year. Laughing

Emagine running 2 or 3 of those..
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nettwerkjohn



Joined: 08 Mar 2006
Posts: 921
Location: Blenheim, Marlborough, New Zealand

Posted: Sun Mar 02, 2014 1:34 am    Post subject:

we're using 2 janszen z-30 electrostatic hybrids. (they match the z-40 fronts, and z-30 rears...)
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zaphod



Joined: 16 Jun 2006
Posts: 2002
Location: Cloverdale

Posted: Sun Mar 02, 2014 3:11 am    Post subject:

i have used a Martin Logan Logos for years, replacing it only with a Martin Logan Stage.

the Logos driven by a Mac MC-60 tube amp was divine.

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jeffslife



Joined: 17 Apr 2010
Posts: 4190
Location: ohio usa

Posted: Sun Mar 02, 2014 2:55 pm    Post subject:

2 electrostatics now that's interesting, How and where are they positioned ?
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zaphod



Joined: 16 Jun 2006
Posts: 2002
Location: Cloverdale

Posted: Sun Mar 02, 2014 3:33 pm    Post subject:

three electrostat users!

Ray is using a ML Cinema, Nettwerkjohn is using Janszen z-30 and i've got the ML stage (was using the ML Logos - does that make it 4 Smile )

why? i find that electrostats do a gret job on voice. their midrange is (to me) in matched. My whole system is ML electorstats for tonal match.

In the system that is no more it was positioned just a bit back of the fronts. you can see it just below the Sony 27" - gives you an idea of the age of the picture Smile - the electric screen came down jusst between the mains.


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jeffslife



Joined: 17 Apr 2010
Posts: 4190
Location: ohio usa

Posted: Sun Mar 02, 2014 3:49 pm    Post subject:

Is Nettwerkjohn using 2 electros as center ? Or did I misunderstand ?
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mr_ro_co



Joined: 08 May 2006
Posts: 1643
Location: Santa Fe NM

Posted: Sun Mar 02, 2014 4:41 pm    Post subject:

My favorite would be one that either is a point source or mimics a point source. Single driver, coaxial, or symmetric array (direct radiator or horn) all effect point source radiation. Symmetric arrays (MTM/WTM) can be better in that they can have more narrow vertical dispersion coupled with a controlled horizontal dispersion angle. This limits HF ceiling and floor reflections while achieving enough horizontal dispersion to get seamless coverage and constant spectral balance across the three fronts. A key attribute of point source is either lack of vertical interdriver interference patterns ("lobing") or mitigating them by making them symmetric and ameliorating hot spot lobes with pattern overlap and by optimizing or manipulating interdriver excess phase and filter slopes.

One of the best commodity LCR speakers for home theater is the Dunlavy SC-1, or any of its big brothers. Superb dispersion characteristics and unmatched, stunningly natural speech intelligibility. It's also pulse coherent, which means harmonically accurate. Very few speakers perform even remotely as well as a center/front speaker for conventional / small format home theater than the Dunlavy designs.

True point source or symmetric arrays with flat or linear phase through the crossover region as well as through key speech intelligibility frequency regions will yield excellent dialog clarity. This is enhanced with controlled dispersion and room treatments. Ideally the three front speakers are identical, oriented uniformly. This is difficult to accomplish without an AT screen, and the usual compromise of putting a MTM speaker on its side for the front pretty much negates the benefit of identical point source LCRs.

Many hi-fi speakers valued for their two channel subjective sound appeal are poor choices for the needs of LCR speakers, let alone the specific performance needed from a center channel speaker.

Steve

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nettwerkjohn



Joined: 08 Mar 2006
Posts: 921
Location: Blenheim, Marlborough, New Zealand

Posted: Sun Mar 02, 2014 6:30 pm    Post subject:

correct. i am using 2 z-30s, side by side. i'll get some pix done later...

whatever the "measurements" say, this configuration sounds good, and thats what really matters, ain't it?

the only other theaters that i've heard that i liked the sound of better was one with a complete set of shahinian ARCs with a triad inroom sub, and one with a complete set of triad inwalls...
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jeffslife



Joined: 17 Apr 2010
Posts: 4190
Location: ohio usa

Posted: Sun Mar 02, 2014 8:24 pm    Post subject:

Yep, Screw the measurements ! The only measurement that matters is if it sounds good to you. Since electrostatics don't actually have a speaker "layout" would it matter if they were horizontal ? Just curious.
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mr_ro_co



Joined: 08 May 2006
Posts: 1643
Location: Santa Fe NM

Posted: Sun Mar 02, 2014 11:01 pm    Post subject:

The "if it sounds good, is is good" approach only works to an extent. There are specific performance attributes for LCR speakers that rule out many, if not most, hi fi speakers that otherwise sound "great" in two channel audio. Just as with using C-elements, proper pj throw / lens combos, and accurate ISF setup for correct geometry, gray scale and gamma to get a great looking image, there are specific acoustic performance requirements that require a specific type of loudspeaker performance to get the best dialog clarity, and a consistent spectral balance for the front channel mix for the overall viewing location. Using whatever exotic speakers you want in mismatched approach will not yield the best sounding result. And that is not my opinion. Things like the THX spec have been thoroughly vetted out via intensive, systematic auditioning efforts that tightly correlate measured performance with subjectively received sound quality. There is a reason the pro theaters use the approaches they do. It is no accident, and it sure as heck isn't based on "forget what it measures like, it just needs to 'sound good.'"

Steve

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