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stefuel
Joined: 07 Mar 2006 Posts: 3353 Location: Green Harbor MA USA
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| Posted: Fri Feb 21, 2014 2:09 pm Post subject: |
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| AnalogRocks wrote: | | macgyver655 wrote: | If you are lucky enough to find a nice Ampro you will be well please for as long as you wish to enjoy CRT.  |
Ampro 4600 that is. |
No. AmPro 4600HD with the addition of a red c-element. Very reliable. I know someone who had one that was re-tubed many times with very few problems. Slightly bandwidth limited that was obvious looking at test patterns but I don't watch test patterns and the limitation was not noticable watching full motion video.
_________________ Chip
A Barco is only a AmPro with training wheels
Card carrying member of the AVS chain gang.
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Fri Feb 21, 2014 9:35 pm Post subject: |
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| ElTopo wrote: | | Curt said it Barco Cine 9. |
I dont really agree, and i think its beat up to be alot more than it really is. But if you wanted to get really technical, the CineMAX is better than the Cine 9 anyway according to the projector specs site that had them both listed.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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Curt Palme CRT Tech
Joined: 08 Mar 2006 Posts: 24396 Location: Langley, BC
TV/Projector: All of them!
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| Posted: Fri Feb 21, 2014 10:31 pm Post subject: |
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I didn't check closely, but I don't think there's any board changes between the Cine 9 and CineMax. Perhaps the French specs are slightly better than the Belgian ones?
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Sat Feb 22, 2014 1:40 am Post subject: |
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Nah there is no board differences, according to one source there is a couple more features in relation to the source storage and LIMO PRO was fitted standard in the CineMAX, in another source they state the CineMAX name was used on the first models and was later changed to Cine 9. Its anyones choice what they want to believe really, there would be no difference on screen. Mine is a 2001 model and its a CineMAX, the french didnt have a hand in it then apparently.
The french company never sold any CRTs that i could find, Barco sold the home theatre side of the business to them and continued catering only for the commercial market by all accounts, at that time they were still selling the 909.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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ElTopo
Joined: 07 Nov 2006 Posts: 1640
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| Posted: Sat Feb 22, 2014 9:49 am Post subject: |
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Mine is a CineMax with a Cine9 logo on the screen
_________________ Barco Cine 9 the one and only
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Francisco
Joined: 05 Apr 2007 Posts: 305 Location: The Netherlands
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| Posted: Mon Feb 24, 2014 10:06 pm Post subject: |
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| CasetheCorvetteman wrote: | | ElTopo wrote: | | Curt said it Barco Cine 9. |
I dont really agree, and i think its beat up to be alot more than it really is. But if you wanted to get really technical, the CineMAX is better than the Cine 9 anyway according to the projector specs site that had them both listed. |
They are both the same, Barco sold Home cinema devision to Tec. Tec also used the name Cinemax but had to change that because of a theatre chain also called Cinemax. Other than C-colored C elements and optional Limo-pro line doublers etc. hardware is the same to 909, Cine9, Cinemax, Runco DTV-1200, Seos SH-919. Software can be different but that doesn't change image quality.
_________________ Philips vacuum cleaner | Trystar double toaster | Car radio with orange plastic memory arrows | Class A Fridge
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Tue Feb 25, 2014 12:12 am Post subject: |
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| Francisco wrote: | | CasetheCorvetteman wrote: | | ElTopo wrote: | | Curt said it Barco Cine 9. |
I dont really agree, and i think its beat up to be alot more than it really is. But if you wanted to get really technical, the CineMAX is better than the Cine 9 anyway according to the projector specs site that had them both listed. |
They are both the same, Barco sold Home cinema devision to Tec. Tec also used the name Cinemax but had to change that because of a theatre chain also called Cinemax. Other than C-colored C elements and optional Limo-pro line doublers etc. hardware is the same to 909, Cine9, Cinemax, Runco DTV-1200, Seos SH-919. Software can be different but that doesn't change image quality. |
They had to put it on the list somewhere; perhaps the CineMax was just higher on the list because it technically, chronologically, came later.
Doesn't the Cine 9/CineMAX also have quieter variable-speed fans, while the BR909 has noisier fixed-speed fans? That could also account for a different slot on a performance list for home theater applications. I know when Dave originally built the best/worst list for this site, it wasn't only about image quality. For instance, even though the 1292 is a high-performance 9-inch machine, he knocked it out of the 'BEST' category because it's so damn loud as to be nearly useless for HT without serious modification and hush box work.
Case, I'm serious… You seem to be very quick to denigrate the image quality of the 909 (and variants). You've even suggested that the XG would be better than a 909 if it had the same tubes. Those comments don't seem to align with my own personal experience, or with comments from people like Curt or Mike Parker, who have extensive 909 hands-on experience. I know the XG has an excellent signal path, but I'm also wondering… How much experience do you have with any 909 chassis other than your own?
The reason I ask is I've seen almost every high-performance CRT there is, from single G90s, Cliffy's stack, to Christie 9500LC Ultras and 909 blends. One of the BR909 setups I was involved in directly (almost 15 years ago, now) was amazing. It set up as a large-scale immersive virtual reality display, rear-projected on a large curved Stewart screen, and set up for 1600x1200 at 60hz. I realize the lower horizontal res helped, and I realize the larger vertical raster helped, but bandwidth is pretty close. Even though it was on a large screen with a large amount of pin to correct for the screen, it was incredibly, unbelievably sharp. Almost digital sharp. Even at that resolution, I could easily see scan lines, individual pixels in aliased graphics, and I could easily read the text in the SGI shell clear as day. It was without a doubt the sharpest CRT I've ever seen, and those were very early BR909's… 2000 would have been their year of manufacture.
So, I'm wondering… Is it possible your machine just isn't up to snuff in some way? Maybe something is out of spec. Certainly you have way, way more setup experience with the NEC than you do with the Barco… Couldn't that account for some difference, too?
Don't take this as adversarial. Your comments just don't seem to jibe with anything I've ever read, or my own personal experiences.
Cheers,
SC
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Tue Feb 25, 2014 3:01 am Post subject: |
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The CineMAX came PRIOR to the Cine 9... Not later, EARLIER.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Tue Feb 25, 2014 3:04 am Post subject: |
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Crabb, im not at any point stating the image quality on the Cine 9 isnt awesome, cause it is. But what i AM saying is its not all they make it out to be. There are many ways that it couldve been alot better.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Tue Feb 25, 2014 3:40 am Post subject: |
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My machine, as ive stated a couple times in the past, has EASILY better sharpness than the XG, EASILY better astig which can very easily be made perfect right to the corners, EASILY better focus electronicly speaking, and there is no doubt its brighter and has better contrast compared to the AC XG.
More later, im abit snowed under right now.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Tue Feb 25, 2014 10:25 am Post subject: |
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Sorry for that delay Crabb, ill finish now
So further more to what ive said about the sharpness and i dont dissagree with you that it may very well be the sharpest CRT known to man, and yes ive certainly been able to drag pretty close to the most out of my XG, but i think youre misunderstanding my opinions on the two machine here.
The CineMAX is obviously better than the XG, in many ways, as i noted above. Having said that, the XG cant compete in every way due to the tubes it has, but there is little question the convergence system is significantly more capable of flawless accuracy corner to corner. The Barco has only 81 points of adjustment compared to the NEC ( not just the XG ) having close to 200 points. The Barco convergence system is good, but the fine adjust mode is still too coarse and the zones are too large. If you have a very small misalignment, one press will generally mean its then out on the other side. On the NEC in fine point mode, the adjustments are so small it takes two or three presses to move the line about one pixel width, id guess about five presses to one of the Barco. Then there is the sheer number on adjustment types on the NEC, once you know what they all do, you can dial it in near perfect in every way in around 10 minutes ( provided youre not doing anything mechanical ). The Barco has a few adjustments, but not even half the ones that make a big difference for me on the NEC. And its not like as if NEC only built up to this towards they end, sure they added more as time went on, but my PG Plain has more convergence ability through options than my CineMAX has, and although ive never seen one, ive read that even the GP3000 and GP5000 had around 200 independent points of convergence adjustment. The CineMAX convergence is very stable once the machine is warmed up, but again, so is every NEC PG and XG ive ever set up.
Then there is the bandwidth claims... Its abit of a toss at best, although i did post up a while back visibly better results via RGB HV compared to the MOOME EXT V3 box, its not 180MHz. Ive read at some point recently that while the 909 and 912 are claimed and listed as 180MHz, the CineMAX/9 are 130MHz. That is certainly more believable and im sure youll agree. I have seen the test patterns Mike posted from his Marquee, and that pretty much proved beyond doubt that what he had was considerably more capable in terms of bandwidth.
So i hope that will clarify my opinions abit for you as far as that goes. Im not saying the CineMAX or 909 isnt the great machine everyone says it is, cause it sure is great, you know it yourself, but as far as being the "best", i have difficulty coming to terms with that. Best sharpness? Very likely. But does that make it the absolute best machine? Not in my opinion, i think there is a fair bit more to it.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Tue Feb 25, 2014 10:32 am Post subject: |
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A it more ill add for anyone else interested, a few days ago i updated my video card drivers and when i went to set resolutions again, i noticed the ability to send 2560x1440 via RGB HV, even at that insanely high resolution the text was readable across the whole screen. Thats sharpness for you for sure. But it also failed the bandwidth test with the vertical lines being very dark.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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Francisco
Joined: 05 Apr 2007 Posts: 305 Location: The Netherlands
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| Posted: Tue Feb 25, 2014 4:19 pm Post subject: |
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| CasetheCorvetteman wrote: | Sorry for that delay Crabb, ill finish now
So further more to what ive said about the sharpness and i dont dissagree with you that it may very well be the sharpest CRT known to man, and yes ive certainly been able to drag pretty close to the most out of my XG, but i think youre misunderstanding my opinions on the two machine here.
The CineMAX is obviously better than the XG, in many ways, as i noted above. Having said that, the XG cant compete in every way due to the tubes it has, but there is little question the convergence system is significantly more capable of flawless accuracy corner to corner. The Barco has only 81 points of adjustment compared to the NEC ( not just the XG ) having close to 200 points. The Barco convergence system is good, but the fine adjust mode is still too coarse and the zones are too large. If you have a very small misalignment, one press will generally mean its then out on the other side. On the NEC in fine point mode, the adjustments are so small it takes two or three presses to move the line about one pixel width, id guess about five presses to one of the Barco. Then there is the sheer number on adjustment types on the NEC, once you know what they all do, you can dial it in near perfect in every way in around 10 minutes ( provided youre not doing anything mechanical ). The Barco has a few adjustments, but not even half the ones that make a big difference for me on the NEC. And its not like as if NEC only built up to this towards they end, sure they added more as time went on, but my PG Plain has more convergence ability through options than my CineMAX has, and although ive never seen one, ive read that even the GP3000 and GP5000 had around 200 independent points of convergence adjustment. The CineMAX convergence is very stable once the machine is warmed up, but again, so is every NEC PG and XG ive ever set up.
Then there is the bandwidth claims... Its abit of a toss at best, although i did post up a while back visibly better results via RGB HV compared to the MOOME EXT V3 box, its not 180MHz. Ive read at some point recently that while the 909 and 912 are claimed and listed as 180MHz, the CineMAX/9 are 130MHz. That is certainly more believable and im sure youll agree. I have seen the test patterns Mike posted from his Marquee, and that pretty much proved beyond doubt that what he had was considerably more capable in terms of bandwidth.
So i hope that will clarify my opinions abit for you as far as that goes. Im not saying the CineMAX or 909 isnt the great machine everyone says it is, cause it sure is great, you know it yourself, but as far as being the "best", i have difficulty coming to terms with that. Best sharpness? Very likely. But does that make it the absolute best machine? Not in my opinion, i think there is a fair bit more to it. |
Case this is good that you explained because I too began to wonder why you always denigrate the Cine9. And you are right the Cine9 909 also have their "little flaws" I never had a XG but do know what you are talking about when speaking of convergence steps and be just off with on step. With Barco you sometimes have to push and pull convergence to dial in exactly. You would have learned that when you owned a 808 previous. With the 909 series "digital convergence" it's a lot better and indeed very stable. I believe you and think that Nec just did a fairly better job on this point. Also Barco 909's have picture noise and bandwidth could be certainly better. Although at that time around year 2000 it was very good. Now with new standards we try to push our projectors to the Max, and will encounter some flaws at some points. Soon I will get my board modifications (incl. internal HDMI solution) and will let you guys now what improved and what not.
@SC you are right on the fan speed difference. But that's only small change software and a little fan speed board based.
I agree with you that it may involve for maybe higher ranking. Although my SEOS 919 split pack is more silent when boards unit is in the other room and fans on optical unit are running at lowest speed with resistors.
_________________ Philips vacuum cleaner | Trystar double toaster | Car radio with orange plastic memory arrows | Class A Fridge
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stridsvognen Guest
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| Posted: Tue Feb 25, 2014 4:36 pm Post subject: |
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Here we go again..
If anyone doubt, my CRT projector is the best.
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Francisco
Joined: 05 Apr 2007 Posts: 305 Location: The Netherlands
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| Posted: Tue Feb 25, 2014 7:24 pm Post subject: |
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| stridsvognen wrote: | Here we go again..
If anyone doubt, my CRT projector is the best.  |
Ah yeah but we already knew that
I think the rating is mentioned here before and accurate, if you talk about stock projectors. Now if we start modding it's a different story, and if you are really experienced with CRT like Mike then you could bring it to another level.
But you have to like watching test patterns a lot
_________________ Philips vacuum cleaner | Trystar double toaster | Car radio with orange plastic memory arrows | Class A Fridge
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stridsvognen Guest
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| Posted: Tue Feb 25, 2014 8:09 pm Post subject: |
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What is a stock Marquee.. Im not sure, can anyone here tell me the performance of a Marquee 9553LC Ultra, VS 9500LC Ultra. And what vim is in what and so on. I gues the 9500 is made in all possible combinations of tubes lenses and boards possible.
Who have seen a 9500 with LUG tubes and HD10E lenses, 03VIM red and green C element.
I dont know if there is that many standard options with the Barco 909 and sony G90.
From my experience with Marquee and my reading in here ill think the Sony G90 is the projector that will please most plug and play users.
And the Marquee for those who like to fine tune, and if done right, push the limits of whats possible with CRT.
So it looks like the Barco Sony and Marquee dont apeal to the same kind of end users.
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digitalayon
Joined: 02 Mar 2009 Posts: 921
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| Posted: Tue Feb 25, 2014 9:24 pm Post subject: |
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Man this thread might get ugly....FYI....I pass on every Ampro unless I strip it for parts to a much better Marquee or Barco.
However....whichever unit produces a real live naked chick and a beer tap, I call that unit the winner.
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Wed Feb 26, 2014 3:21 am Post subject: |
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Case,
I will start with bandwidth claims. This has been gone over millions of times, but some companies fudged their numbers in a game of one upmanship. What really matters is putting up a test pattern and seeing what they can do? There was a thread a couple of years ago (five maybe) where several people were posting pics of their pjs with a test pattern. I think tse provided the pattern.
On the NEC, I will take your word for it since I never set up the 909s I had. I did really love the NECs I had and despite the reputation I could set them up pretty quickly. Tinman's guide helped a lot in this regard.
I know it has been said before but Doug Baisey said there were some experimental 9" NECs that were supposed to be the successor to the XG. He said they looked great. What might have been!!!
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Curt Palme CRT Tech
Joined: 08 Mar 2006 Posts: 24396 Location: Langley, BC
TV/Projector: All of them!
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| Posted: Wed Feb 26, 2014 3:39 am Post subject: |
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Keeping in mind of course that even the best projector will look like crap if not properly set up. I'd rather have a lesser projector with a great tech behind it vs the top of the line set with a mediocre setup.
And for the record, I'm not an ace setter-upper like Craig or Ken, but I have been complimented enough times by newbie CRT owners for making their set sing. Focus, astig, geometry and convergence, repeat after me!
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Wed Feb 26, 2014 3:48 am Post subject: |
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| Spanky Ham wrote: | Case,
I will start with bandwidth claims. This has been gone over millions of times, but some companies fudged their numbers in a game of one upmanship. What really matters is putting up a test pattern and seeing what they can do? There was a thread a couple of years ago (five maybe) where several people were posting pics of their pjs with a test pattern. I think tse provided the pattern.
On the NEC, I will take your word for it since I never set up the 909s I had. I did really love the NECs I had and despite the reputation I could set them up pretty quickly. Tinman's guide helped a lot in this regard.
I know it has been said before but Doug Baisey said there were some experimental 9" NECs that were supposed to be the successor to the XG. He said they looked great. What might have been!!! |
I know this all mate yeah, and this is exactly my point. What im saying is there are a couple people here that are claiming the CineMAX/9 to be "the best", and im saying "the best at what?" Cause its clearly not the best in every respect. For me, if there is a number of areas that can be significantly improved, but another breed of machine can out do it in that very area/areas, one cant sit there and claim either one to be "the best". It can still rank higher on virtue of other attributes, it may even sit atop the list, but to state it is "the best" is a very bold claim indeed.
_________________ Barco Cine 9, ,Sony VPL570ES 4K SXRD, 135" OZ Theatre Majestic 16:9 screen, Denon X6700in preamp mode, 2x 7ch Tonewinner amps, 2x Tonewinner 15" subs, 2x 10" subs, 7.2.6...
RUNCO DTV991 LC ( NEC XG 852 LC ) 100" 4:3 screen, H/K AVR 7.1...
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