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Native Contrast Ratio of a Marquee 9500LC Ultra
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Morettii
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Posted: Thu May 30, 2013 4:43 pm    Post subject: Native Contrast Ratio of a Marquee 9500LC Ultra

Hey Guys, what's the native contrast ratio of a Marquee 9500LC Ultra?

And which CRT has got the highest native contrast ratio?
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Thu May 30, 2013 4:58 pm    Post subject:

"Native contrast" is a term used to differentiate between a digital projector's contrast without the use of a dynamic iris, i.e. "native contrast" vs "dynamic contrast", so it has no applicability to CRT.

Are you referring to on/off contrast (inter-scene), or ANSI contrast (intra-scene)? CRT projectors, even 9" LC CRT's are terrible at the latter, and most excellent at the former.

If you're comparing contrast on CRT projectors, it's not really that helpful to compare models. The reason is that ANSI contrast is most heavily impacted by the lenses and CRT phosphor, as well as the screen and room. On/off contrast is mostly just how hard the tubes are driven. Even the oldest/lowest-end CRT projectors had good on/off contrast. Where LC projectors improve drastically over air-coupled machines is ANSI contrast. Still, even a high-end LC is still significantly inferior to most newer digitals in terms of ANSI contrast.

Where CRTs do differ significantly is MTF, or essentially sharpness, which is also somewhat relate to ANSI contrast. In addition to lenses, optical, and mechanical setup, electronics have a significant impact on ANSI contrast and sharpness.

In short, in terms of on/off contrast, there isn't enough difference between a 909, 9500LC Ultra, or a G90 to even talk about. Even ANSI is more heavily influenced by other factors than the projector itself.

SC
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Thu May 30, 2013 5:17 pm    Post subject:

Oh, and to answer the question that I think you were probably really after... A well-calibrated CRT projector, with gamma correction is probably in the 50,000:1 on/off contrast ballpark. If you crush black a little, you can probably double that. A CRT will do complete black, essentially nearly infinite on/off contrast, but you will lose significant low-IRE detail to do it, so the claims of 1,000,000:1 or greater significantly sacrifice picture quality to achieve that.

Also, those big numbers use a small window evaluate white. Use a 50% or 80% white window, and current-limiting compresses CRT's on/off numbers big-time.

Good digitals like the last generation or two of JVC's are now in the same ballpark with CRT in every respect other than absolute black.

SC
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opv



Joined: 18 May 2010
Posts: 202
Location: Emek Hefer,Israel

Posted: Thu May 30, 2013 6:07 pm    Post subject:

ecrabb,
I think that a hi end CRT with good gamma correction (for example LUmagen), reaches much higher on/off CR ratios, maybe 500,000.
From my experience, you can get perfect black with no low IRE detail loss, it's a lot of work though.
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stridsvognen
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Posted: Thu May 30, 2013 8:38 pm    Post subject:

ecrabb im curious whats the ANSI contrast on your JVC.?
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kal
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Joined: 06 Mar 2006
Posts: 18114
Location: Ottawa, Canada

TV/Projector: JVC DLA-NZ7

Posted: Thu May 30, 2013 9:07 pm    Post subject:

+1 to everything ecrabb wrote.

People like to compare numbers because numbers are easier to compare but picture quality is never that black and white. I know we have tables and lists here but they only tell part of the story. Don't compare projectors (especially projectors with different technologies) using numbers.

Kal

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stridsvognen
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Posted: Thu May 30, 2013 9:28 pm    Post subject:

kal wrote:
+1 to everything ecrabb wrote.

People like to compare numbers because numbers are easier to compare but picture quality is never that black and white.

Kal


Agree.. But there is a big tendence to keep beating up the ANSI contrast on CRT every time there is a CRT vs Digital debate,

But no one realy seems to have spend time to study it, and compare it.. Most seems just to hurry getting the CRT dumped, and eleminating further comparing.

And found out if its the ansi thats so different or its something else.

I compared my Vidikron Vision One with my JVC RS50/X7 and can not say wich one have the best ansi.. it look quite much the same to me.

Im quite sure that the room is having bigger effect on CRT ANSI contrast.

I hope someone will post some ANSI nr from digital projectors, and not just drop the.. Nr dont tell it all ..!!

I think Measurements is a great Tool to understand whats going on in a Picture..
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kal
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Joined: 06 Mar 2006
Posts: 18114
Location: Ottawa, Canada

TV/Projector: JVC DLA-NZ7

Posted: Thu May 30, 2013 10:00 pm    Post subject:

For ANSI contract comparisons I don't need numbers: The first thing I did on my new JVC RS56 was put up a bunch of test patterns from the AVS HD709 disc, one of which is an ANSI contrast checker. On the digital it was insanely better than on my previous 8" LC CRT projector. The brighter scenes were barely washing out the darker scenes on the RS56. My brain really couldn't "get it" given that I was so used to CRT.

I'm not saying this is (or isn't) a major factor that defines "picture quality". Just saying that the difference between my old LC CRT and new digital LCOS was night and day as far as ANSI contrast is concerned. No need to measure anything.

Kal

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stridsvognen
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Posted: Thu May 30, 2013 10:10 pm    Post subject:

Im sure your right Kal.. But it would be a great help if you could measure your JVC.. you know there is to many opinions and tastes in play on a forum.. Nr. gives me a better understanding of your experience. I have seen CRT setup that i found compleetly washed out, so ill never say digital is not better, but im just not sure its better than the best CRT setup.

And if you have to be fair to the CRT it should be used as a 4:3 format, or the tube masked for 16:9 use, to elieminate the light from the tube face not used when the tube and chamber gets lid up.
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Nashou66



Joined: 12 Jan 2007
Posts: 16171
Location: West Seneca NY

Posted: Fri May 31, 2013 3:00 am    Post subject:

ecrabb wrote:
Oh, and to answer the question that I think you were probably really after... A well-calibrated CRT projector, with gamma correction is probably in the 50,000:1 on/off contrast ballpark. If you crush black a little, you can probably double that. A CRT will do complete black, essentially nearly infinite on/off contrast, but you will lose significant low-IRE detail to do it, so the claims of 1,000,000:1 or greater significantly sacrifice picture quality to achieve that.

Also, those big numbers use a small window evaluate white. Use a 50% or 80% white window, and current-limiting compresses CRT's on/off numbers big-time.

Good digitals like the last generation or two of JVC's are now in the same ballpark with CRT in every respect other than absolute black.

SC



Not an issue if you use a Lumagen Radiance, I can get Perfect Black at 0% white and still see 3% white.


With Digital, Even the radiance can't get it to do 0% white Wink

I'll bow out now Very Happy

Nashou

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km987654



Joined: 25 Jul 2007
Posts: 2874
Location: Australia

TV/Projector: Barco BG809s

Posted: Fri May 31, 2013 3:34 am    Post subject:

Nashou66 wrote:
ecrabb wrote:
Oh, and to answer the question that I think you were probably really after... A well-calibrated CRT projector, with gamma correction is probably in the 50,000:1 on/off contrast ballpark. If you crush black a little, you can probably double that. A CRT will do complete black, essentially nearly infinite on/off contrast, but you will lose significant low-IRE detail to do it, so the claims of 1,000,000:1 or greater significantly sacrifice picture quality to achieve that.

Also, those big numbers use a small window evaluate white. Use a 50% or 80% white window, and current-limiting compresses CRT's on/off numbers big-time.

Good digitals like the last generation or two of JVC's are now in the same ballpark with CRT in every respect other than absolute black.

SC



Not an issue if you use a Lumagen Radiance, I can get Perfect Black at 0% white and still see 3% white.


With Digital, Even the radiance can't get it to do 0% white Wink

I'll bow out now Very Happy

Nashou


I like that drop a bomb shell and duck for cover Laughing Laughing
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri May 31, 2013 4:15 am    Post subject:

Nashou66 wrote:
Not an issue if you use a Lumagen Radiance, I can get Perfect Black at 0% white and still see 3% white.

Really? And what are you measuring 0, 1, 2, and 3 IRE with?

Nashou66 wrote:
With Digital, Even the radiance can't get it to do 0% white Wink

Yeah, and my high-APL whites are linear and yours aren't, beeeyotch! Wink

SC
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stridsvognen
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Posted: Fri May 31, 2013 4:32 pm    Post subject:

ecrabb wrote:
Nashou66 wrote:
Not an issue if you use a Lumagen Radiance, I can get Perfect Black at 0% white and still see 3% white.

Really? And what are you measuring 0, 1, 2, and 3 IRE with?

Nashou66 wrote:
With Digital, Even the radiance can't get it to do 0% white Wink

Yeah, and my high-APL whites are linear and yours aren't, beeeyotch! Wink

SC


Ohh yeah that interesting point to.. Can you post a Measurement of how linear your JVC are in native mode, with no corection of any kind.?
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri May 31, 2013 5:05 pm    Post subject:

stridsvognen wrote:
ecrabb wrote:
Nashou66 wrote:
Not an issue if you use a Lumagen Radiance, I can get Perfect Black at 0% white and still see 3% white.

Really? And what are you measuring 0, 1, 2, and 3 IRE with?

Nashou66 wrote:
With Digital, Even the radiance can't get it to do 0% white Wink

Yeah, and my high-APL whites are linear and yours aren't, beeeyotch! Wink

SC


Ohh yeah that interesting point to.. Can you post a Measurement of how linear your JVC are in native mode, with no corection of any kind.?

What do you mean, no correction of any kind? I'm not using an outboard processor if that's what you mean. And I did measure it when I set it up last summer, and brightness was and is pretty linear... I suppose I should remeasure, but I don't anticipate brightness linearity being a problem. It should be spot-on, while CRT brightness isn't even remotely linear as APL increases, or are you going to argue that, too?

Wait, did you misunderstand and assume I was referring to greyscale linearity?

SC
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overclkr



Joined: 08 Mar 2006
Posts: 4227


Posted: Fri May 31, 2013 5:06 pm    Post subject:

Da stack OWNS da JVC. Nuff said.
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri May 31, 2013 5:15 pm    Post subject:

overclkr wrote:
Da stack OWNS da JVC. Nuff said.

Da stack also OWNS the room and OWNS the noise floor in the room.

Sorry, just bustin' your balls, Cliffy.

I had the shot. There was no danger, so I took it.

Smile

SC
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overclkr



Joined: 08 Mar 2006
Posts: 4227


Posted: Fri May 31, 2013 6:23 pm    Post subject:

ecrabb wrote:
overclkr wrote:
Da stack OWNS da JVC. Nuff said.

Da stack also OWNS the room and OWNS the noise floor in the room.

Sorry, just bustin' your balls, Cliffy.

I had the shot. There was no danger, so I took it.

Smile

SC


LOL, actually you should hear how quiet they actually are now that they have been fan modded. My BenQ is actually louder! Wink
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri May 31, 2013 6:33 pm    Post subject:

overclkr wrote:
LOL, actually you should hear how quiet they actually are now that they have been fan modded. My BenQ is actually louder! Wink

No sh*t? That's awesome.

The damn noise was by far the thing I hated most about my CRT. I loved how it looked - damn cool piece of gear - but, then you have to cover all that industrial sexiness up with a big ugly-ass box. I'd still have my G70 if there would have been some (reasonable) way to make it silent. My room is too small, the box would be too big, and it was too close to my head.

SC
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stridsvognen
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Posted: Fri May 31, 2013 7:07 pm    Post subject:

ecrabb wrote:
stridsvognen wrote:
ecrabb wrote:
Nashou66 wrote:
Not an issue if you use a Lumagen Radiance, I can get Perfect Black at 0% white and still see 3% white.

Really? And what are you measuring 0, 1, 2, and 3 IRE with?

Nashou66 wrote:
With Digital, Even the radiance can't get it to do 0% white Wink

Yeah, and my high-APL whites are linear and yours aren't, beeeyotch! Wink

SC


Ohh yeah that interesting point to.. Can you post a Measurement of how linear your JVC are in native mode, with no corection of any kind.?

What do you mean, no correction of any kind? I'm not using an outboard processor if that's what you mean. And I did measure it when I set it up last summer, and brightness was and is pretty linear... I suppose I should remeasure, but I don't anticipate brightness linearity being a problem. It should be spot-on, while CRT brightness isn't even remotely linear as APL increases, or are you going to argue that, too?

Wait, did you misunderstand and assume I was referring to greyscale linearity?

SC


Im not sure what modes exist in yours, but if you measure them all im sure you will se they are corected in the projector, so i was curious if there is a native mode where it buypass all the internal corection in the projector.

Im not trying to argue anything, just curious.. Specially to know more about the measured ANSI and how linear the different JVC projectors are.

It would be nice if someone trow some measurements into those debates to help all others to understand the different behaviours of different projectors.

Most CRT VS digital threads is based on opinions and 2nd hand information. I thought some hardcore facts based on your measurement would get much more respect. Thumbs Up
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Spanky Ham



Joined: 22 Mar 2006
Posts: 5643
Location: Comedy Central

Posted: Sat Jun 01, 2013 4:51 am    Post subject:

ecrabb wrote:
Oh, and to answer the question that I think you were probably really after... A well-calibrated CRT projector, with gamma correction is probably in the 50,000:1 on/off contrast ballpark. If you crush black a little, you can probably double that. A CRT will do complete black, essentially nearly infinite on/off contrast, but you will lose significant low-IRE detail to do it, so the claims of 1,000,000:1 or greater significantly sacrifice picture quality to achieve that.

Also, those big numbers use a small window evaluate white. Use a 50% or 80% white window, and current-limiting compresses CRT's on/off numbers big-time.

Good digitals like the last generation or two of JVC's are now in the same ballpark with CRT in every respect other than absolute black.

SC


I believe Darin measured Steve Smith's G70 at 500k to 700k to 1 on/off. It was gamma modded.
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