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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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| Posted: Sat Jun 26, 2010 9:40 pm Post subject: |
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Here is a post by Scott a while back called,
WTF is MTF?
MTF. Modulation transfer function.
It's a way to put a number on resolution. It looks good. I can barely see it. It is real sharp. Any of these statements can mean different things to different people.
Imagine a light meter that only looks a small slit a few thousands of an inch tall (or a tenth of a mm). If you put up an alternating line on line off pattern at 320 x 240 resolution you would see a bunch of horizontal lines. Now take your light meter and measure the light between the lines and the light at the peaks of the lines. You would measure something like what is shown in 100%.bmp drawing attachment. Because the light between displayed lines would be "0" (or something near zero) your MTF reading would be 100%.
Now increase your resolution to 1600 x 1200. The lines are much closer together now. In fact they are overlapping to the point where there is no longer "black" in between the lines. If the "black" you measure is now one half what you measure at the peaks your MTF is 33%. If you now go to 1536 lines you can imagine the "black" is even a higher light level and your MTF might only be 15%.
10-15% MTF is obvious. When you get down to 3-5% MTF it is getting hard to see with your eye.
Its not a square wave its more of how far apart the curves are or if they overlap.
100% MTF, this is defined black and white area.
33% MTF, lines slightly overlap and black area becomes more grey than black.
Also from the thread on how lens MTF is measured and the LP/mm
The better CRT lenses are rated at 10-12 line pairs per mm at a certain MTF. I'm guessing here but I think you get your line pairs from a piece of glass that has lines of metal deposited on it (ronchi rule). Twelve strips of metal seperated by equal width of clear glass in a mm. This is placed where the phosphor normally is and lit from behind by a lamp. This is projected on a screen and the MTF measured. Have never seen it done but would like to one day.
That was also from Scott, now I know your talking about the electronics and the Slew rate of op amps but i thought this was interesting as MTF was mentioned.
Athanasios
_________________ Don't blame your underwear for your crooked ass~ unknown Greek philosopher
"Republicans believe every day is the Fourth of July, but the Democrats believe every day is April 15." --- President Reagan
One Smart Dog!!!
Marquee High Performance Bellows now shipping!!
Marquee Modifications and Performance Enhancement
Marquee C-element and Bellow removal
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Sat Jun 26, 2010 10:13 pm Post subject: |
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Athanasios... Thanks for posting that... Good refresher. I completely trust and understand Scott's characterization of MTF with respect to CRT...
But, I was speaking in more general terms... So, theoretically, a 1-on/1-off pattern can be represented by a square wave. In practice, optics, electronics, etc. prevent that from happening. The 33% graph above is very similar to what happens when you don't have enough amplifier power and drive it too hard - dynamic compression.
My main point, though - that horizontal resolution is limited primarily by electronics - is still valid.
SC
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Nashou66
Joined: 12 Jan 2007 Posts: 16171 Location: West Seneca NY
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| Posted: Sat Jun 26, 2010 10:20 pm Post subject: |
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| ecrabb wrote: | Athanasios... Thanks for posting that... Good refresher. I completely trust and understand Scott's characterization of MTF with respect to CRT...
But, I was speaking in more general terms... So, theoretically, a 1-on/1-off pattern can be represented by a square wave. In practice, optics, electronics, etc. prevent that from happening. The 33% graph above is very similar to what happens when you don't have enough amplifier power and drive it too hard - dynamic compression.
My main point, though - that horizontal resolution is limited primarily by electronics - is still valid.
SC |
Yepp, i agree. I just like bringing up old tech posts for all the new guys to read, helps us all understand what is going on from the source to the screen.
I do think I remember the MP discussion but I never book marked it, it might have been Scott though, or both together in a single tread discussing it.
But i get what you mean, High slew was one of the things I looked for in video op amp. however too high a slew rate can cause problems like oscillation. The one Texas Instruments op amp did that, it had a super high slew rate but was a pain to tame.
Athanasios
_________________ Don't blame your underwear for your crooked ass~ unknown Greek philosopher
"Republicans believe every day is the Fourth of July, but the Democrats believe every day is April 15." --- President Reagan
One Smart Dog!!!
Marquee High Performance Bellows now shipping!!
Marquee Modifications and Performance Enhancement
Marquee C-element and Bellow removal
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Sat Jun 26, 2010 10:41 pm Post subject: |
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| Nashou66 wrote: | | But i get what you mean, High slew was one of the things I looked for in video op amp. however too high a slew rate can cause problems like oscillation. The one Texas Instruments op amp did that, it had a super high slew rate but was a pain to tame. |
Yep. Overshoot, right?
The problem that rears its head in all engineering endeavors, whether mechanical, electronic, or anything else: Compromise. It's always a tradeoff between one performance target and another. Performance and cost. Cost and size. Weight and durability. It's always something.
SC
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VideoGrabber
Joined: 09 Apr 2006 Posts: 933 Location: Michigan
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| Posted: Sat Jun 26, 2010 10:42 pm Post subject: |
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MikeEby wrote:
> I'll agree...with an XG is seems to have a bigger issue with horizontal resolution, vertical I could resolve fairly well. Here was a 1:1 screen shot @1080p@72Hz. Soft yes but the lines show some definition. <
Actually, this is very good performance at that rate. IIRC, you were using a Box 10x0 of some kind in the chain at the time?
It's good not only because the delineation between the vertical lines can still be discerned (horizontal rez), but because the amplitude of the signal has been maintained. I.e., the peak brightness is uniform. Almost always what will happen when a PJ is pushed this hard is that the vertical lines will be dimmer than the horizontal lines. And this is a factor frequently overlooked. When that happens, you lose contrast in the image... what's commonly referred to as "punch". That often degrades the perceived image quality faster than the loss in resolution, per se.
_________________ - Tim
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VideoGrabber
Joined: 09 Apr 2006 Posts: 933 Location: Michigan
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| Posted: Sat Jun 26, 2010 11:23 pm Post subject: |
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| ecrabb wrote: | | macgyver655 wrote: | Hmmmm, if Mike Parker actually said this then I would like to have a talk with him. Hey Mike, if this is what you said then shoot me a PM.  |
I don't want to misrepresent anything Mike may have written... I'm just paraphrasing; it's my understanding of what Mike was getting at in some thread a year or two ago. If you take issue, then that's fine... How is it inaccurate/wrong/etc.? |
I'd be interested in hearing that as well.
_________________ - Tim
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macgyver655
Joined: 22 Aug 2007 Posts: 8508
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| Posted: Sun Jun 27, 2010 12:01 am Post subject: |
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This is what you originally said:
"In the horizontal direction, resolution is most constrained by what Mike Parker calls the video chain's "speed" - basically, the video chain's slew rate - in essence, the frequency response. If the video amp's slew rate is too slow at a given frequency (resolution), the transition from black-to-white and back will be soft like a sine wave - resulting low MTF. If the amp's slew rate is fast enough at a given frequency, the transition from black-to-white and back will more closely resemble a square wave - resulting in a higher MTF. "
Then you came back and said: "
My main point, though - that horizontal resolution is limited primarily by electronics - is still valid.
Naturally electronics is what causes any limitation because thats all there is. Your first comment was aimed at just the video amps. Your second says electronics which would be more correct because there is much more involved and the amps alone would no accomplish much.
To state just the amps as a solution would be incorrect. It is much more complicated then that which is why I wanted to discuss this with Mike on the side as I'm sure he would confirm this. Even lens comments here are questionable.
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Sun Jun 27, 2010 2:54 am Post subject: |
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I'd agree with you Mac, but I didn't state or even imply that that replacing amps would be any sort of solution to any problem. Here's my direct quote:
| ecrabb wrote: | | In the horizontal direction, resolution is most constrained by what Mike Parker calls the video chain's "speed" - basically, the video chain's slew rate - in essence, the frequency response. If the video amp's slew rate is too slow at a given frequency (resolution), the transition from black-to-white and back will be soft like a sine wave - resulting low MTF. If the amp's slew rate is fast enough at a given frequency, the transition from black-to-white and back will more closely resemble a square wave - resulting in a higher MTF. |
So, I referred to Mike's characterization of "video chain" speed, then video chain's slew rate (frequency response). Two references to the entire chain - the "electronics". THEN, I brought up the video amp's slew rate, and suggested if it were too slow, it would limit frequency response and MTF - which is true. I wasn't using them interchangeably - I just didn't precede the amp comments with a "for instance..." I was indeed referring to the entire signal chain in the projector, but followed with the amps only as an example.
Oh, and if you're going to pick nits, I wouldn't say "electronics are all there is", either... If we're talking about the sharpness of a projector, and assuming some ideal source and input cabling, then the projector's signal chain (the electronics), the lenses, and the tubes are all fair game for MTF analysis and finding which is the limiting factor.
My old 1271 was a perfect example. Using a camera with macro lens or a magnifier, I could easily see scan lines at 1080i on the tube face. With the lenses on, there wasn't a HINT of a scan line on-screen... I could fart with focus and spacers until the cows came home, but those plastic HD-8's were just total crap. In that case, the lenses on that machine were by far the limiting factor in overall system MTF, and not the electronics or tubes.
Speaking of lenses, what lens comments are questionable?
SC
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CasetheCorvetteman
Joined: 09 Nov 2008 Posts: 6326 Location: Australia
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| Posted: Sun Jun 27, 2010 11:32 am Post subject: |
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All great reading and very informative thanks people Has helped me out alot.
| benareeno wrote: | | my comment is for someone wanted a properly masked 2.4:1 screen...this person can try watching 1.85 movies in the 2.4 screen and will find out that they look fine. Likely better than making them smaller and more narrow. 2.4:1 movies look infinitely better masked off properly than they do if you watch them on a 16:9 screen...but, that's just my opinion. |
Im not doubting the fact that 2.35:1 movies would look better masked properly, but i DO doubt that 1.85:1 and 1.78:1 apect ratios will look any good at all with the top and bottom chopped off. Nothing to stop anyone masking off for any ratio they like and being able to move the masks up and down to suit the aspect they want to watch.
| benareeno wrote: | | Those of you who strive for 4:3 aspect ratio...I have no comment. |
And why not? Each to their own, if i want to play my early 90s 16 bit video games at 4:3 wouldnt you think that would make PERFECT SENSE instead of cutting the top and bottom off ( which in almost ALL cases would make the games TOTALLY unplayable ) or squeezing the picture down to another format? Why buy a 4:3 format projector if you think youre above it? Does everyone have to like what you like? Are people beneath you if they dont like what you like?
Somehow i just dont think CRT is for you Benareeno, i hear the latest Philips flat panels can be had in 2.39:1 aspect, and they dont have any fans in them either, so it should suit you just fine.
http://www.philips.com.au/c/televisions/cinema-219-56-inch-full-hd-1080p-digital-tv-56pfl9954h_98/prd/?t=specifications
http://gizmodo.com/5132065/philips-ultra+widescreen-219-cinema-lcd-moves-the-letterbox-bars-to-the-side
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macgyver655
Joined: 22 Aug 2007 Posts: 8508
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| Posted: Sun Jun 27, 2010 1:56 pm Post subject: |
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| ecrabb wrote: | I'd agree with you Mac, but I didn't state or even imply that that replacing amps would be any sort of solution to any problem. Here's my direct quote:
| ecrabb wrote: | | In the horizontal direction, resolution is most constrained by what Mike Parker calls the video chain's "speed" - basically, the video chain's slew rate - in essence, the frequency response. If the video amp's slew rate is too slow at a given frequency (resolution), the transition from black-to-white and back will be soft like a sine wave - resulting low MTF. If the amp's slew rate is fast enough at a given frequency, the transition from black-to-white and back will more closely resemble a square wave - resulting in a higher MTF. |
So, I referred to Mike's characterization of "video chain" speed, then video chain's slew rate (frequency response). Two references to the entire chain - the "electronics". THEN, I brought up the video amp's slew rate, and suggested if it were too slow, it would limit frequency response and MTF - which is true. I wasn't using them interchangeably - I just didn't precede the amp comments with a "for instance..." I was indeed referring to the entire signal chain in the projector, but followed with the amps only as an example.
Oh, and if you're going to pick nits, I wouldn't say "electronics are all there is", either... If we're talking about the sharpness of a projector, and assuming some ideal source and input cabling, then the projector's signal chain (the electronics), the lenses, and the tubes are all fair game for MTF analysis and finding which is the limiting factor.
My old 1271 was a perfect example. Using a camera with macro lens or a magnifier, I could easily see scan lines at 1080i on the tube face. With the lenses on, there wasn't a HINT of a scan line on-screen... I could fart with focus and spacers until the cows came home, but those plastic HD-8's were just total crap. In that case, the lenses on that machine were by far the limiting factor in overall system MTF, and not the electronics or tubes.
Speaking of lenses, what lens comments are questionable?
SC |
Your quote here is exactly the way I quoted it. It implies video amp whether you meant it or not. But I dont want to argue it cause it doesn't matter. Even implying the entire video chain as a resolution to the issue would be incorrect. You could have the best and cleanest video chain and still have problems with higher resolutions. There are still many many other area involved in this. And this may be possible without a video amp change. I'm assuming were are talking Marquee since you brought up Mike. I'm trying to be more general but if you want to keep it that way thats fine.
Now, my comment on lenses was is response to a comment implying that if your image become softer at a higher resolution that the lenses can be included in the issue. The lens has nothing to do with a projector that gets softer as resolution increases. Now thats not to say that a better lens wont give you better clarity at any resolution if the projector can produce that better image. Same goes that you can have the best lens in the world and it will not give you a better image if the projector can not produce it.
And why are you guys even talking MTF? It has NO use in these discussions or any other discussion on this forum what so ever.
I suppose I'm going to have to explain this to you also. I'm starting to understand why some of the other more knowledgeable people here don't respond almost ALL the time. I think I'm going to start commenting less and just let you guys have your incorrect and invalid discussions and have a little laugh at the read.
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Sun Jun 27, 2010 4:28 pm Post subject: |
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Alright, fine. It implied "amp" even if I didn't intend it that way. Doesn't matter though, because you asked, and I clarified. No, I didn't mean Marquees... I don't know sh*t about Marquees... I was talking about projectors in general, as was the discussion with Mike I referred to earlier.
On lenses... How can you can say lenses can't be included in the issue of a projector getting softer at higher resolutions? I know what you're getting at, I think... The lenses don't make it "softer"... The lens' resolution is a fixed number... But, as you increase resolution and approach (or exceed) the resolving power of the lens, the image will indeed appear softer. The image might look perfectly (or more than acceptably) sharp at 600p in 4:3, but be very soft at 1080i 16:9. That effect was plainly obvious with my old 1271, and it was almost all the crappy HD-8's.
And why not discuss MTF? Isn't it the only way to objectively measure the true "sharpness" of a projection system? Not that any of us have the equipment to take the measurements, but how is it not helpful to at least understand the science of what's going on when the frequency response of the projection system falls below that of the desired output resolution?
Side note... Mac, I really enjoy reading some of your posts - and definitely enjoy learning from them. But, I'm REALLY starting to tire of the demeanor in your posts that if you read between the lines says, "I could it explain to you little people, but you're all so stupid, with your misinformation and ignorance, it's really not worth my time". Seriously, if you're not interested in the discussion and helping people out (as you do so often), then like you asked... Why bother posting at all? Just to make people feel stupid? In that case, perhaps you should just do like those other knowledgeable people...
Sorry, I just don't see the point in belittling people.
SC
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macgyver655
Joined: 22 Aug 2007 Posts: 8508
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| Posted: Sun Jun 27, 2010 4:45 pm Post subject: |
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| ecrabb wrote: |
Side note... Mac, I really enjoy reading some of your posts - and definitely enjoy learning from them. But, I'm REALLY starting to tire of the demeanor in your posts that if you read between the lines says, "I could it explain to you little people, but you're all so stupid, with your misinformation and ignorance, it's really not worth my time". Seriously, if you're not interested in the discussion and helping people out (as you do so often), then like you asked... Why bother posting at all? Just to make people feel stupid? In that case, perhaps you should just do like those other knowledgeable people...
Sorry, I just don't see the point in belittling people.
SC |
Hey, if I didn't want and enjoy explaining things then I wouldn't spend all that time writing up some of those larger post that I do. I never intend on belittling anyone, in fact the contrary. I try to take the more technical aspect of explaining something and word it in a way that even the non technical person would clearly understand it. There is no copy and paste in my posts. And that also takes a lot of time to translate.
I may at times get annoyed when I'm questioned on something in a certain way as to I dont know what I'm talking about. And those comments usually come from you. So if you are the one feeling that way then thats probably why. My negative post are usually directed at you. And you do it to a lot of people here.
But I like you which is why I sometimes pick on you more personally. And I'm sure your getting my point in some of my return comments to you lately.
I also dont have a problem with you or anyone else questioning any of my posts as I may not of written it clearly enough. But you have a way of wording your questions in more of a negative way.
Hey, maybe it is just the way I've been taking your posts lately and if so then I will try and change my post directed at you.
Anyways, no hard feelings here.
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ecrabb Forum Moderator
Joined: 13 Mar 2006 Posts: 15909 Location: Utah
TV/Projector: JVC RS40, Epson 5010
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| Posted: Sun Jun 27, 2010 5:03 pm Post subject: |
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No hards feelings here either, Mac... I'm sure it's just a bit of a personality conflict thing... You rub me the wrong way sometimes, I rub you the wrong way sometimes. No biggie - it happens. Some people just don't click like others. I think you and greg_mitch are the only two that I have any abrasive interactions with on any regular basis... And even most of that is pretty good natured. I certainly don't lose any sleep over it... Well, unless I'm writing a "you're full of sh*t and here's why post" to Greg at 2:30 in the morning.
If my requests for clarification or further info to you come off negatively, as if I'm implying you don't know what you're talking about, I apologize for that. But, I think I do that because so many of your posts seem intentionally vague, along the lines of, "I'm the expert so trust me when I say this, but you're dead wrong and obviously haven't a clue what you're talking about." Then no further explanation. That tends to annoy the sh*t out of me - especially in a forum like this with so many knowledgeable people with backgrounds and experience in a wide variety of fields.
I typically go overboard the other way when I write my posts, and completely over-explain myself... I suppose it's from being on the internet for years, and trying to anticipate the holes that will be shot through my post if I don't thoroughly explain myself. If I'm wrong, I fully expect somebody to point out how, why, and where and I'm wrong... But I'm not going to be friendly when somebody says I'm wrong and offers no further explanation beyond, "Because I'm the expert and I say so, that's why."
Cheers,
SC
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Sun Jun 27, 2010 11:26 pm Post subject: |
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| Spanky Ham wrote: | | MikeEby wrote: | | cmjohnson wrote: | | MikeEby wrote: | All the buzz in the CIH forum on AVS is how 3D might push out scope. It will be interesting to see how it plays out.
I've ran 1080p72Hz on my 8"NEC and 1980X800p also. On my NEC it didn't look much better then 1080p, frankly I could hardly tell a difference.
Mike |
Don't take this as a knock against your projector, but it takes a well tuned 9" PJ to get the most out of 1080p. 8" machines just don't have adequate MTF capacity to fully resolve 1080p from end to end. If the video chain is good enough, there's the CRT's limitations. If that's good enough, the lens can be a limiting factor. And even if every stage is 95 percent of
what you'd need to totally resolve 1920x1080, with at least three stages (Video bandwidth, CRT focus, optical focus) in
play, then you're losing over 15 percent of your total bandwidth capacity.
I have yet to see a "real world" 8" machine that actually can reap the benefits of 1080p. 720p is close to the sweet spot
for any 8" machine.
CJ |
I'll agree...with an XG is seems to have a bigger issue with horizontal resolution, vertical I could resolve fairly well. Here was a 1:1 screen shot @1080p@72Hz. Soft yes but the lines show some definition.
Horizontal 1:1 wasn't this good...I think that's why 1920X800 didn't look so good. 720p on an XG sucks ass...I can see scan lines at 2 screen width. I've settled in at 1600X900 and that's where I'll stay for the rest of the life of the projector.
Mike |
I am about to a family reunion, so I will address this later, but MTF wasn't linear going up in res. |
I have some time now. The KY BBQ was good along with the rest of the food. Oh wait, this is about something else.
As this has been stated in the past, it is what one likes the most and feels comfortable the most regarding resolution. There is a MTF number that everyone seems to have as a threshold that they seem to regard as good enough with everything below it being to soft. Of course, that is not a hard line as some would be willing to give up a little MTF for higher res/refresh if that gives them a more pleasing pic to their eye.
All this sets the stage for my disagreement with your post CJ. The fact is 8" pjs can resolve 1080p. Scott proved this years ago. Will it be sharp in the corners? Probably not, but people may want to give that up for the higher res/refresh. Even if the center of an 8" has a lower MTF than a 9", it still may be good enough for some. IIRC, MTF didn't budge a great deal from 1080p (it may have been higher than that) down to some lower resolutions. It seems like MTF really spiked at like 800x600. THis was four years ago in Scott's lab with Darin, Scott and myself playing around with the MTF device. Everything was on the fly, so I didn't have any tests planned out. It would be interesting to test MTF on a variety of res/refresh with both a 9" Marquee and an 8" Marquee (with an Ampro thrown in for good measure ).
Mac,
Why isn't MTF relevant to this discussion or has it gone off in a tangent which makes it non-relevant?
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Mark_A_W
Joined: 15 Mar 2006 Posts: 3068 Location: Sunny Melbourne Australia
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| Posted: Mon Jun 28, 2010 2:07 am Post subject: |
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Back to the topic....
Case
I played around with 1920x804p at 72hz on my XG.
And I could not tell any difference from 1920x1080i at 96hz.
So I just stuck with the single res, 1920x1080i at 96hz (called 48hz in powerstrip).
(And despite implied suggestions to the contrary, the only real difference between a top end 8"er and a 9"er is the tubes. There's no huge difference (as in orders of magnitude) in the performance of the electronics..well, until you get to a 909!).
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benareeno
Joined: 22 Mar 2006 Posts: 1614 Location: ottawa, canada
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| Posted: Mon Jun 28, 2010 2:16 am Post subject: |
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I still think an XGLC or G70 is superior to a 9500LC...
It seems to me that the biggest difference with going to 9 inchers is that they have an easier time lighting up a bigger screen. NEC focus is immeasurably better as demonts
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benareeno
Joined: 22 Mar 2006 Posts: 1614 Location: ottawa, canada
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| Posted: Mon Jun 28, 2010 2:19 am Post subject: |
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I still think an XGLC or G70 is superior to a 9500LC...
It seems to me that the biggest difference with going to 9 inchers is that they have an easier time lighting up a bigger screen.
NEC focus is immeasurably better as demonstrated when I was at ElainBenes's house and he had a worn XG on the floor and an 8500 on the roof...when we switched back and forth, the difference was not subtle...add in the color filtering and it's a no-brainer. The beauty of this test was that we could instantly switch back and forth within the same scene...
1080i at 48Hz...same bandwidth as 1080p 48Hz?? Do I need an ATI card to try that?
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benareeno
Joined: 22 Mar 2006 Posts: 1614 Location: ottawa, canada
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| Posted: Mon Jun 28, 2010 2:22 am Post subject: |
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perhaps I should say sharpness...not necessarily focus.
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macgyver655
Joined: 22 Aug 2007 Posts: 8508
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| Posted: Mon Jun 28, 2010 2:24 am Post subject: |
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| Spanky Ham wrote: |
All this sets the stage for my disagreement with your post CJ. The fact is 8" pjs can resolve 1080p. Scott proved this years ago. Will it be sharp in the corners? Probably not, but people may want to give that up for the higher res/refresh. Even if the center of an 8" has a lower MTF than a 9", it still may be good enough for some. IIRC, MTF didn't budge a great deal from 1080p (it may have been higher than that) down to some lower resolutions. It seems like MTF really spiked at like 800x600. THis was four years ago in Scott's lab with Darin, Scott and myself playing around with the MTF device. Everything was on the fly, so I didn't have any tests planned out. It would be interesting to test MTF on a variety of res/refresh with both a 9" Marquee and an 8" Marquee (with an Ampro thrown in for good measure ).
Mac,
Why isn't MTF relevant to this discussion or has it gone off in a tangent which makes it non-relevant? |
MTF measurement is exceptional in a controlled laboratory environment by first taking a baseline on a particular display and taking subsequent measurements after making controlled changes. There a probably a couple dozen variables that if not properly included can affect the MTF outcome. 1 control not properly set and the MTF reading would be invalid and possibly no change at all over various resolutions. And thus would not give you a conclusive answer if the display is capable of resolving a higher resolution or not.
Using the term MTF in a discussion of just various resolutions without knowing the condition of other variables is as useful as a stick in the mud. And cannot be used to make any valid claims what so ever.
But your post here about the experiments performed and the people doing the testing is exactly how a MTF discussion should be. I particularly like your words where you say "even if the center" . This alone tells me you guys were making valid conclusions.
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macgyver655
Joined: 22 Aug 2007 Posts: 8508
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| Posted: Mon Jun 28, 2010 2:32 am Post subject: |
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| Mark_A_W wrote: |
(And despite implied suggestions to the contrary, the only real difference between a top end 8"er and a 9"er is the tubes. . |
And that alone gives the 9"er the ability to more easily resolve a higher resolution.
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