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LED PJs from the perspective a CRT die-hard fan
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Spanky Ham



Joined: 22 Mar 2006
Posts: 5643
Location: Comedy Central

Posted: Tue Apr 13, 2010 1:43 pm    Post subject:

It looks like we are having a wave of LED mania. Smile

I know there has been some smoke and mirrors going on about the on/off cr. I believe Scott told me that they are around 3 to 5k to 1 at this time. The head Runco guy told Darin and me that there pj is around 5k to 1. Yes, you can turn the LEDs off, but you could also turn off a regular bulb. Obviously the difference is the time to turn back on, but it is still not like a CRT.

As for the local dimming, I think Brightside was doing something like this with their fourth panel pj. Supposedly they could achieve very high ANSI and on/off cr. It has been awhile since I read this over at AVS, so I can't be more specific. I went looking for the white paper about a year ago, but I can't find anything. Dolby bought Brightside and looks like they haven't done much with the company.

Oh, I agree that LED will probably be the future and I can see a lot of people migrating. I still think it needs another year or so. I will be interested in what comes out of Cedia this year.
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macgyver655



Joined: 22 Aug 2007
Posts: 8508


Posted: Tue Apr 13, 2010 1:50 pm    Post subject:

Spanky Ham wrote:
Yes, you can turn the LEDs off, but you could also turn off a regular bulb. Obviously the difference is the time to turn back on, but it is still not like a CRT.

Please clarify what you are saying here, thank you.

As for the local dimming, I think Brightside was doing something like this with their fourth panel pj.

And clarify this also, thanks.

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garyfritz



Joined: 08 Apr 2006
Posts: 12088
Location: Fort Collins, CO

Posted: Tue Apr 13, 2010 1:56 pm    Post subject:

You can turn the LEDs off, but not on a zone basis. LEDs off == totally pitch-black screen, like you unplugged the bulb. If you need ANY photons on the screen, the LEDs have to be on (and cycling). Which means you're basically back to a "bulb emits light all the time, DMD modulates it on the screen" mode.
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macgyver655



Joined: 22 Aug 2007
Posts: 8508


Posted: Tue Apr 13, 2010 2:13 pm    Post subject:

Where are you guys seeing you can turn the LEDs off. When the projector is turned on the LEDs begin flashing in sequence and continue to flash until you turn the projector off. Have you guys read something different.

Scott and I discussed this in depth when I was at VDC along with other things.
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Tue Apr 13, 2010 2:21 pm    Post subject:

macgyver655 wrote:
Where are you guys seeing you can turn the LEDs off. When the projector is turned on the LEDs begin flashing in sequence and continue to flash until you turn the projector off. Have you guys read something different.

Scott and I discussed this in depth when I was at VDC along with other things.


I can't think of any reason they'd have to keep the duty cycle above zero - it makes no sense that they wouldn't cut the LEDs completely for fullblack.

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macgyver655



Joined: 22 Aug 2007
Posts: 8508


Posted: Tue Apr 13, 2010 2:29 pm    Post subject:

perisoft wrote:
macgyver655 wrote:
Where are you guys seeing you can turn the LEDs off. When the projector is turned on the LEDs begin flashing in sequence and continue to flash until you turn the projector off. Have you guys read something different.

Scott and I discussed this in depth when I was at VDC along with other things.


I can't think of any reason they'd have to keep the duty cycle above zero - it makes no sense that they wouldn't cut the LEDs completely for fullblack.


First of all, why are you sitting there watching a black screen? Laughing

Any image requires the leds to be flashing. Even a dim one. Therefore, why would they ever need to turn them off? Plus the LEDs would not have to be circuit tied to the video signal which would be more complicated. There just needs to be a reference signal, like on the color wheel of a bulb based unit.
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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Tue Apr 13, 2010 3:14 pm    Post subject:

macgyver655 wrote:

Any image requires the leds to be flashing. Even a dim one. Therefore, why would they ever need to turn them off?


Quote:

And if I were to say that even LED projectors are not capable of a true black......what would you say?


So, uh, do you care about on/off CR or not? If you do, then cutting off the LED will provide perfect blacks. If you don't, the ANSI of any digital is still going to utterly smoke the ANSI of a CRT PJ.

So why the mocking tone?

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garyfritz



Joined: 08 Apr 2006
Posts: 12088
Location: Fort Collins, CO

Posted: Tue Apr 13, 2010 5:20 pm    Post subject:

Yes, cutting off the LEDS will provide perfect blacks. This feature is labeled "POWER" on the projector. Set it to the "OFF" position and you'll get perfect inky blacks.

Seriously. As far as I know, that's the only way you'll get "perfect" blacks and it's the only way the LEDs will turn off. With any displayed image, even a full-blacker-than-black image, those LEDs are on. It's just exactly like a DLP with a lamp and color wheel, except it's cycling LEDs.
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macgyver655



Joined: 22 Aug 2007
Posts: 8508


Posted: Tue Apr 13, 2010 7:03 pm    Post subject:

garyfritz wrote:
Yes, cutting off the LEDS will provide perfect blacks. This feature is labeled "POWER" on the projector. Set it to the "OFF" position and you'll get perfect inky blacks.

LOL

Seriously. As far as I know, that's the only way you'll get "perfect" blacks and it's the only way the LEDs will turn off. With any displayed image, even a full-blacker-than-black image, those LEDs are on. It's just exactly like a DLP with a lamp and color wheel, except it's cycling LEDs.

Agreed




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macgyver655



Joined: 22 Aug 2007
Posts: 8508


Posted: Tue Apr 13, 2010 7:13 pm    Post subject:

perisoft wrote:
macgyver655 wrote:

Any image requires the leds to be flashing. Even a dim one. Therefore, why would they ever need to turn them off?


Quote:

And if I were to say that even LED projectors are not capable of a true black......what would you say?


So, uh, do you care about on/off CR or not? If you do, then cutting off the LED will provide perfect blacks. If you don't, the ANSI of any digital is still going to utterly smoke the ANSI of a CRT PJ.

If your talking factory specs...... then NO. I dont believe any factory specs on these devices. To me, CR is an insignificant spec. If the device has a nice dark black and is bright enough to watch and enjoy..... then I could care less of what any spec says. Most are bloated anyways.

So why the mocking tone?

I'm not try to mock anything Peri. I just dont think you understand that those LEDs are always flashing, in series, RGB....RGB....RGB.

The DMD mirrors then cycle with the required color and section of the image that requires that color and intensity. The DMD mirror actually has 3 positions. AT rest, reflect into lens and reflect to dead area. If red is not needed in a frame the LED still flashes on but the light is reflected into the dead area. But there is still a very small amount of light spray which is why it still cant produce full black. Same process goes for the green and blue.

In a CRT the beam is cutoff completely. This is why CRT is still superior in true black.







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Spanky Ham



Joined: 22 Mar 2006
Posts: 5643
Location: Comedy Central

Posted: Wed Apr 14, 2010 5:09 am    Post subject:

macgyver655 wrote:
Spanky Ham wrote:
Yes, you can turn the LEDs off, but you could also turn off a regular bulb. Obviously the difference is the time to turn back on, but it is still not like a CRT.

Please clarify what you are saying here, thank you.

As for the local dimming, I think Brightside was doing something like this with their fourth panel pj.

And clarify this also, thanks.



I was trying to get out this morning and knew someone would hit me for this. It is kind of my inside joke. I told Scott about it when we talked several months ago. There are those over at AVS that are spouting off about the very high (almost infinite) on/off. Some have even measured it. Of course this was with the LEDs off. Hence my joke. I am not sure, but I guess the Sim has a way to do this. The Sim LED is being touted as this great pj even though the reps at Cedia said it was just something to get out the door this year. There next one is supposed to be the one they really do some work on. This was the typical refrain from the other manufacturers as well. Of course, then the LEDs came out and those that bought them said they were the greatest thing ever. I kept thinking maybe someone hit me in the head and I dreamed that the LEDs were dim with average on/off. To hear some of the Sim shills talk, these pjs are throwing 30 ft/lmbs on a 20 foot wide screen with infinite on/off. The biggest Sim shill over at AVS (lets just say he is a frigid person) said the pj was like the second best pj out there and much better than the JVCs. I know people have their preferences, but that was a little to much to swallow. Anyway, I am rambling.

As for the Brightside, it has been awhile. I believe they were using a LCD panel somewhere in the light path kind of like where a C element would be on a CRT. IIRC using a panel like this was like multiplying the on/off cr of the panels. So, if you have 1k to 1 originally and the fourth panel was also 1k to 1, then it would be like getting 1 million to 1 on/off. I hope this makes sense (probably doesn't). Anyway it is late and this is about the best I can recall. You might be able to find the white paper over at AVS in the archives probably around 05 to 06. Also, I just remembered SEOS might be doing something along the same lines. You might be able to find some info from them.
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WanMan



Joined: 19 Mar 2006
Posts: 10270


Posted: Wed Apr 14, 2010 11:21 am    Post subject:

I would be curious to know what the measured minimal light output of these LED projectors are without the LED's actually being off. That would determine the black level capabilities. Of course, marketing has to lie in order to hype the otherwise mediocre they are shoveling.

This is not to say that digital projectors haven come a long way in their home application inception, but they are still being compared to CRTs. hahahahahahaha

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Kiev Savoie



Joined: 25 Oct 2007
Posts: 432


Posted: Fri Jun 04, 2010 3:47 am    Post subject:

macgyver655 wrote:
perisoft wrote:
macgyver655 wrote:

Any image requires the leds to be flashing. Even a dim one. Therefore, why would they ever need to turn them off?


Quote:

And if I were to say that even LED projectors are not capable of a true black......what would you say?


The DMD mirrors then cycle with the required color and section of the image that requires that color and intensity. The DMD mirror actually has 3 positions. AT rest, reflect into lens and reflect to dead area. If red is not needed in a frame the LED still flashes on but the light is reflected into the dead area. But there is still a very small amount of light spray which is why it still cant produce full black. Same process goes for the green and blue.

In a CRT the beam is cutoff completely. This is why CRT is still superior in true black.[/color]








And this is really the crux of it to me. Basically, these early LED designs seem to be still using the "lamp-color wheel" paradigm. Instead of the mirrors reflecting unneeded light to the dead area, thereby contaminating the the image field, they could be designed in the future to just turn the LED off when it is not required for a given pixel. It seems to me that this would produce Infinity:1 contrast ratios. It seems totally workable to me, it's just going to take a couple of engineers putting their heads together for the second generation of these units.
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Fri Jun 04, 2010 1:30 pm    Post subject:

I've spent a little time with my head stuck into the guts of a DLP engine and I can tell you that a LOT of things aren't usually being done that COULD be done to control stray light and keep it from reducing the contrast ratio.

Every DLP projector I've yet seen uses a black anodized aluminum target patch to absorb the "off" switched light from the DMDs. And eventually, they all bleach. The black anodized aluminum ends up being LESS than black. I've seen it bleached all the way to raw aluminum color.

DMDs are essentially a huge collection of minute mirrors. The light that falls on them from the lamp source is either directed TO the
screen, or AWAY from it. All the light that is directed away from the screen must be completely absorbed or diverted so that it does
not ever get to the screen. If it does, it will raise the black level and reduce the contrast level. In my opinion, the management
of this waste light is often done very poorly in many DLP engines. I've never YET seen one that handled it in a manner that I would
say I'm really impressed with.


A better way to do it would be to direct the light into a small tank filled with carbon ink that will NEVER bleach. That tank would have a
high quality glass entrance window which is treated with high grade anti-reflective coatings. And, every item in the head end of the
optical engine should be painted black or hidden behind black painted covers. Anything that is visible in the head end (after the DMDs)
will affect the CR to some extent.


I'd say that with careful application of paint and shielding, any DLP projector's contrast ratio could be improved by a worthwhile amount.
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Spanky Ham



Joined: 22 Mar 2006
Posts: 5643
Location: Comedy Central

Posted: Fri Jun 04, 2010 5:15 pm    Post subject:

Interesting observations, CJ. I think your proposed solution would be expensive and only cost effective for the expensive pjs. A better alternative would be the new black coatings that have been developed. This might be cost effective for both the low end and the DIYer wanting to mod his pj.
http://www.rsc.org/chemistryworld/News/2007/March/01030701.asp

Doing a search for the above (which I don't believe has been developed commercially), I came across this company. I am not sure how expensive it would be, but at least their is something commercially available.
http://www.acktar.com/
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garyfritz



Joined: 08 Apr 2006
Posts: 12088
Location: Fort Collins, CO

Posted: Fri Jun 04, 2010 5:24 pm    Post subject:

Kiev Savoie wrote:
And this is really the crux of it to me. Basically, these early LED designs seem to be still using the "lamp-color wheel" paradigm. Instead of the mirrors reflecting unneeded light to the dead area, thereby contaminating the the image field, they could be designed in the future to just turn the LED off when it is not required for a given pixel. It seems to me that this would produce Infinity:1 contrast ratios. It seems totally workable to me, it's just going to take a couple of engineers putting their heads together for the second generation of these units.

Not the way DLPs currently work.

You're talking about turning the LEDs on/off on a pixel-by-pixel basis -- if a pixel doesn't need any light, don't turn the LED off for that pixel. But that's not the way DLPs work. They don't illuminate individual pixels individually or separably. They illuminate the **entire** panel at once (either with a bulb or with an LED), and the DLP mirrors take care of delivering the appropriate light level for each pixel.

In order to do what you're proposing, you'd have to have some kind of (probably physical moving-mirror) scanning mechanism to direct the LED light to each pixel position. I think there have been laser-based projectors like that, but I don't think anybody's doing anything like that for HT. I suspect they'd be expensive and unreliable.

EDIT: E&S has a laser-scanning 8Kx4K projector. Looks like it has a solid-state mirror setup, conceptually similar to DLP, but it displays one column of pixels at once. There seems to be a mechanical rotating-mirror mechanism to sweep the column of pixels across the screen. But even this projector wouldn't do what you're saying, because it displays an entire column pixels at once. I think it's just a single-column analogue to the DMD panel. I suspect the laser illuminates the column at full power, and the micro-mirrors modulate the light for each pixel in the column. So you still can't "turn off" the laser for a pixel.

Light Blue Optics has a very intriguing technology that uses diffraction patterns to holographically construct an image. Supposedly it reflects the light where it's needed, and away from where it isn't -- which may give it really good contrast. But it's still in the early product phases with small projectors. I don't think we'll be seeing one of those in our HTs any time soon...
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Fri Jun 04, 2010 8:36 pm    Post subject:

All that the LEDs do is provide illumination for the total DMD panel. They do not provide per-pixel illumination. They are a substitute for the lamp, and nothing more.

CJ
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Kiev Savoie



Joined: 25 Oct 2007
Posts: 432


Posted: Fri Jun 04, 2010 11:39 pm    Post subject:

Well, I probably am working from a skewed idea of how DLP works, but the fact that LED's are being used as a replacement for the lamp is the point i am getting at. Here we have a new technology being adapted to an old platform and at the the 1st gen level the capabilities of that new technology usually are just beginning to be explored. LEDs have many qualities (such as fast on/off times) that are probably not being utilized in the most effective way. Anyway, i'm excited to see how it all develops.
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garyfritz



Joined: 08 Apr 2006
Posts: 12088
Location: Fort Collins, CO

Posted: Fri Jun 04, 2010 11:45 pm    Post subject:

They *are* making use of the LED fast on/off. They're not just using white LEDs with a color wheel. They're using R/G/B LEDs and pulsing them for the 3 colors. No color wheel, no moving parts, much faster cycling = no rainbows (hopefully), no expensive bulb to degrade, colorshift, and burn out, and of course much less power and heat, therefore much better lifespan for the light engine, much less cooling issues, etc.

But it's still illuminating the entire DMD at the same time.
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Sat Jun 05, 2010 12:35 am    Post subject:

At some point in the future, when manufacturing technology allows, we will eventually see LED matrix devices which will resemble a DMD in format, but each mirror will be an LED pixel in either a single color or an RGB triad. Given the brightness per unit area that LEDs are capable of achieving NOW, the technical obstacles to this accomplishment are all related to the consistency of output and color temperature
for each individual pixel in the display.

Right now, all LEDs that are produced for markets where color temperature and consistency of output is an important factor are sorted
and binned according to their actual performance. Manufacturing technology is not yet up to the task of cranking out millions of LEDs
at once that all are for all intents and purposes identical in terms of their color temperature and output curve. Only when that goal has
been achieved will unitized matrix LEDs become a viable product.

Light output from that device should not be a problem. An active area of just 12 square millimeters allows a Luminus Phatlight to
deliver over 2000 lumens (green) and they have a white LED package that delivers up to 6000 lumens out of a total emitter area of 36
square millimeters.

By way of comparison, a one inch class DMD in 16:9 format is ABOUT 400 square millimeters. With over 10 times the available surface area, it stands to reason that even with a less than perfect fill factor, it will be easy to build a complete self-luminous LED
imaging panel that is comparable to a DMD in overall size.

Thermal considerations will factor heavily into the design, but LEDs are getting more efficient all the time, meaning LESS heat generated
for any given light output level.

By the time a sufficiently consistent LED array can be fabricated on one piece of silicon, the efficiency will be high enough that the heat
elimination considerations will not present a monumental engineering challenge.


Be quite sure about it, this is the direction the industry will go as soon as it's a viable product.

The ultimate expression of it will be stacked transparent RGB pixels on the substrate. The red, green, and blue channels will be
vertically integrated with no horizontal offset, will not optically interfere with each other, and allow 3-chip performance with a single
chip engine.


I predict this will be seen for the first time in a technology demonstration within three to five years.


CJ
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