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so who has switched?
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VideoGrabber



Joined: 09 Apr 2006
Posts: 933
Location: Michigan

Posted: Tue Aug 11, 2009 3:48 am    Post subject:

Just in case the low light output levels reported at HTHF (HomeTheaterHiFi.com) were an anomaly, I checked another review at UltimateAVmag.com. Some of the comments there were:

"the flip side of this black level performance is a top-end that doesn't go as bright as many other projectors out there. The S4 is not deficient in this regard, but definitely sits at the low end of the light output range among digital projectors."

"I did occasionally want more horsepower in light output than I could get with the S4, even with the iris opened to the F3.0 setting." (Which, BTW, drops the peak CR from 2650 to 1900.)

"Even with the light output driven as high as it could go without gross color distortion, the image was just a touch dim. This characteristic seems to have noticeably worsened with the bulb's age."

Keep in mind this is on an 80" wide screen(!) with 1.3 gain. That's not even 7' wide, so I'm not sure how you'd ever be satisfied, Dave, on your 9.5' wide screen.

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Person99



Joined: 09 Mar 2006
Posts: 4899
Location: Flower Mound, TX

Posted: Tue Aug 11, 2009 6:58 pm    Post subject:

VideoGrabber wrote:
Person99 commented:
> I would find a used high-end DC 720p PJ that was bright like the Marantz VP12s4 before grabbing one of these. It will have image quality that blows the HD20 away. <

In some respects, I'm surprised to hear you recommending this PJ, Dave. Granted the optics are excellent, which is a critical and often shortchanged area. And it does have some good characteristics, like the Gennum VXP that deinterlaces 1080i (motion-adaptive) before downconverting to 720p (unlike some that bob to 540p and then scale up). And an ANSI CR of 800. BUT, for someone like you looking for image punch from a bright PJ, I wouldn't think it would satisfy you, based on reviews like Kris Deerings at HTHF. With only about 11 ftL with a new bulb (260 ANSI lumens, calibrated), this seems like a non-starter for you.

Other problems include video level clipping, "does not retain the proper video levels when it receives a 4:2:2 signal. Instead it remaps the input to PC levels and clips head and toe room. The only way around this is to do a colorspace conversion of the signal BEFORE it goes to the projector." So even though you've got (and paid a premium for) a quality VXP scaler, you need an external processor to fix this deficiency. And to fix the gamma problem, because it is set up to do no more than 1.9 max... "My chief complaint for this projector is probably gamma. The S4 has eight different preset gamma curves to choose from. Unfortunately the highest curve results in a gamma of about 1.9, which is pretty low."

These are still rather expensive, even as used units 3 years (4?) after introduction. And their normal throw lens makes them a tough fit for PJ owners looking to replace their unit. (Though a short-throw lens is available, you're unlikely to find one on a used PJ.) For example, I couldn't fit one in my room even if I wanted to, and still fill the screen. No horizontal lense shift probably wouldn't be a big deal, but lack of power zoom and focus means that an anamorphic lense solution would be required (where a power zoom might be more desirable to some), increasing the cost and complexity further.

So all in all, I wouldn't think this would get your recommendation (unless possibly they were later able to correct the clipping problem with the Silicon Image HDMI chip, and reconfigure the gamma curves). I couldn't find any followups anywhere though that indicated this was the case.


You are correct. One, I don't know why I typed "bright" I was thinking "good". And I threw it out as an example.

I still think it looks pretty good and produces a very nice picture--and so do several people--hence why they are still expensive. Smile

I actually passed on one of these that I could have got very reasonably as well as the rush on the bargain basement Sharp 12K Mk II, both of which were better than my current PJ in some repects. But I passed on them because I was doing a 9.5 foot wide scope screen and they would be too dim for me.

As an aside, I was able to make one of these look pretty good with a Lumagen, maybe I'm not enough of a snob, but I think a 12s4 with a Lumagen HDP looks pretty darn good, (what I consider) minor faults aside.

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Brian Hampton



Joined: 22 Apr 2006
Posts: 1173


Posted: Tue Aug 11, 2009 8:58 pm    Post subject:

Hi,

I switched... I went from a minty G70 to a Sony VW60.

Here's how it happened to me ...

My G70 started having a problem... Then... It shut down with code. I replaced a board and everything was fine.

Eventually... it had a different problem..... People were coming for movie night so I got help to take down the hush box and re-seated the boards and everything was fine for movie night but a few days later the problem came back.

I took the hush box down a handful of more times and my hush box was huge. It was a 2 person job to remove and reinstall it so I had to often wait for help.

At some point ... I couldn't fix the G70 anymore so I ordered the VW60.

The day before the VW 60 arrived.... I got the G70 working again but it was already taken down from it's ceiling mount.

I guess maybe it still works fine... I know the tubes are still pristine (I pulled off the lenses to check.)

Honestly the G70 wins over the VW60 for pure picture quality.

However,... I use a PS3 and play games and love the fact that there's no chance of burn in and also when a game outputs 720p or 1080i or who knows what small change in frequency ... I don't have to try to dial in another memory block.

The VW60 needs no hush box and therefore needs no hush box fan so that's an energy savings also the VW60 uses half as much energy as well.

I feel like I was lucky to have a great CRT FP for so many years. It's really the ultimate quality and I don't think any future display device will get close to the natural and realistic look of CRT.

My G70 is still sitting here... I can't sell it for what I think it's worth. And... I don't want to part with it anyway... too many good memories.

-Brian
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Person99



Joined: 09 Mar 2006
Posts: 4899
Location: Flower Mound, TX

Posted: Tue Aug 11, 2009 9:44 pm    Post subject:

Brian, just curious, why the VW60?
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Dave

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Brian Hampton



Joined: 22 Apr 2006
Posts: 1173


Posted: Tue Aug 11, 2009 10:56 pm    Post subject:

Person99 wrote:
Brian, just curious, why the VW60?


Hi,

I had seen the Ruby and other Sony SXRD's in demos at boutiques and also at some Best Buy's.

They looked great.

When my G70 was having trouble I found a refurbished VW60 for 60% of it's MSRP and just ordered.

I know about the JVC's and at the time there were some Pioneer pj's that were re-badged JVC's in the AVS Classifieds for the same price I paid for my VW60 but ...I guess I had years of good experience with Sony and that may have biased me a bit.

I really like the look of the VW60... It and my PS3 seem very happy togeather. Smile

When I fist got it I discovered (by accident) that most of the IR codes were the same as the G70 and 12xx! I had not updated my Harmony Universal remote but I could turn on and off the pj and navigate the menus anyway, ha!

I'm very happy with the VW60 by the way. I had pitch black blacks with my G70 but always gave up some low end detail to get there. (I didn't get into all the gamma tweaking stuff in time.)




-Brian
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Person99



Joined: 09 Mar 2006
Posts: 4899
Location: Flower Mound, TX

Posted: Thu Aug 13, 2009 1:41 am    Post subject:

RS2 for $2300 now, wonder who is switching....
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Bucketfoot



Joined: 17 Mar 2006
Posts: 698
Location: Centennial, CO

Posted: Thu Aug 13, 2009 2:06 am    Post subject:

Person99 wrote:
RS2 for $2300 now, wonder who is switching....


Personally I'm just waiting to hear back on a job offer and I'll be jumping on that deal if they are still available.
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Thu Jan 07, 2010 2:24 am    Post subject:

I'm nowhere near ready to switch to digital. But the quality of digitals has gotten to the point that I won't feel really bad if I end up having to go digital tomorrow.

I just got a demo of the new VDC single chip, LED-lamped 1080p projector, thanks to TSE, and it's pretty darned impressive. The black
level isn't dead black but it's certainly acceptable, and the color gamut is obviously HUGE. Its primary colors are really impressive.
The red is the deepest I've yet seen, the green doesn't have a trace of yellow, and the blue is as good as it gets. It also has some
very cool tricks up its sleeve.


I could live with that PJ. My 9501LC is better in some respects but in some ways, the digital is better.


CJ
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WanMan



Joined: 19 Mar 2006
Posts: 10270


Posted: Thu Jan 07, 2010 10:58 am    Post subject:

CJ, is the VDC unit completely switching off the LEDs when the call for a complete black field is signaled?
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cmjohnson



Joined: 03 Apr 2006
Posts: 5180
Location: Buried under G90s

Posted: Fri Jan 08, 2010 3:51 am    Post subject:

No, they stay on...I think. TSE knows for sure. I saw it in video mute and it was VERY difficult to see any residual raster in a well darkened (but not totally dark) room.


CJ
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Ridebreck



Joined: 08 Mar 2006
Posts: 943
Location: Colorado Springs, CO

Posted: Thu Feb 11, 2010 12:29 am    Post subject:

I'm digging up an old conversation here, but I switched along time ago (though I now have no projector). The short and skinny of it is that I had neither the time or the inkling to be a videophile anymore. It had gotten to the point that I was looking for image flaws instead of just sitting back and enjoying the movie / TV show.

I had toyed with some minor mods for my 8111 and had a pretty good image going, but it still needed some work - primarily to fix the seemingly daily convergence drift that I was getting. At the time I made the switch, I was able to part out my Marquee and buy the Mits HC3000 along with a mount and still came out money ahead. The setup was a breeze and the image was plenty good enough for my wife and I. Hell, I even got a "not bad" from Dave one day when he stopped by to see it.

So I guess it all comes down to what's important to the potential buyer. Obviously for some, digital still doesn't offer what they're looking for. For others it does. I'm currently shopping for a house and I'm not sure if I'm even going to have a dedicated room in the future, even if I have the space for one in the basement. I may simply opt for a ~55" - 60" flatscreen so that we won't be bothered by ambient light. Different strokes for different folks...

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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Thu Feb 11, 2010 6:53 am    Post subject:

Went to a home theater meet this weekend, and saw two really nice dedicated DIY rooms. Both had AT scope screens, and neither were big budget by any means... One was an RS-25 and the other was a Panasonic AE3000... While I much preferred the image from the RS-25, I could EASILY live with the image from the AE3000 - never mind the AE4000.

Sad as I am to say it, but if I had to start from scratch now, and I had the room to do it, I'd definitely trade a little black level and some other minor visueal artifacts for the visual impact and immersion the big scope screen has. The low-end digitals like the AE4000 are just getting that good. Let's just say I had a pretty good case of HT envy when I left the second, cheaper of the two, DIY HTs.

SC
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WanMan



Joined: 19 Mar 2006
Posts: 10270


Posted: Thu Feb 11, 2010 9:50 am    Post subject:

It all comes down to what your #1 variable is in picture quality. If black level isn't it then buy a flashlight.
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overclkr



Joined: 08 Mar 2006
Posts: 4227


Posted: Thu Feb 11, 2010 3:09 pm    Post subject:

ecrabb wrote:
Went to a home theater meet this weekend, and saw two really nice dedicated DIY rooms. Both had AT scope screens, and neither were big budget by any means... One was an RS-25 and the other was a Panasonic AE3000... While I much preferred the image from the RS-25, I could EASILY live with the image from the AE3000 - never mind the AE4000.

Sad as I am to say it, but if I had to start from scratch now, and I had the room to do it, I'd definitely trade a little black level and some other minor visueal artifacts for the visual impact and immersion the big scope screen has. The low-end digitals like the AE4000 are just getting that good. Let's just say I had a pretty good case of HT envy when I left the second, cheaper of the two, DIY HTs.

SC


I picked up the AE4000 to ease up the amount of hours I have put on the stack and for 2 grand, that is one pretty damn good little unit. Obviously the stack TROUNCES it, but for day to day viewing, I like it a lot.

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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Thu Feb 11, 2010 4:05 pm    Post subject:

Hey, Cliffy... What up?

Dude, that makes total sense! Rack up the hours on the bulb machine playing Rock Band and Call of Duty, and save the phosphor in the G90's for movies.

Look... There are things I don't like about certain digital machines. On the AE3000 in particular, I still notice some pretty bad banding on solid gradient fields, and it becomes painfully obvious during fades. (To be fair, it was worse on the über-expensive DLP Cinema projector at the Avatar 3D screening I saw a month or so ago than it was on the AE3000 I saw over the weekend.) But... and this is a big but... It's not as if the picture from CRT is artifact-free. I mean, you take some bad along with the good. For instance, I've got slight geometric distortion (damn you Sony!) that bugs the crap out of me, I've got a little waviness on the left side of the screen/raster at 1080p, and of course sharpness is far inferior to any 1080p digital. Full fades to black still make me giddy, but I think at this point, I'd be ready to let that go to get some of the other advantages.

The main problem I have is that what I'm in really in love with is the AT scope setup... You basically have that already. I just don't have the room to do it, or I think I would. But, the digital does make it really easy - especially the zoom feature on the AE3000/4000. That's pretty trick. No more expensive expansion lenses and sleds. If watching movies is more important to a guy than obsessing over one aspect of picture quality, digital is getting damn good - even at the low end.

Next room... HT 2.0, I guess.

SC
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AnalogRocks
Forum Moderator


Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Thu Feb 11, 2010 4:24 pm    Post subject:

ecrabb wrote:
If watching movies is more important to a guy than obsessing over one aspect of picture quality, digital is getting damn good - even at the low end.


SC


Good to know I'll never go digital Laughing

C'mon once you've had black you never go back. FFTB Thumbs Up

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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Thu Feb 11, 2010 4:57 pm    Post subject:

So, your point is that you're willing to compromise half a dozen other aspects of image quality to get one that's better?

SC
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Ridebreck



Joined: 08 Mar 2006
Posts: 943
Location: Colorado Springs, CO

Posted: Thu Feb 11, 2010 6:36 pm    Post subject:

For me, the ability to go CIH is pretty much the only thing keeping projection in the picture (no pun intended) for my future room. It's pretty damned appealing, I must admit. It's all going to come down to whether it's a justifiable option for us. At present time, the vast majority of viewing that I and my family do is HDTV. Movies are a very small portion overall. If we think that is likely to continue as the kids get older, then we'll probably opt for flat panel. The one exception to that is if we find a house where I could go with a rear-projection setup (i.e. crawlspace off the basement).
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God_TM



Joined: 13 Mar 2006
Posts: 122
Location: Hillsboro, OR

Posted: Thu Feb 11, 2010 8:08 pm    Post subject:

I haven't exactly switched (my NEC PG6Xtra is still collecting dust in my closet as my current appartment is too small for such a beast), but at work I've had the opportunity to build a new 'theater room' (well... that's what I call it... to my boss it's known as a board meeting/presentation room Mr. Green ).

I have in this room:

Epson Cinema Pro 9500UB
Yamaha RX-V11 receiver
11 in-wall speakers, and 2 klipsch XW-300D subs
135" 'cheapie' motorized 1.1 gain screen (boss couldn't justify the cost of getting an acoustically transparent screen, so that messed up my orginial config, and I ended up putting the front speakers higher than I would like).
Comcast HD cable and a PS3 to drive HD content

I'm very pleased with the image (and sound)! The blacks are very good (not quite PG6Xtra good though)... But I haven't even calibrated the system yet!
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MikeEby



Joined: 24 Jun 2007
Posts: 5237
Location: Osceola, Indiana

Posted: Thu Feb 11, 2010 8:12 pm    Post subject:

You guy should really try a masking system if your not using one now....Its a nice cheap compromise to CIH, makes a huge difference.

Mike

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