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WanMan
Joined: 19 Mar 2006 Posts: 10270
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| Posted: Tue Jul 21, 2009 9:45 pm Post subject: |
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Curious, how many of you ever bring material that demands high CR and low BL? Also, when looking at shops, I find its a must to be there letting my eyes become accustomed to the ambient lighting considering sunshine is orders of magnitude above the scene. This produces a mis-perceived condition. I think this is why I haven't had more of a desire to see what is out there digitally in the past three years.
Uncalibrated, unprepared in material, an a wife not willing to wait +30 minutes for eyes to adjust.
_________________ Trust no one. Absolutely no one. Advice of the board.
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stgdz
Joined: 07 Dec 2008 Posts: 107
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| Posted: Tue Aug 04, 2009 7:52 pm Post subject: |
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Well I made the switch last night.
AVS was offering a sim2 300 extra last weekend for $350 and I just couldn't say no any longer, I haven't hung it up yet as I am trying to figure out how to get the beast down from the ceiling. After playing around with it last night though here is what I have to report back.
Sony 1272
Pro
Delivers film like quality
Negatives
loud
not as bright as the sim2
No where near as sharp
Heavy and a freaking beast to lift up into the ceiling but once it was up there
Convergence, went out of alignment without correct timings.
Sim2
Pro
Much brighter
Much much sharper, the wife commented that the DVD's we were watching look HD
Pretty quiet, not silent but quieter then the 1272.
No messing with power strip
Cons
Delivers a digital image and not a film image
Some background of my system is that I have a wilson art 110" screen, HTPC as a source, and HD feeds are a through a HD homerun. The fiml comment that I have is that when I switched from the CRT to the DLP it displayed a razor sharp image with the DLP where as the CRT was more grainy and had a bit more blur in the motion scenes. It's hard to describe.
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amt_austin
Joined: 23 Jan 2008 Posts: 38 Location: Austin, TX,
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| Posted: Tue Aug 04, 2009 10:13 pm Post subject: |
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| emdawgz1 wrote: | I could easily see living with it. It was really quiet, shadow detail was pretty good.
However. It's 6k. Plus an anamorphic lens, another 7k. A decent processor 2k and a screen.....
Yikes  |
My switch was much less:
Pioneer FPJ1: $2600
Lumagen VisionHDP (used) $400
Carada 2.35:1 124" screen: $900
Total: $3900
I don't use a lens, IMO, it's not needed. I just zoom out to 2.35 and let the HDP scale down 16x9 content within. Picture is incredible.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed Aug 05, 2009 7:21 pm Post subject: |
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| amt_austin wrote: | | emdawgz1 wrote: | I could easily see living with it. It was really quiet, shadow detail was pretty good.
However. It's 6k. Plus an anamorphic lens, another 7k. A decent processor 2k and a screen.....
Yikes  |
My switch was much less:
Pioneer FPJ1: $2600
Lumagen VisionHDP (used) $400
Carada 2.35:1 124" screen: $900
Total: $3900
I don't use a lens, IMO, it's not needed. I just zoom out to 2.35 and let the HDP scale down 16x9 content within. Picture is incredible. |
I disagree on the lens. If I understand you correctly, you do not zoom in and out with the different content but are zoomed for scope and scale down 16:9 to 1452x817. Is this correct?
If so, why? You are loosing brightness for no good reason. Vertical compression lenses are now pretty cheap used, have less artifacts than horizontal expansion lenses. For pretty cheap you could do basically what you are doing but with better image quality and brightness. To do it with a VC lens, you just have the Lumagen:
1) vertically stretch scope content
2) Horizontally squeeze 16:9 content.
Best part is the Lumagen already has buttons to do this out of the box!
You get a brighter punchier picture. All for less than $500.
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Wed Aug 05, 2009 7:25 pm Post subject: |
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| stgdz wrote: | Well I made the switch last night.
AVS was offering a sim2 300 extra last weekend for $350 and I just couldn't say no any longer, I haven't hung it up yet as I am trying to figure out how to get the beast down from the ceiling. After playing around with it last night though here is what I have to report back.
Sony 1272
Pro
Delivers film like quality
Negatives
loud
not as bright as the sim2
No where near as sharp
Heavy and a freaking beast to lift up into the ceiling but once it was up there
Convergence, went out of alignment without correct timings.
Sim2
Pro
Much brighter
Much much sharper, the wife commented that the DVD's we were watching look HD
Pretty quiet, not silent but quieter then the 1272.
No messing with power strip
Cons
Delivers a digital image and not a film image
Some background of my system is that I have a wilson art 110" screen, HTPC as a source, and HD feeds are a through a HD homerun. The fiml comment that I have is that when I switched from the CRT to the DLP it displayed a razor sharp image with the DLP where as the CRT was more grainy and had a bit more blur in the motion scenes. It's hard to describe. |
Hey, I've seen this PJ and it is actually a bit better than my current PJ. YOu should be able to get a wonderful picture with this that is actually fairly "film like" (in the good respects, not the bad respects) and look MUCH better than the 1272.
Try some quality HD like some good blu rays scaled down really well. You might have to play with the gamma to get a more film like gamma curve. One of the nice thing about SIM2 PJs is that their red is closer to a CRT red than the correct red, so it typically looks pretty pleasing.
Also, if the focus is too sharp, try de-focusing it just a touch. Make sure you don't overfocus (that looks bad) but actually underfocus it a bit. That will help it look a little less "digital" but still be much much much sharper than the 1272.
But, if you don't want the SIM2, I'll give you what you paid for it.
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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Willie
Joined: 13 May 2006 Posts: 169 Location: Green Bay
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| Posted: Fri Aug 07, 2009 7:36 pm Post subject: |
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| Person99 wrote: | | ralpharch wrote: | | Another switcher here. Have my $99 1080p digital on order (ok - add another 9 to that to be accurate (optoma hd20) but the reference was to the cheap digital thread here). |
My two cents for what it is worth. None of these low end Optomas impress me. I would find a used high-end DC 720p PJ that was bright like the Marantz VP12s4 before grabbing one of these. It will have image quality that blows the HD20 away--trust me on this one. Honestly, even my HD7100 which you can find used for under $500 will beat this guy in overall image quality. Resolution isn't everything and even less if you are doing CIH and watching alot of scope content. |
So Dave,
How is it you know the HD20 will be so poor? Have you actually seen this model's output? Cause if you haven't you are just blowin' smoke.
Willie
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ralpharch
Joined: 02 Nov 2007 Posts: 211 Location: Derwood
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| Posted: Fri Aug 07, 2009 8:26 pm Post subject: |
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I actually cancelled my HD20 order - am waiting to see if I can fix a sync problem and if not with reasonable effort plan to get a digital of some sort. So whatever is best bang for the buck is important; but I will probably wait at least until after CEDIA to see what new is available. Also very interested in Person99's perspective on the cheap 1080ps not being as desireable as some 720 ps with better image??
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Willie
Joined: 13 May 2006 Posts: 169 Location: Green Bay
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| Posted: Sat Aug 08, 2009 1:36 am Post subject: |
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My point is this stuff is highly subjective.
I have a Sharp XV-Z2000; a 720DLP that is a very nice compliment to my 9501LC. I use it for HDTV viewing and web surfing.
I agree that a good 720DLP can be nice. However, the HD20 was just introduced in July. Let's at least wait till somebody has actually seen it till we indict it. Don't rule it out till you have seen it.
Willie
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CRT_Ben
Joined: 28 Aug 2006 Posts: 1684 Location: Northern Virginia
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| Posted: Sat Aug 08, 2009 1:40 am Post subject: |
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| ralpharch wrote: | | I actually cancelled my HD20 order - am waiting to see if I can fix a sync problem and if not with reasonable effort plan to get a digital of some sort. So whatever is best bang for the buck is important; but I will probably wait at least until after CEDIA to see what new is available. Also very interested in Person99's perspective on the cheap 1080ps not being as desireable as some 720 ps with better image?? |
Not sure about the HD20 in particular, but it has been proven again and again that contrast and color reproduction are more important to the final image quality than resolution (within reason of course, ex. 720p vs 1080p). Therefore, any sacrifices in the first two to gain resolution would be a bad idea.
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WanMan
Joined: 19 Mar 2006 Posts: 10270
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| Posted: Sat Aug 08, 2009 1:17 pm Post subject: |
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| Willie wrote: | My point is this stuff is highly subjective.
I have a Sharp XV-Z2000; a 720DLP that is a very nice compliment to my 9501LC. I use it for HDTV viewing and web surfing.
I agree that a good 720DLP can be nice. However, the HD20 was just introduced in July. Let's at least wait till somebody has actually seen it till we indict it. Don't rule it out till you have seen it.
Willie | I wouldn't be surprised at Dave knocking a digital projector. In fact, I would expect it from everyone on this board.
_________________ Trust no one. Absolutely no one. Advice of the board.
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Mr. Green
Joined: 23 Feb 2007 Posts: 1394 Location: Calgary
TV/Projector: Marquee 9501LC / NEC 9PG+
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| Posted: Sat Aug 08, 2009 7:49 pm Post subject: |
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| Person99 wrote: | | Mr. Green wrote: | | I have one major beef with bulb projectors. Why does EVERY freaking one have to have a different bulb? Why is there no universal bulb/or 2 for each manufacturer? |
Kind of funny, there are like a gazillion digitals and you want 2 bulbs. There were like just a handful of 8" EM CRT brands (less than half a dozen) and still there were two basic tubes but different pinouts (so technically not drop in compatible) among that small set!!! |
Not quite what I meant Dave. I meant, for example: Optoma projectors, why not have 1,2 maybe 3 different types of bulbs for that manufacturer, where each bulb type is compatible with say 10-15 models they make. That way the bulbs would be more universal and in theory cheaper. It bugs me that every single projector has a unique bulb.
If they were more universal by brand and cheaper, I might have gone digital to start with. Most of the guys I know with digitals have 2 or 3 bulbs just in case they stop making their projector/ parts for it.
_________________ You can be young only once but, you can be immature forever.
Current Projector Marquee9501LC with PS3 (BLu-Ray) at 1080P LOVE IT! Screen is an Elunevision 120" 4:3 (2.4 gain - no hotspots). (also own a NEC 9PG+)
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Sun Aug 09, 2009 3:06 am Post subject: |
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| Person99 wrote: | | stgdz wrote: | Well I made the switch last night.
AVS was offering a sim2 300 extra last weekend for $350 and I just couldn't say no any longer, I haven't hung it up yet as I am trying to figure out how to get the beast down from the ceiling. After playing around with it last night though here is what I have to report back.
Sony 1272
Pro
Delivers film like quality
Negatives
loud
not as bright as the sim2
No where near as sharp
Heavy and a freaking beast to lift up into the ceiling but once it was up there
Convergence, went out of alignment without correct timings.
Sim2
Pro
Much brighter
Much much sharper, the wife commented that the DVD's we were watching look HD
Pretty quiet, not silent but quieter then the 1272.
No messing with power strip
Cons
Delivers a digital image and not a film image
Some background of my system is that I have a wilson art 110" screen, HTPC as a source, and HD feeds are a through a HD homerun. The fiml comment that I have is that when I switched from the CRT to the DLP it displayed a razor sharp image with the DLP where as the CRT was more grainy and had a bit more blur in the motion scenes. It's hard to describe. |
Hey, I've seen this PJ and it is actually a bit better than my current PJ. YOu should be able to get a wonderful picture with this that is actually fairly "film like" (in the good respects, not the bad respects) and look MUCH better than the 1272.
Try some quality HD like some good blu rays scaled down really well. You might have to play with the gamma to get a more film like gamma curve. One of the nice thing about SIM2 PJs is that their red is closer to a CRT red than the correct red, so it typically looks pretty pleasing.
Also, if the focus is too sharp, try de-focusing it just a touch. Make sure you don't overfocus (that looks bad) but actually underfocus it a bit. That will help it look a little less "digital" but still be much much much sharper than the 1272.
But, if you don't want the SIM2, I'll give you what you paid for it.  |
That is interesting. There is someone close by selling a Sim2 300 for $900 with a new bulb. Dave talks about seeing the 7100 for $400 used, but I haven't seen it. Tell you what, I will buy yours for $400 and you can buy the Sim2.
There is also a VW50 local for $1200. I want to stop by and take a look, but I don't think I would pay that much.
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Sun Aug 09, 2009 3:13 am Post subject: |
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Willie,
I agree. I read where the Optoma is supposed to have pretty good contrast of 4k to 1. It will be interesting to see what the LCD camp has in store now that DLP seems to have taken the low price 1080p category from them. I am sure projector central will do their best to downplay it and pimp LCD.
Ralph,
As far as low cost, this might be it for DLP. There will probably be new LCDs and LCOS coming out. Matter of fact if you wanted to spend the money, then JVC has a new pj with a claimed 80k to 1 and improved ANSI.
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WanMan
Joined: 19 Mar 2006 Posts: 10270
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| Posted: Sun Aug 09, 2009 1:12 pm Post subject: |
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Is this 4,000:1 CR On/Off? What is its ANSI CR?
_________________ Trust no one. Absolutely no one. Advice of the board.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Mon Aug 10, 2009 3:11 pm Post subject: |
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| Willie wrote: | | Person99 wrote: | | ralpharch wrote: | | Another switcher here. Have my $99 1080p digital on order (ok - add another 9 to that to be accurate (optoma hd20) but the reference was to the cheap digital thread here). |
My two cents for what it is worth. None of these low end Optomas impress me. I would find a used high-end DC 720p PJ that was bright like the Marantz VP12s4 before grabbing one of these. It will have image quality that blows the HD20 away--trust me on this one. Honestly, even my HD7100 which you can find used for under $500 will beat this guy in overall image quality. Resolution isn't everything and even less if you are doing CIH and watching alot of scope content. |
So Dave,
How is it you know the HD20 will be so poor? Have you actually seen this model's output? Cause if you haven't you are just blowin' smoke.
Willie |
I'm betting the odds. Granted, they could do something incredible, but given their history, it is unlikely. Given your response, I'm not sure you care, but for those that do:
I've seen just about every "low end" Optoma 1080p they have released. The all have fairly poor optics. It is unlikely that they will improve the optics and get cheaper! In every comparison I've done so far, a high end DC3 PJ with good Optics has beat every low end Optoma 1080p. It is unlikely that this will be both a substantial improvement and a significant price decrease. Optics cost money and from my time in the digi world, this is one place where the manufacturers really skimp on the low end models.
Further, the specs suggest its performance will be similar to some of the previous low end Optoma 1080p PJs. It has a dynamic iris on it and Optoma has traditionally had one of the worst DIs on the market. It could have been improved significantly and then put on their cheapest model--but unlikely.
Even with a DI, I think native CR matters quite a bit. Optoma is claiming 4000:1 CR. Given that this will be with DI, that makes their native probably quite low (which would be keeping in line with their previous "cheap" 1080p PJs which have pretty bad native CR). It is very unlikely that if 4000:1 is the claimed DI CR that that calibrated native will be much better than 1800:1 or so. I've watched alot of digital PJs and I've come to believe that you need a native CR of at least 2500:1 to stop from looking washed out.
Lastly, the processing of the low end Optoma 1080p PJs has been very poor in my mind. Even in a pixel mapped mode, I've seen more artifacts on these than on high end 720p DC3 PJs. Again, they may have significantly improved this beyond the level of any lower end 1080p PJ they have made yet as well as lower the price significantly, but again, unlikely.
In short, this appears to be the 1080p version of the HD70. Various components like the DI and such seem to be about the same. I thought the HD70 looked like crap.
I would point out that my post started "My two cents for what it is worth". Feel free to disregard if you think it is worth nothing.
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Mon Aug 10, 2009 3:14 pm Post subject: |
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| WanMan wrote: | | Is this 4,000:1 CR On/Off? What is its ANSI CR? |
First important point is the 4K:1 is WITH dynnamic iris!
Seconly, they are claiming very high ANSI (don't have time to look it up, but something like 700 or 800 to 1).
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Mon Aug 10, 2009 6:08 pm Post subject: |
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Dave,
According to Guitarman over at AVS, there is no DI on the 20.
With all of these CRTers switching, are we going to now call them Dave's digital sheep? Of course, I may be head sheep much sooner than anticipated. Fortunately, I will be attending Cedia next month and will get a look at all of the pjs in action. I really want to see the JVC.
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Person99
Joined: 09 Mar 2006 Posts: 4899 Location: Flower Mound, TX
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| Posted: Mon Aug 10, 2009 6:23 pm Post subject: |
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| Spanky Ham wrote: | Dave,
According to Guitarman over at AVS, there is no DI on the 20. |
I have to admit that I have not followed the 20 very closely due to the horrid performance of every low end Optoma released to date.
That being said, the specs/press releases I've seen says it has "ImageAI"--optoma's auto iris. Note also that it is "ImageAI" the original crappy version, not their "new and improved" "ImageAI-II".
_________________ Dave
A train station is where the train stops. A bus station is where the bus stops. On my desk, I have a work station....
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Spanky Ham
Joined: 22 Mar 2006 Posts: 5643 Location: Comedy Central
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| Posted: Mon Aug 10, 2009 6:35 pm Post subject: |
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After the 20 was mentioned, I went over to AVS and read the thread. Guitarman said that Optoma wanted to keep the price as low as possible, so they didn't put one in. Since it is supposed to have like 1700 lumens, this could be a good pj for those with ambient light. Hopefully, I will see it in a month.
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VideoGrabber
Joined: 09 Apr 2006 Posts: 933 Location: Michigan
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| Posted: Tue Aug 11, 2009 2:51 am Post subject: |
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Person99 commented:
> I would find a used high-end DC 720p PJ that was bright like the Marantz VP12s4 before grabbing one of these. It will have image quality that blows the HD20 away. <
In some respects, I'm surprised to hear you recommending this PJ, Dave. Granted the optics are excellent, which is a critical and often shortchanged area. And it does have some good characteristics, like the Gennum VXP that deinterlaces 1080i (motion-adaptive) before downconverting to 720p (unlike some that bob to 540p and then scale up). And an ANSI CR of 800. BUT, for someone like you looking for image punch from a bright PJ, I wouldn't think it would satisfy you, based on reviews like Kris Deerings at HTHF. With only about 11 ftL with a new bulb (260 ANSI lumens, calibrated), this seems like a non-starter for you.
Other problems include video level clipping, "does not retain the proper video levels when it receives a 4:2:2 signal. Instead it remaps the input to PC levels and clips head and toe room. The only way around this is to do a colorspace conversion of the signal BEFORE it goes to the projector." So even though you've got (and paid a premium for) a quality VXP scaler, you need an external processor to fix this deficiency. And to fix the gamma problem, because it is set up to do no more than 1.9 max... "My chief complaint for this projector is probably gamma. The S4 has eight different preset gamma curves to choose from. Unfortunately the highest curve results in a gamma of about 1.9, which is pretty low."
These are still rather expensive, even as used units 3 years (4?) after introduction. And their normal throw lens makes them a tough fit for PJ owners looking to replace their unit. (Though a short-throw lens is available, you're unlikely to find one on a used PJ.) For example, I couldn't fit one in my room even if I wanted to, and still fill the screen. No horizontal lense shift probably wouldn't be a big deal, but lack of power zoom and focus means that an anamorphic lense solution would be required (where a power zoom might be more desirable to some), increasing the cost and complexity further.
So all in all, I wouldn't think this would get your recommendation (unless possibly they were later able to correct the clipping problem with the Silicon Image HDMI chip, and reconfigure the gamma curves). I couldn't find any followups anywhere though that indicated this was the case.
_________________ - Tim
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