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VideoGrabber



Joined: 09 Apr 2006
Posts: 933
Location: Michigan

Posted: Thu Feb 11, 2010 11:42 pm    Post subject:

SC,
> I've got slight geometric distortion (damn you Sony!) that bugs the crap out of me, I've got a little waviness on the left side of the screen/raster at 1080p, and of course sharpness is far inferior to any 1080p digital. <

I may be wrong, but it sounds to me like at least 2 of your main 3 gripes with your G70 (the last 2) are a result of pushing it to 1080p, which is beyond its bandwidth limit. IIRC, you tested and eliminated both 1080i and 720p because the scan lines are too obvious to you at your close viewing position.

But I'm wondering if you've tried either something more attainable between 720-1080p (coupled with AAS on scope, to get more out of the bandwidth you have), or 1080i @96Hz with dot-shape tuning to help improve fill? Or if you want to keep the 1080p, have you tried 48Hz on films to see if you're OK with the flicker? All of these will give you a sharper image, and minimize distortions that your PJ can't compensate for when it's pushed too far.

Lastly, while CIH is hard to do optimally on a CRT PJ, some have found that CIA makes a nice compromise, that helps preserve the dynamic of scope vs. everything else... while retaining a single seating position that's good for both.

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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Thu Feb 11, 2010 11:50 pm    Post subject:

ecrabb wrote:
So, your point is that you're willing to compromise half a dozen other aspects of image quality to get one that's better?

SC


No my point is digital doesn't look better to me. I can't stand seeing pixels and fade to grey. It seriously pisses me off!

So I'll stick with what I like. Analog rocks you know. Very Happy

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VideoGrabber



Joined: 09 Apr 2006
Posts: 933
Location: Michigan

Posted: Fri Feb 12, 2010 12:02 am    Post subject:

Jeremy,
> I can't stand seeing pixels <

One of the things on the Panny 3000 and 4000 that these guys are talking about is that they have an internal defocusing filter that smooths things out just enough that pixels are NOT visible, without sacrificing image sharpness. The ironic downside to this is that they're harder to focus, because there is no "pixel snap in" to observe. Also, the focus is motorized, and tends to overshoot, so for best results you need to be at the screen and spend some time in a back and forth to nail it precisely.

Short answer is that some manufacturers are aware of that problem, and pixels shouldn't be an issue on some of the newer digitals.

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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Fri Feb 12, 2010 4:13 am    Post subject:

VideoGrabber wrote:
Jeremy,
> I can't stand seeing pixels <

One of the things on the Panny 3000 and 4000 that these guys are talking about is that they have an internal defocusing filter that smooths things out just enough that pixels are NOT visible, without sacrificing image sharpness. The ironic downside to this is that they're harder to focus, because there is no "pixel snap in" to observe. Also, the focus is motorized, and tends to overshoot, so for best results you need to be at the screen and spend some time in a back and forth to nail it precisely.

Short answer is that some manufacturers are aware of that problem, and pixels shouldn't be an issue on some of the newer digitals.


SO I get to view a fade to grey slightly out of focus image. Mmmmm Mmmmm good Laughing

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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri Feb 12, 2010 4:41 am    Post subject:

Umm... That "slightly out of focus" image is sharper than the sharpest 9" CRT, Jeremy. Not only that, but the pixels are so small, that unless you're standing WAY closer to the screen than you'd ever watch from, you aren't going to see any pixels. I watched both setups at my typical 1.2-1.5x screen widths, and I couldn't see any pixels. None. Zilch. Pixels or screen door are not an issue any more with 1080p projectors.

As for the "fade to grey", please. It's getting so good as to not be an issue. Yeah, my G70 has better black level and on/off, but a $2000 AE4000 kicks my G70's ass in every other department including brightness, ANSI contrast, white level, sharpness, size, weight, noise, and maintenance.

Besides, if you're doing perfect, full fade to blacks, you're also crushing your shadows. Even with gamma boost, you can't get the blacks perfectly. The way my G70 is set up, with gamma boost set so I can see 2-3 IRE, I can only drop brightness down to where it takes my eyes about 3-4 seconds from a full fade-to-black before the screen doesn't look completely black anymore (I can see the background light). In comparison, it only takes a second or two for my eyes to see the digital black - so no, it's not as good - But again, it's much better than you think, or you're making it out to be.

Seriously... I get that you like CRT - I do, too. But, unless you've seen one in person, the new digitals are WAY better than you think they are. Go see one set up well on a nice scope screen, and then we'll talk.

SC
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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Fri Feb 12, 2010 4:46 am    Post subject:

ecrabb wrote:
Umm... That "slightly out of focus" image is sharper than the sharpest 9" CRT, Jeremy. Not only that, but the pixels are so small, that unless you're standing WAY closer to the screen than you'd ever watch from, you aren't going to see any pixels. I watched both setups at my typical 1.2-1.5x screen widths, and I couldn't see any pixels. None. Zilch. Pixels or screen door are not an issue any more with 1080p projectors.

As for the "fade to grey", please. It's getting so good as to not be an issue. Yeah, my G70 has better black level and on/off, but a $2000 AE4000 kicks my G70's ass in every other department including brightness, ANSI contrast, white level, sharpness, size, weight, noise, and maintenance.

Besides, if you're doing perfect, full fade to blacks, you're also crushing your shadows. Even with gamma boost, you can't get the blacks perfectly. The way my G70 is set up, with gamma boost set so I can see 2-3 IRE, I can only drop brightness down to where it takes my eyes about 3-4 seconds from a full fade-to-black before the screen doesn't look completely black anymore (I can see the background light). In comparison, it only takes a second or two for my eyes to see the digital black - so no, it's not as good - But again, it's much better than you think, or you're making it out to be.

Seriously... I get that you like CRT - I do, too. But, unless you've seen one in person, the new digitals are WAY better than you think they are. Go see one set up well on a nice scope screen, and then we'll talk.

SC


Hey, I don't even have time to watch a full movie so I doubt I'll get to see an AE4000 in the near future. The last one I saw was a Mitsubishi U3000(??) it was terrible!

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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Fri Feb 12, 2010 5:30 am    Post subject:

AnalogRocks wrote:
Hey, I don't even have time to watch a full movie so I doubt I'll get to see an AE4000 in the near future.

Quit posting for two hours and watch a damn movie for chrissakes!

So, if you never watch a movie, then A) what the hell DO you watch, and B) Why even both with projectors at all? Wink

AnalogRocks wrote:
The last one I saw was a Mitsubishi U3000(??) it was terrible!

Not sure which model you're referring to, but if it hasn't been in the last two years or so, all bets are off. I couldn't stand looking at any digital a year or two ago, either. I've never liked 720p machines - the pixels were too big - and they've made huge leaps in terms of contrast and in color just in the last year or so. These new machines are not terrible in any way, shape, or form.

SC
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VideoGrabber



Joined: 09 Apr 2006
Posts: 933
Location: Michigan

Posted: Fri Feb 12, 2010 6:52 am    Post subject:

> SO I get to view a fade to grey slightly out of focus image. <

I'm confused. What part of "without sacrificing image sharpness" did I not make clear?

You don't ever want the edges of pixels to be visible, because they represent an overlaid grid that was not in the original image. Thus they are high-frequency noise. Read up on some of Bjoern Roy's stuff over at AVS from a couple years ago. He presented a pretty clear analysis.

So cleaning up these artifacts, as Panasonic has done, is NOT making the image "slightly out of focus" at all. In fact, by removing the spatial noise from the edges, they actually allow more detail to be exposed.

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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Fri Feb 12, 2010 3:44 pm    Post subject:

ecrabb wrote:
AnalogRocks wrote:
Hey, I don't even have time to watch a full movie so I doubt I'll get to see an AE4000 in the near future.

Quit posting for two hours and watch a damn movie for chrissakes!

So, if you never watch a movie, then A) what the hell DO you watch, and B) Why even both with projectors at all? Wink

AnalogRocks wrote:
The last one I saw was a Mitsubishi U3000(??) it was terrible!

Not sure which model you're referring to, but if it hasn't been in the last two years or so, all bets are off. I couldn't stand looking at any digital a year or two ago, either. I've never liked 720p machines - the pixels were too big - and they've made huge leaps in terms of contrast and in color just in the last year or so. These new machines are not terrible in any way, shape, or form.

SC


A) I watch a little TV. I sometimes make it through a whole episode.
B) because they are BIG, HEAVY, GOOD! Mmmmmm CRT!

The Mitsubishi I saw was a 1080p from 2008?? probably.

Tell you what. Maybe I'll end up with one when I can get them for free or close to it. It's like stand alone DVD players. I got my first one last year for free. Then I paid $9 for a remote. That's about the right price to pay for most digital stuff.

Now analog on the other hand I will pay extra for Thumbs Up

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perisoft



Joined: 29 Aug 2007
Posts: 2920
Location: Ithaca, NY

Posted: Sat Feb 13, 2010 3:56 am    Post subject:

ecrabb wrote:

Besides, if you're doing perfect, full fade to blacks, you're also crushing your shadows. Even with gamma boost, you can't get the blacks perfectly.


If you're using an HTPC and parametric 21-point gamma with VideoEqualizer, you can. I can see 1IRE and have blacks set low enough that I can do a 30 second bulb exposure with my Nikon and it comes out jet black. When I did the test I had to turn off every light in the house and cover up the power LED on the computer *in the equipment closet* because the camera was picking it up (there's no door on the equipment room, obviously). I'd post a picture, but... you know...

Of course, if you put so much as one pixel of white on the screen, it blows out everything within a country mile, so it's almost a moot point.

I watched the superbowl with a cheap-ass 1080p, and the ANSI *was* nice. The color's better on the CRT, but that's kind of a given since I spent several hours doing the aforementioned per-channel grayscale/gamma work on the CRT and all I did with the cheapo digital was put it on 'reference'! Razz

(Oh, and AR? You're completely irrational. You'd actually seem *more* sane if you admitted that your claims of viewing superiority are utter fantasy and that you just damn well like the hardware. It doesn't have to be better to justify your enjoying it; why bother with the pretense?)

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VideoGrabber



Joined: 09 Apr 2006
Posts: 933
Location: Michigan

Posted: Sat Feb 13, 2010 4:08 am    Post subject:

Peri wrote:
> If you're using an HTPC and parametric 21-point gamma with VideoEqualizer, you can. <

That sort of infinite slope FTB is also available on non-HTPC units with parametric gamma, like the Lumagens. Or the VP50, using its 1024-point LUT mappings (non-stock).

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Spanky Ham



Joined: 22 Mar 2006
Posts: 5643
Location: Comedy Central

Posted: Sat Feb 13, 2010 5:28 am    Post subject:

I know I have beat this dead horse, but CRT still has the advantage in on/off and motion resolution. I know I stated a couple of years ago that 20k to 1 on/off would be enough for all but the most diehard CRTers. After seeing the latest JVCs at Cedia, I think I would have no problem living with their on/off. While motion is still an issue for digitals, it didn't bother me with most of the digitals that I saw. I will be interested to see if there are any non-dlp LED pjs at Cedia this year. If JVC came out with a LED pj, then I would probably be looking to move to that. Of course, if a LCD pj were to come out with LED at $2k, then I might just have to go that route.

AR,
I agree with what Peri said. Just admit that you like the technology over any superiority. I bet a lot of CRTers would be more than impressed if they were to see a properly set up JVC.



VideoGrabber wrote:
SC,
> I've got slight geometric distortion (damn you Sony!) that bugs the crap out of me, I've got a little waviness on the left side of the screen/raster at 1080p, and of course sharpness is far inferior to any 1080p digital. <

I may be wrong, but it sounds to me like at least 2 of your main 3 gripes with your G70 (the last 2) are a result of pushing it to 1080p, which is beyond its bandwidth limit. IIRC, you tested and eliminated both 1080i and 720p because the scan lines are too obvious to you at your close viewing position.

But I'm wondering if you've tried either something more attainable between 720-1080p (coupled with AAS on scope, to get more out of the bandwidth you have), or 1080i @96Hz with dot-shape tuning to help improve fill? Or if you want to keep the 1080p, have you tried 48Hz on films to see if you're OK with the flicker? All of these will give you a sharper image, and minimize distortions that your PJ can't compensate for when it's pushed too far.

Lastly, while CIH is hard to do optimally on a CRT PJ, some have found that CIA makes a nice compromise, that helps preserve the dynamic of scope vs. everything else... while retaining a single seating position that's good for both.


When I get back to Atl, the dot shape tuning is one thing I want to try. I know Dave loved it.
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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Sat Feb 13, 2010 5:59 am    Post subject:

perisoft wrote:


(Oh, and AR? You're completely irrational. You'd actually seem *more* sane if you admitted that your claims of viewing superiority are utter fantasy and that you just damn well like the hardware. It doesn't have to be better to justify your enjoying it; why bother with the pretense?)


Moi? Irrational? C'mon!

and yes I DO LOVE THE HARDWARE. It's old, it's cool and as I said before BIG HEAVY GUD.

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WanMan



Joined: 19 Mar 2006
Posts: 10270


Posted: Sat Feb 13, 2010 10:03 am    Post subject:

ecrabb wrote:
Umm... That "slightly out of focus" image is sharper than the sharpest 9" CRT, Jeremy.SC
SC, no one has ever argued that CRT was sharp. I never considered CRT for sharpness. I considered it, like man, for its black level and On/Off CR that gives an image depth. If I wanted sharpness FIRST then of course I'd get a Pixelator flashlight.

Of course, some prefer the film-like qualities over the video-like qualities of a picture, but those are the folks here.

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mp20748



Joined: 12 Sep 2006
Posts: 5689
Location: Maryland

TV/Projector: 9500LC Ultra / Super 02 and 03 VIM

Posted: Sat Feb 13, 2010 1:34 pm    Post subject:

WanMan wrote:
SC, no one has ever argued that CRT was sharp. I never considered CRT for sharpness. I considered it, like man, for its black level and On/Off CR that gives an image depth. If I wanted sharpness FIRST then of course I'd get a Pixelator flashlight.

Of course, some prefer the film-like qualities over the video-like qualities of a picture, but those are the folks here.


CRT may not be as sharp as "Digitals", but a fully capable CRT projector can produce in a lot of ways a more natural looking sharp picture than a digital.

The problem with CRT is its inability to properly resolve 1080P, and that makes for a not-so-sharp-image. So when comparing 1080P HD on the two, the Digital looks better of course.

However, on the CRT's that can properly resolve 1080P, it's really another story where the image is more naturally sharp, and you also get all the other virtues of CRT.
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WanMan



Joined: 19 Mar 2006
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Posted: Sat Feb 13, 2010 2:41 pm    Post subject:

I'm not knocking CRTs on anything. I am saying what probably drew most of us is the uncanny ability to have such a nice low black level and naturally high On/Off CR compared to everything else on the planet. If sharpness was someone's #1 priority then then they are not looking at a CRT's primary strengths.

BTW, I detest pixel structure. I detest how some digital technologies trade off certain picture quality aspects to attempt to do what a CRT projector can do. We all have our preferences. I just think sharpness isn't a CRT fan's #1 aspect.

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Sunstone



Joined: 11 Aug 2006
Posts: 44
Location: Rockledge Fl.

Posted: Mon Mar 15, 2010 1:08 am    Post subject:

just tried a sony hw15 and it was Sharp until motion happened .good for movies and tv but if you a gamer , it sharp until you turn to shoot someone .everything stays slightly blurry when you pan left to right but if the movment is toward you it's not as bad.so i pick crt for sharpness ,stays sharp when i move fast or slow!
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km987654



Joined: 25 Jul 2007
Posts: 2874
Location: Australia

TV/Projector: Barco BG809s

Posted: Mon Mar 15, 2010 8:43 am    Post subject:

I just love it when you guys get into this. No matter how many times it happens!!
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WanMan



Joined: 19 Mar 2006
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Posted: Mon Mar 15, 2010 9:57 am    Post subject:

Why would it matter if the motion was from a game or not? Sounds more like the relative pan speed than the source.
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ecrabb
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Joined: 13 Mar 2006
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TV/Projector: JVC RS40, Epson 5010

Posted: Mon Mar 15, 2010 4:09 pm    Post subject:

Sunstone wrote:
just tried a sony hw15 and it was Sharp until motion happened .good for movies and tv but if you a gamer , it sharp until you turn to shoot someone .everything stays slightly blurry when you pan left to right but if the movment is toward you it's not as bad.so i pick crt for sharpness ,stays sharp when i move fast or slow!

LCoS has a notoriously slow response time. If gaming is your thing, you'd be better served with a DLP-based set than LCoS or LCD.

SC
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