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Where have all the "For Sale" CRT PJ's gone?
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Elaine Benes



Joined: 25 Apr 2006
Posts: 1416


Posted: Mon Jul 13, 2009 8:28 pm    Post subject:

Kiev Savoie wrote:
What do you figure that digital comparable to the G90 your friend got cost him? i'm going to bet it was enough to buy a new compact car!


Actually, I believe it was $2500., brand new. There was a used one I saw recently for $1400.



Kiev Savoie wrote:
You have to admit the price to quality ratio of these old beasts is unbeatable.


Of course, its why I still have a crt projector, its why most of us still use a crt projector.

Kiev Savoie wrote:
So, Anywhoo... I think it's safe to say, Elaine, that you believe my 7-15 year estimate is a little steep and that we will all have a great cheap replacement for our CRT's before they all die?
Anyone else care to offer their opinion?


Not necessarily.

Looking at how far, and how fast digitals have come, I still realize that they're not the equal of crt in the Home Theater environment for which we use projectors. Almost certainly because the attributes we seek are tangential in the development efforts of a device with a clear business background. The few(relatively) digital projectors which are developed solely for the home theater environment necessarily develop slower because there is less impetus(ie. profit) in that area.

CRT projectors were the opposite, of course. What they natively excel at are the exact attributes which make them so ideal for us in the Home Theater camp. Personally, I'm hoping there is an expensive digital which DOES supplant CRT so there will be lots of CHEAP 9" crt units available for me to maintain my hobby long enough to get to the point where I can buy one of the supplanting digitals cheaply. That transition time will be the worst for us as we won't be able to supply ourselves with cheap, post industrial units like we did with crt, as those digitals are NOT suited to home theater like post industrial crt units were.

What I fear is that it will take SO LONG for the supplanting technology to become available cheaply that there won't be any economically working crt projectors available for ME as bridge units. It's folly to guess time wise, but I'd bet 15-20 years is not out of the question...
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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Mon Jul 13, 2009 8:58 pm    Post subject:

Kiev Savoie wrote:
So, Anywhoo... I think it's safe to say, Elaine, that you believe my 7-15 year estimate is a little steep and that we will all have a great cheap replacement for our CRT's before they all die?

Anyone else care to offer their opinion?


Elaine Benes wrote:
What I fear is that it will take SO LONG for the supplanting technology to become available cheaply that there won't be any economically working crt projectors available for ME as bridge units. It's folly to guess time wise, but I'd bet 15-20 years is not out of the question...

OK, I'll offer my opinion... 15-20 years? I think that number is completely insane. Why? You already have mid-range JVC LCoS machines like the RS2 and RS20 that are besting the very best CRTs in every way - save for perhaps absolute black and perhaps if you get right up to the screen, pixels and screen door. These are projectors that can be hung by one guy on a ladder, are smaller, lighter, and quieter than even the smallest, quietest CRT, and require almost zero setup time (compared to a CRT that is). They can be shipped by UPS - in one piece.

Now, I see no reason that the incremental progress in the digital market we've been seeing won't continue. Given that, the prices will continue to fall on the older stuff, as well as the PQ and technology trickling down into lower price points in the new stuff. You should be able to buy used RS2's in a year or two for ~$2500, and used RS20's for the same a year or two later. The current PQ in a $2500-3000 projector will be had next year or the year after for $2000-2500, and so on.

Then, there's the ease with which you can do a great scope setup with a digital!

All this stuff will continue to put pressure on the used CRT market. Just as the prices of the best 8" machines have fallen from $2000 to <$1000 on the used market (in just the last couple of years, no less), the prices on the 9" machines will continue to fall. Look what's happened to G90's. What used to be a $10,000 machine just 2-3 years ago is now a sub-$5000 machine - perhaps even much less depending on venue and seller. You can say that's the G90-parts issue, but I don't think you're seeing 9500 Ultras changing hands regularly for $10,000 anymore, either.

None of this takes into account any disruptive technologies that aren't even on the market, yet.

My prediction is that all but the most die-hard CRT users will have switched in 3-5 years. At that point, CRTs in HT's will be even fewer and further between than they are now, and the prices on anything but the best condition 9" machines will have fallen to 8" machine prices. Like 8" machines are now, most of the machines will be worth more parted out than whole. The entire machine will be less than the price of the tubes because nobody will want to spend $500 to ship a set of tubes.

SC
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RobertMfromLI



Joined: 29 Jun 2009
Posts: 114
Location: West Islip, NY

Posted: Tue Jul 14, 2009 12:10 am    Post subject:

Kiev Savoie wrote:

So, Anywhoo... I think it's safe to say, Elaine, that you believe my 7-15 year estimate is a little steep and that we will all have a great cheap replacement for our CRT's before they all die?
Anyone else care to offer their opinion?


I'll offer mine...

My BG500 (18 years old) WAS running strong until last week or so when I borrowed it's SMPS board for our BG800. The board failed due to finally failed solder joints. An easy fix that costs a whopping 10 cents and the time to do it right (note to others, if you aren't experienced with soldering, electronics and such... don't do it yourself. Not a part you want to mess up. Well worth the price of sending it out for repair).

This machine was virtually constantly on showing movies, video game screens, or just fancy visualizations from WinAmp to whatever music I was playing.


My BG800 (which my brother and I just bought) is 18 going on 19 years old. OVER 10,000 hours logged on it (it's either been re-tubed or was in standby most of that time as the tubes seem pristine). It had a bad solder joint on it's SMPS board - which was fixed by me while the thing was running off the BG500's board.


As of right now, even with both sets being 18 years old a piece, my total cost to keep them running (including the repair of an EHT board for the BG800) is going to be under $100.

I expect that at the rate they are going, and the condition of the rest of the internals, that both sets will easily last numerous more years.

So Kiev... I think your 7-15 year estimate is skewed in the opposite direction you suspect Elaine thinks it is. If one buys a decent set, keeps it clean inside and well ventilated, in my experience, they will last far far more than 7-15 years.

Now perhaps if one factors in a crappy quality CRT unit, then yes, those estimates get lowered. But then again, I have no experience with such problems as I plan on and only have, gotten good quality units. And the way I look at it is this... one cannot say that cars are not as reliable as they should be because the Pinto was a death trap. Yes, the Pinto was a piece of crap, but does not reflect other models. One often gets what they pay for. My next PJ will hopefully be a BG1209 or Reality 909. And I expect similar Barco reliability and longevity out of it.

So, all in all, I'd agree with Kiev's sentiment that they are long lasting beasties. Also, I'd rather re-tube every 10,000-20,000 hours than re-bulb every 2,000-3,000 hours. For the cost of bulbs (based at how much I run these things), I could buy myself a bunch of BG800 or a couple far better CRT PJs.

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RobertMfromLI



Joined: 29 Jun 2009
Posts: 114
Location: West Islip, NY

Posted: Tue Jul 14, 2009 12:16 am    Post subject:

Of course (how much/often I run these things), the BG500 and the 11'x8+' screen in my room was my TV set. And my computer monitor. And my "mood visualization thingie" for the music that was constantly playing when TV or DVDs weren't.

So... figure I'd be replacing a bulb every 9-11 months if it was a LCD/DLP PJ that used such. At this point, instead of buying ONE BG800, I could have bought EIGHT-TEN BG800's for what bulbs would have cost me.

Bulbs aside, I am very leary in believing that the rest of the internals on the LCD and DLP PJs would last TWO decades.

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Kiev Savoie



Joined: 25 Oct 2007
Posts: 432


Posted: Tue Jul 14, 2009 12:22 am    Post subject:

Just checked the specs on the RS2 and RS20. Not too shabby, i have to admit, and the RS2 is going for about $4,000 now on fleabay. Thats still way out of my price range, but i could see them being close to current 8" CRT prices in another three years or so. I figured they would be a bit brighter, but I suppose they can be used with higher gain screens than the paltry 1.3 gain we are limited to.
Here was an interesting feature mentioned for the RS2:

Comments: Two HDMI 1.3 inputs. A new V-Stretch mode allows movies with a 2.35:1 aspect ratio to be projected using all 1920 x 1080 pixels.

That might be cool.

Based on these units alone I am inclined to agree more with your 3-5 year time frame Ecrabb
Prepare for Obsolescence in 10, 9, 8, .... Very Happy
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AnalogRocks
Forum Moderator


Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Tue Jul 14, 2009 12:23 am    Post subject:

Kiev Savoie wrote:
Just checked the specs on the RS2 and RS20. Not too shabby, i have to admit, and the RS2 is going for about $4,000 now on fleabay. Thats still way out of my price range, but i could see them being close to current 8" CRT prices in another three years or so. I figured they would be a bit brighter, but I suppose they can be used with higher gain screens than the paltry 1.3 gain we are limited to.
Here was an interesting feature mentioned for the RS2:

Comments: Two HDMI 1.3 inputs. A new V-Stretch mode allows movies with a 2.35:1 aspect ratio to be projected using all 1920 x 1080 pixels.

That might be cool.

Based on these units alone I am inclined to agree more with your 3-5 year time frame Ecrabb
Prepare for Obsolescence in 10, 9, 8, .... Very Happy


It's only obsolete if it's no good to you anymore.

~AR

Very Happy

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Kiev Savoie



Joined: 25 Oct 2007
Posts: 432


Posted: Tue Jul 14, 2009 1:04 am    Post subject:

You make a good point Robert. I really was not taking into account how long a well setup quality CRT projector can last. I've bought so many just to play with them and then moved on to something better that I guess I kind of lost sight of that fact. From the perspective Ecrabb is taking though, I really can't see very many of us wearing out our current machines before we can acquire a satisfying replacement with newer technology (hopefully something without ridiculously overpriced bulbs!).

Check these links out for the Pico Projector:

http://www.microvision.com/pico_projector_displays/howitworks.html

and here's the specs:

http://www.microvision.com/pdfs/pek_specs.pdf

I know the 10 lumens brightness sounds laughable but you have to keep in mind the unique properties of laser light. I understand they are still a few years from producing a good true green laser and I can't find this tech on a larger scale with higher resolution. But it's solid state and being such is easy to mass produce. I think a home theater version with more powerful lasers and HD or higher resolution is only a matter of time. Also I believe this technology is quite capable of true blacks because of the ability of the laser to be turned completely off for any given pixel and maybe even the possibility to control brightness through extremely precise pulse timing (ie. bright pixel, long pulse/dim pixel short pulse).
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Kiev Savoie



Joined: 25 Oct 2007
Posts: 432


Posted: Tue Jul 14, 2009 1:20 am    Post subject:

[quote="AnalogRocks"]

It's only obsolete if it's no good to you anymore.

~AR

Very Happy [/quote]

Well said Sir! Smile

The good news is many of us will get our 9" dream machines sooner and cheaper than we may have thought!
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bbfarmht



Joined: 27 May 2006
Posts: 1273
Location: Where the Mississippi runs east to west!!

Posted: Tue Jul 14, 2009 1:29 am    Post subject:

Kiev Savoie wrote:
Well said Sir! Smile

The good news is many of us will get our 9" dream machines sooner and cheaper than we may have thought!



You have a crystal ball?

Could you do us a favor and answer some of Rons questions!!! Twisted Evil Twisted Evil

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"Any society that would give up a little liberty to gain a little security will deserve neither and lose both"

Benjamin Franklin
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Kiev Savoie



Joined: 25 Oct 2007
Posts: 432


Posted: Tue Jul 14, 2009 1:33 am    Post subject:

I just like to be optimistic! Smile
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AnalogRocks
Forum Moderator


Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Tue Jul 14, 2009 2:07 am    Post subject:

Anyone still run a 386 to go with their 1993 projector? Laughing
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Tue Jul 14, 2009 2:08 am    Post subject:

I have a computer with Windows 3.11 on it. Still works. I won't throw it out, I'll never use it. D
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deronmoped



Joined: 03 Nov 2006
Posts: 1154
Location: San Diego

Posted: Tue Jul 14, 2009 4:55 am    Post subject:

What if there were videophiles out there, what direction would PJ technology take? You look at the audiophile side and expense is no object for the absolute best. What would a true videophile settle for?

Right now I think video has not matured, home theaters are more about impressing some guests with flashy furnishings and having a overly bright picture that can be show to a bunch of people at once. With audio, there is only one really good seat in the house, everything else is a compromise. When is there going to be really high end video systems coming out? That means there are no compromises in the PJ, theater... When will the Venetian have tons of hi end video rooms like they have audio rooms for CES. Where are the $250,000.00 PJ's for strictly hi end video?

Deron.
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km987654



Joined: 25 Jul 2007
Posts: 2874
Location: Australia

TV/Projector: Barco BG809s

Posted: Tue Jul 14, 2009 8:27 am    Post subject:

Anyone debating digital over CRT hasn't watched enough of either. Come on I look at digitals all day and I am just blown away by the quality of the CRT image on my projector and it still has some way to go before I am satisfied. Digtals will continue to improve or maybe will be replaced by some wizbang technology no one has heard of yet but nothing will produce a CRT image because each technology produces it image differently. The CRT projector has a quality about it that you just won't / can't get from anything else at any time so if you like what you see when you look at your CRT then keep it.
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huggy



Joined: 02 Aug 2008
Posts: 927
Location: Melbourne,Australia

Posted: Tue Jul 14, 2009 8:47 am    Post subject:

I just love watching the RGB tubes light up in a pitch black room Very Happy


Dave
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ecrabb
Forum Moderator


Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Tue Jul 14, 2009 3:36 pm    Post subject:

deronmoped wrote:
When is there going to be really high end video systems coming out? That means there are no compromises in the PJ, theater... When will the Venetian have tons of hi end video rooms like they have audio rooms for CES. Where are the $250,000.00 PJ's for strictly hi end video?


Deron, there ARE high-end display devices. Maybe not $250,000 (if you ignore high-end commercial dCinema gear for huge screens), but there are options for high-end enthusiast HT in the $50-100k ballpark... DPI and SIM2 come to mind. Or, is that not enough for you?

IMHO, there two reasons you don't see $250,000 PJ's strictly for high-end video.

First, unlike audiofool stuff, video performance can be objectively and quantitatively measured. You can measure real performance characteristics such as brightness, ANSI and on/off contrast ratio, color gamut, primaries, delta-E, fill ratio... Even things like motion artifacts can be relatively objectively observed. In short, there's much less bull**** in video because the bull**** can easily be disproved.

OTOH, there's a gargantuan helping of bull**** in the audiophile world because so few claims can be disproved. People can make all sorts of wild claims about the special wood or aluminum in the case or drivers, or the wiring or capacitors. They can make all sorts of claims about a speaker or amplifier being open, airy, accurate, having depth, having a huge soundstage, amazing imaging, smooth, bright, crisp, defined, or my favorite, lifting the "veil". A few of those terms actually have some legitimate meaning, but none of them can be quantitatively measured, and very few people will even agree on what sounds the best.

Second, it's a massively expensive and complex engineering effort to design and manufacture or even just significantly modify a high-end projector chassis. Then, you have to support it after the sale. Compare that to a speaker or amplifier. While I'm not saying speakers or amplifiers are easy to design or manufacture, there are a lot of well-understood basic designs to tweak and modify, and the manufacturing and after-sale support is totally different than a high-end projector.

Besides, how is the market any different now than it was when our CRT's were new? Basically, you only had a couple of large manufacturers making the chassis, and a handful of resellers like Runco and Vidikron selling them into the high-end home video market. Actually, the market is much larger and much more vibrant today than it ever was. HT is huge by comparison, now!

SC
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Tue Jul 14, 2009 3:42 pm    Post subject:

km987654 wrote:
Anyone debating digital over CRT hasn't watched enough of either. Come on I look at digitals all day and I am just blown away by the quality of the CRT image on my projector and it still has some way to go before I am satisfied.

What digitals are you looking at all day? Are they calibrated? Are you watching movies in a light-controlled HT environment?

I've seen awesome digital displays, and watched movies on them. I've also seen some awesome CRT displays and watched movies on them. I'd say we're there. What exactly is "dissatisfying" about the digitals you're watching?

The price/performance of CRT is impossible to beat right now, and I'll probably always love CRT... But, digital has arrived in terms of PQ at an affordable price, with only a couple of minor drawbacks... Don't forget that CRT has its drawbacks, too.

I think digital and CRT have gotten closer than many folks here are willing to admit.

SC
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Curt Palme
CRT Tech


Joined: 08 Mar 2006
Posts: 24396
Location: Langley, BC

TV/Projector: All of them!

Posted: Tue Jul 14, 2009 4:10 pm    Post subject:

I think a big part of t it is the 'do it yourself' portion of the setup/install. I personally could watch an RS1 or 2, the last digitals that I took a close look at, but where's the fun in plug and play?

I rebuild cars for fun, early 1990s with blown/damaged engines. I buy them for $200-500, drop in $2K or so by the time I'm done, and then realize I can't make any money reselling them, but I still do it. I could easily take the same money, but a car for $2000-2500 that needs nothing, never mind the hours of labor and cuts and dirty hands that I get while rebuilding the car, but it takes my thought away from PC boards and solder, and when I'm done, I can say: 'I rebuilt that'.

Ditto for CRTs, and also ditto for people that mount and set up projectors that buy them from me or someone else.

Ditto for anything else that people work on, be it computers, woodworking, whatever.
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deronmoped



Joined: 03 Nov 2006
Posts: 1154
Location: San Diego

Posted: Tue Jul 14, 2009 5:35 pm    Post subject:

ecrabb wrote:
deronmoped wrote:
When is there going to be really high end video systems coming out? That means there are no compromises in the PJ, theater... When will the Venetian have tons of hi end video rooms like they have audio rooms for CES. Where are the $250,000.00 PJ's for strictly hi end video?


Deron, there ARE high-end display devices. Maybe not $250,000 (if you ignore high-end commercial dCinema gear for huge screens), but there are options for high-end enthusiast HT in the $50-100k ballpark... DPI and SIM2 come to mind. Or, is that not enough for you?

IMHO, there two reasons you don't see $250,000 PJ's strictly for high-end video.

First, unlike audiofool stuff, video performance can be objectively and quantitatively measured. You can measure real performance characteristics such as brightness, ANSI and on/off contrast ratio, color gamut, primaries, delta-E, fill ratio... Even things like motion artifacts can be relatively objectively observed. In short, there's much less bull**** in video because the bull**** can easily be disproved.

OTOH, there's a gargantuan helping of bull**** in the audiophile world because so few claims can be disproved. People can make all sorts of wild claims about the special wood or aluminum in the case or drivers, or the wiring or capacitors. They can make all sorts of claims about a speaker or amplifier being open, airy, accurate, having depth, having a huge soundstage, amazing imaging, smooth, bright, crisp, defined, or my favorite, lifting the "veil". A few of those terms actually have some legitimate meaning, but none of them can be quantitatively measured, and very few people will even agree on what sounds the best.

Second, it's a massively expensive and complex engineering effort to design and manufacture or even just significantly modify a high-end projector chassis. Then, you have to support it after the sale. Compare that to a speaker or amplifier. While I'm not saying speakers or amplifiers are easy to design or manufacture, there are a lot of well-understood basic designs to tweak and modify, and the manufacturing and after-sale support is totally different than a high-end projector.

Besides, how is the market any different now than it was when our CRT's were new? Basically, you only had a couple of large manufacturers making the chassis, and a handful of resellers like Runco and Vidikron selling them into the high-end home video market. Actually, the market is much larger and much more vibrant today than it ever was. HT is huge by comparison, now!

SC



Wow that image looks three dimensional, the colors pop, it's so smooth, way better then the other image you showed me... As the salesman shows the buyer a totally different video.

I do not buy that the same cannot be said by a salesman about video as audio. It's all about a side by side comparison, as soon as you walk out of the demonstration room and into another, you will not be able to tell the difference, be it audio or video.

You can also do all the measuring with audio as video and it still does not keep the salesmen from shoveling on the crap. I spent hours and hours setting up my system for best bass response. I could measure the difference on my computer, but most of it I could not hear.

This here lens can define 12 lines per mm, way better then the other that is only good for 11 lines per mm. We use a special blend of phosphors in our tubes for better color saturation. Our RGB amps have a higher bandwidth by 5 Mhz, which makes for better line contrast...

And that is not true that it cost tons of money to modify a PJ, look at the examples of mods sold on this forum. Their cost do not even come close to what a audiophile would pay for a set of speaker wires.

And sure it would cost tons of money build and design a super high end PJ, but if they are selling speakers for $250,000.00 a pair, where is the market for the $250,000.00 PJ?

Yeah, the HT market is huge, but there is no mega dollar HT PJ market. People spend more money on a couch for their HT then they do a PJ. You look at the really high end mega dollar theaters and all the money goes into furnishings, that is what sells. A high end audio room will have the room designed around the audio system, with the bulk of the money going into the equipment and the rest going into the acoustics of the room, all designed around one seat, with furnishings being a function of the audio design.

There is no high end video!

Deron.
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Tue Jul 14, 2009 6:59 pm    Post subject:

I guess I don't agree, Deron. Yeah, there are those "videophile" terms for video, but I don't care how much more three-dimensional you say it looks, or what the specs are on the lenses or video amps. The proof is right there to measure and evaluate when you throw up some test patterns. All the marketing bull**** is out the window when the qualitative measurements are down on paper.

Very little of that is true in high-end audio. What can you quantitatively measure with speakers? Frequency response - both on- and off-axis? Efficiency? That's about it! Amps and sources are better - at least you can measure power and THD and possibly S/N... But, even those don't tell the whole story.

Vision and visual perception is just a little more black/white than audio and aural perception. Like I said, it's easier to measure, to correct, to evaluate.

So, again... There's no reason for a $250,000 projector when it would be measured to be little, if any better than a $100,000 projector. Yeah, you could BS people at the showroom, but the BS wouldn't fly when it got reviewed in some trade pub and it was no better than projectors costing half or one-third the price.

How can you test, measure or evaluate quantitatively that a pair of Wilson Grand Slams are any better (or even just worth the extra money) over a pair of speakers costing half that much? The answer is you can't!!! You can take a few measurements, but the rest is seat-of-the pants, listen with your ears, use your judgment stuff.

As for mods, I wasn't talking about CRT projectors... 15-year old analog CRT projector are a different story. I was referring to the digitals that are on the market. Yes, some groups can do small tweaks and reconfigurations, write better software and add procession to add capabilities, but it ain't easy to simply mod a light engine to make it better. That's why most of the companies doing that are selling very high-end, very expensive projectors to a very niche market - just like high-end audio.

As for not designing a room around a projector the way audiophiles do, I think it's a number of factors... For one, the whole point of an audiovisual experience IS the experience itself! It isn't to stare at a great big giant bird's eye maple and 24k gold or concrete and carbon graphite enclosure... That would be completely defeating the purpose of the projector... Second, mega-buck finishing and high-design visual treatment just adds to the cost and nothing to the performance. In that way, there's actually a sensibility in the video market that doesn't seem to exist in high-end audiophile stuff. All that stuff is just icing... Big buck finishing that adds little, if anything to the real point of the speakers - the faithful reproduction of audio.

SC
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