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Your ht's footlambert figure, question better explained now
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bpb



Joined: 01 Apr 2007
Posts: 57
Location: denmark

Posted: Sat Apr 11, 2009 7:00 pm    Post subject: Your ht's footlambert figure, question better explained now

As written in the subject, i'm interested in knowing how your HT measures in foot lambert with what screensize and if your room is the batcave, semi dark or. and offcourse if you think the lambert you have is enoughf for you or its lacking.

oh okay. I haven't made my question clear... thx standard states 12 to 16 foot lambert, fair enought that much I understand.

Since the thx standard states a required foot lambert there must be a standard protocol to measure/calculate it.

but how is it suppose to be measured, Meaning with what imput color, 100 ire, all white or?


In my case its has to be calculated from the brochure specs as i don't have the equipment to measure it.

my brochure has 4 different lumens measures, 160lumens for 64khz 50hz at 6500, 130 lumens for 15khz 60hz at 6500, 200 lumens at 6500 in all white and 800 lumens at peak.

if calculated which lumens measure should I use, all whites 200 lumens or the 160 lumens.

Basically i'm trying to figure out how much lambert the rest of you crt lovers have and if its enoughf for your room configuration.
That way i can use your experience about lamberts and roomcolor, to make the right decision on what do with my new ht room, can i go larger with my d50 if i get a higher screen, or should i change pj to do larger images and would i wont a higher gain screen if a bought a 1209.




my Ht's was light to medium gray with a large black drape covering a 10x5 foot window, offwhite ceiling. i could have used both more lamberts and a darker room(soon doing a new ht room where it hopefully will be darker and with a higher gain screen)


Input Units
Screen Aspect Ratio 1,78
Screen Size 63 inches wide
Screen Gain 1,1 gain
Projector Brightness 160 ANSI lumens
Horizontal Resolution 1280 pixels
Vertical Resolution 1024 pixels
Actual Seating Distance (first row) 69,0 inches
Actual Seating Distance (back row)


Screen Dimensions
Screen Diagonal 72,3 inches
Screen Width 63,0 inches
Screen Height 35,4 inches

Field of View Width (first row center) 49,1 degrees
Field of View Width back row center)
Screen Brightness1 (projectors only) 10,3 foot-Lamberts

I used this fore calculating.

http://www.carltonbale.com/ht/calculator/theater_calculator_v4.0.xls


best regards

panduro


Last edited by bpb on Sun Apr 12, 2009 3:44 pm; edited 2 times in total
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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Sat Apr 11, 2009 8:30 pm    Post subject:

Which projector?
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bpb



Joined: 01 Apr 2007
Posts: 57
Location: denmark

Posted: Sat Apr 11, 2009 8:38 pm    Post subject:

Mine is a Sony d50(fore the time being).

Its whatever pj you are using with what size screen i want to know about.
im more interested in the foot lambert mesurements than with which pj its done with!


best regards

panduro
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ecrabb
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Joined: 13 Mar 2006
Posts: 15909
Location: Utah

TV/Projector: JVC RS40, Epson 5010

Posted: Sun Apr 12, 2009 12:09 am    Post subject:

G70
1.78 96"x54" (110" diag)
~1.24 gain WilsonArt Designer White

Front row center viewing angle - 50º
Back row center viewing angle - 31.5º

Measured ~12fL on DVE: HD Basics 100 IRE window

Fully light-controlled room, dark walls. 1920x1080p, HD Fury 1, low-level gamma boost.

I love the brightness. I've never once felt like I wished I had a brighter image. Full fade to blacks are awesome.

SC
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bpb



Joined: 01 Apr 2007
Posts: 57
Location: denmark

Posted: Sun Apr 12, 2009 8:31 am    Post subject:

Hi ecrabb

100 IRE window, you lost me there;)

if i put in your numbers in the calculator with lumen numbers from http://www.curtpalme.com/docs/SonyG70_Brochure.pdf

i cant get yuur footlamberts up too 12lamberts, with the all white 320lumens i get 11,1lamberts, with 240 lumens i get 8,3 lamberts, 200 lumens i get 6,9lamberts.

is the all white number the one i should us or is the calculator somewhate lacking precision?

thanks for your answer

panduro
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dturco



Joined: 06 Feb 2009
Posts: 3778
Location: Eastern Shore Maryland

TV/Projector: Runco DLP VX-3000i Marquee 9500 parts doner

Posted: Sun Apr 12, 2009 2:38 pm    Post subject:

Since your online I Will try to answer. I believe the 100 ire is a test pattern from the projector to put out peak white light from the P/J.

But I am not to sure as I have not pick up my Marquee yet.

I am sure others will answer better later.

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bpb



Joined: 01 Apr 2007
Posts: 57
Location: denmark

Posted: Sun Apr 12, 2009 3:38 pm    Post subject:

oh okay. I haven't made my question clear... thx standard states 12 to 16 foot lambert, fair enought that much I understand.

Since the thx standard states a required foot lambert there must be a standard protocol to measure/calculate it.

but how is it suppose to be measured, Meaning with what imput color, 100 ire, all white or?


In my case its has to be calculated from the brochure specs as i don't have the equipment to measure it.

my brochure has 4 different lumens measures, 160lumens for 64khz 50hz at 6500, 130 lumens for 15khz 60hz at 6500, 200 lumens at 6500 in all white and 800 lumens at peak.

if calculated which lumens measure should I use, all whites 200 lumens or the 160 lumens.

Basically i'm trying to figure out how much lambert the rest of you crt lovers have and if its enoughf for your room configuration.
That way i can use your experience about lamberts and roomcolor, to make the right decision on what do with my new ht room, can i go larger with my d50 if i get a higher screen, or should i change pj to do larger images and would i wont a higher gain screen if a bought a 1209.

best regards

panduro
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dturco



Joined: 06 Feb 2009
Posts: 3778
Location: Eastern Shore Maryland

TV/Projector: Runco DLP VX-3000i Marquee 9500 parts doner

Posted: Sun Apr 12, 2009 3:55 pm    Post subject:

I sorry I can not help. I am a noob myself.

But form my research the theoretical measuring you are trying for will not work.[IMO] the age of the p/j, tube wear, brightness settings, screen gains etc, are not constants.

It seems your are trying to get a consensus from the forum, which I would like to see also.

A poll might work for this but I do not know how to start one. Yet.

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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Sun Apr 12, 2009 4:02 pm    Post subject:

bpb wrote:
oh okay. I haven't made my question clear... thx standard states 12 to 16 foot lambert, fair enought that much I understand.

Since the thx standard states a required foot lambert there must be a standard protocol to measure/calculate it.

but how is it suppose to be measured, Meaning with what imput color, 100 ire, all white or?


In my case its has to be calculated from the brochure specs as i don't have the equipment to measure it.

my brochure has 4 different lumens measures, 160lumens for 64khz 50hz at 6500, 130 lumens for 15khz 60hz at 6500, 200 lumens at 6500 in all white and 800 lumens at peak.

if calculated which lumens measure should I use, all whites 200 lumens or the 160 lumens.

Basically i'm trying to figure out how much lambert the rest of you crt lovers have and if its enoughf for your room configuration.
That way i can use your experience about lamberts and roomcolor, to make the right decision on what do with my new ht room, can i go larger with my d50 if i get a higher screen, or should i change pj to do larger images and would i wont a higher gain screen if a bought a 1209.

best regards

panduro


I have a D50 on a 110" diagonal 4:3 Stewart 1.3 gain screen. I think a 100" diagonal 4:3 would have been better. The D50 isn't a super bright projector either.

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bpb



Joined: 01 Apr 2007
Posts: 57
Location: denmark

Posted: Sun Apr 12, 2009 4:29 pm    Post subject:

I dont think ill ever stop being a "newbee" in the crt section, im better at sound so im not completely lost Laughing

But from my research the theoretical measuring you are trying for will not work.[IMO] the age of the p/j, tube wear, brightness settings, screen gains etc, are not constants.

Im aware of all these factors, but should still be possible to get some what near to the actual mesurement when calculating.

It seems your are trying to get a consensus from the forum, which I would like to see also.
correct Very Happy

AR running a d50 at 110" Shocked thats like 90 inches wide? but youre running in a dark room it probably shows a better picture than my 63 wide 16/9 in a not so dark room.


best regards

panduro
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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Sun Apr 12, 2009 4:32 pm    Post subject:

No actually the room it's in is all white with light colored curtains. The screen was what poped up on the forum.
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bpb



Joined: 01 Apr 2007
Posts: 57
Location: denmark

Posted: Sun Apr 12, 2009 4:39 pm    Post subject:

how many crt setups are u running, ampro, sony 1252 and a d50. in different rooms?

my screen use to be a 100" wide motor screen i used with and lcd pj before i got my d50 and went nuts with a knife Evil or Very Mad
but it only a gain 1,0 thats the figure that the "factor" provided, so maybe lower.

best regards
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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Sun Apr 12, 2009 4:43 pm    Post subject:

bpb wrote:
how many crt setups are u running, ampro, sony 1252 and a d50. in different rooms?

my screen use to be a 100" wide motor screen i used with and lcd pj before i got my d50 and went nuts with a knife Evil or Very Mad
but it only a gain 1,0 thats the figure that the "factor" provided, so maybe lower.

best regards


I gave the D50 to my girlfriend. I have the Ampro on the stand and the 1252 is curently broken.

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bpb



Joined: 01 Apr 2007
Posts: 57
Location: denmark

Posted: Sun Apr 12, 2009 5:02 pm    Post subject:

nice gr, my would throw it out the window if she could get i down from the ceiling Embarassed

oh well she go the same way if she succede Twisted Evil
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AnalogRocks
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Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Sun Apr 12, 2009 5:09 pm    Post subject:

Well it's funny about my G/F she didn't want it, didn't need it. She said "Why would I want THAT?!"

The week after I set it up for her she had a party with her friends to watch American Idol. Laughing

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kal
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Joined: 06 Mar 2006
Posts: 18114
Location: Ottawa, Canada

TV/Projector: JVC DLA-NZ7

Posted: Mon Apr 13, 2009 12:03 am    Post subject:

How to properly measure foot lamberts is covered in my Greyscale & Colour Calibration Guide. It's pretty much the first step. See: https://www.curtpalme.com/forum_archived/viewtopic.php@t=10457.html

I get 13.8 ftL on my 54x96" screen of approx 1.1-1.2 gain. Room is light controlled and fairly dark.

Frequency of the projector (ie: resolution) has nothing do to with foot lamberts. I don't see the relation.

Kal

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AnalogRocks
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Joined: 08 Mar 2006
Posts: 26706
Location: Toronto, Ontario, Canada

TV/Projector: Sony 1252Q, AMPRO 4000G

Posted: Mon Apr 13, 2009 4:18 am    Post subject:

kal wrote:
How to properly measure foot lamberts is covered in my Greyscale & Colour Calibration Guide. It's pretty much the first step. See: https://www.curtpalme.com/forum_archived/viewtopic.php@t=10457.html

I get 13.8 ftL on my 54x96" screen of approx 1.1-1.2 gain. Room is light controlled and fairly dark.

Frequency of the projector (ie: resolution) has nothing do to with foot lamberts. I don't see the relation.

Kal


I think what he may be getting at Kal is the fact that a 480i/576i signal leaves 'gaps' in the raster where as a 480p/576p signal fills in the gaps for more output. Now beyond a certain point I don't think it would matter as much but in 'video' mode you get less light on the screen because of the spaces between scan lines right?

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kal
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Posted: Mon Apr 13, 2009 1:37 pm    Post subject:

raster gaps could be the reason, but I don't think it'll make that much of a difference.

Kal

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stefuel



Joined: 07 Mar 2006
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Posted: Tue Apr 14, 2009 11:22 am    Post subject:

Technically speaking, the higher the scan rate, the brighter the image. Think of it this way, Lets say you put up a 100 IRE full screen pattern with a scan rate of 100 lines and the same pattern of 1080 lines. Which one would cast more light on the screen. The increased resolution theory stops when you reach a point where the scanlines touch as there is no longer black spaces between the lines.
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ecrabb
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TV/Projector: JVC RS40, Epson 5010

Posted: Tue Apr 14, 2009 3:33 pm    Post subject:

Yes, raster gaps are the reason, but since it's been about 5 years since anybody wasn't using at least a doubler, that discussion is pretty much moot... As has already been mentioned, at pretty much any HD resolution we'd all be using nowadays, there will be no measurable differences in brightness.

bpb wrote:
oh okay. I haven't made my question clear... thx standard states 12 to 16 foot lambert, fair enought that much I understand.

Since the thx standard states a required foot lambert there must be a standard protocol to measure/calculate it.

but how is it suppose to be measured, Meaning with what imput color, 100 ire, all white or?

There are standards. Two, actually. One is called ANSI brightness and the other has to do specifically with CRT and is called peak brightness.

100 IRE is technically "video white" - it's as bright (high amplitude) as the video portion of the signal can get. That's what you use to measure brightness. On a CRT projector, you can measure brightness two ways: full screen (ANSI) and peak. On a digital projector, they will be approximately the same, so ANSI brightness is typical. But, on a CRT projector, ANSI will be much lower than peak brightness. ANSI brightness is measured at multiple points with a full white field, and the measurements are averaged together. Peak brightness is measured with a window - a box - usually 10% of the screen.

We usually use peak brightness with a CRT projector, because it more accurately reflects the brightness of most images. Rarely do we ever watch anything that resembles a full field white screen. So, Kal's and my brightness measurements were taken using the peak method... A 100 IRE white window or box in the middle of the screen. I think the Video Essentials BD is 10%... Can't remember. Anyway, if you watch a lot of movies with primarily bright snowy scenes... Fargo, Ice Age, Happy Feet, March of the Penguins... Then, ANSI lumens may be more reflective of what you'd see on day-to-day basis.

bpb wrote:
In my case its has to be calculated from the brochure specs as i don't have the equipment to measure it.

my brochure has 4 different lumens measures, 160lumens for 64khz 50hz at 6500, 130 lumens for 15khz 60hz at 6500, 200 lumens at 6500 in all white and 800 lumens at peak.

if calculated which lumens measure should I use, all whites 200 lumens or the 160 lumens.

The brochure specs are just about worthless in your individual case for calculating anything. Specs were measured with maximum brightness, they don't take into account individual machine adjustments such as contrast, nor do they account for conditions such as tube phosphor or cathode wear. There's really no reason at all to worry or concern yourself with the brochure specs and the calculator. Depending on the machine, screen size and gain, and your particular machine and its condition, you could be seeing anywhere from 7 or 8 fL all the way up to 12-14 fL - or even more or less than those. Somewhere in the middle is likely, though.

bpb wrote:
Basically i'm trying to figure out how much lambert the rest of you crt lovers have and if its enoughf for your room configuration.
That way i can use your experience about lamberts and roomcolor, to make the right decision on what do with my new ht room, can i go larger with my d50 if i get a higher screen, or should i change pj to do larger images and would i wont a higher gain screen if a bought a 1209.

I can see what you're trying to do... But, all you can really do is look at your particular machine, and use some general guidelines. Many people used to use this as a general guideline: 7 feet wide for a 7" machine, 8 feet wide for an 8" machine, and 9 feet wide for a 9" machine. Adjust up or down from there for screen gain and your personal preference for brightness. Some people would rather have a smaller, but brighter, punchier image... While others would prefer a larger image, even if it's a little on the dull side. I like a compromise between the two. I like big, but not at the expense of the colorful, punchy image that is the reason I love CRT.

One thing you CAN do with that spreadsheet is to play around with the screen size/gain/brightness relationship - in a relative sense. So, you wouldn't worry about the absolute numbers, but the For instance, you might find that a 1.3 or 1.4 gain 3m-wide screen will be almost as bright as a 1.0 gain 2.5m-wide screen, and that the difference may be worth the slight loss in brightness.

Bottom line is that with a higher-gain screen, you might be able to go to 84" wide with the D50, or possibly even really push it and go a tad larger... but maybe not. The easiest thing to do would be to lengthen your throw enough to make the screen larger and just see how it looks on your screen.

Sorry I was all over the place, but does that help?

SC
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