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Convince me to go CIH! (and what size screen?)
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kal
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PostLink    Posted: Thu Oct 20, 2011 2:33 pm    Post subject: Reply with quote


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Thanks but I have no interest in using a PC to play back movies. That's a lot of expense and extra work for what I'd consider a very minor improvement (moving subtitles that are placed incorrectly).

I did use an HTPC for many many years without any issues but that's because I did my homework and really put a lot of work into it. That's because the only other option of same quality was a $10K Faroudja scaler. Those days are long gone (scaler no longer needed) and I don't want to go there again for what (for me) would be a minor improvement. I use a PS3 now and love the simplicity and versatility of it for the low price of $250.

Kal

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kal
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TV/Projector: JVC DLA-RS56


PostLink    Posted: Thu Oct 20, 2011 2:54 pm    Post subject: Reply with quote

I suppose the other option here is that I don't *NEED* to go with a 2.35:1 ratio screen. If I keep the same 54" height on the new screen my 16x9 movies will all look the same as today which is probably good given that my head is about 10 feet away.

Is my math right?:

My 96x54" screen now is 1.78:1. That means that 2.35 movies are 96x41" in size which is 2936 sq inches at 43.6 degree viewing angle.

2.0:1 screen: If I increase the screen width by 1 foot to 108", 2.35 movies become 108x46 which is 4968 sq inches at 48.5 degree viewing angle. The 2.35 movie is now 69% larger. That's a big change. Viewing angle is pushing the boundries of acceptable?

2.22:1 screen: If I increase the screen width by 2 feet to 120", 2.35 movies become 120x51 which is 6120 sq inches at 53.1 degree viewing angle. The 2.35 movie is now 108% larger. That's a *massive* change. I worry that the viewing angle is simply way too much (?).


By only adding 1 foot to the width, it's pretty amazing that 2.35 movies now occupy 69% more space.

Kal

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Person99



Joined: 09 Mar 2006
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PostLink    Posted: Thu Oct 20, 2011 8:53 pm    Post subject: Reply with quote

kal wrote:
Two more questions:

1. How are studios doing with keeping subtitles within the active image area for Blu-ray movies? This is a must-have for anyone with a CIH setup. (I tend to watch a larger percentage of foreign films than probably the average person. I've never really paid attending if the subs are inside or outside the active image area since on a 16x9 I always see them.)


I don't watch a ton of these. I don't use an Oppo, so I just watch them 16:9.

kal wrote:
2. How do you CIH guys handle a movie like Dark Knight that has variable aspect ratio? You can probably count the number of movies like this on one hand (not much of an issue), but I'm curious nonetheless.

Kal


Not many are like that is true. I've watched TDK both ways. It was shown 2.35 with cropping in theaters as an "acceptable" presentations and was framed to allow that. I personally enjoyed watching in 2.35 better as I felt I didn't loose anything really on the IMAX scenes.

The odd thing is when there is a movie you WANT to be scope but is not--for instance Avatar. Almost disappointing to have to watch that 16:9.

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PostLink    Posted: Thu Oct 20, 2011 8:54 pm    Post subject: Reply with quote

kal wrote:
Thanks but I have no interest in using a PC to play back movies.


Smart man.

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Person99



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PostLink    Posted: Thu Oct 20, 2011 9:07 pm    Post subject: Reply with quote

kal wrote:
I suppose the other option here is that I don't *NEED* to go with a 2.35:1 ratio screen. If I keep the same 54" height on the new screen my 16x9 movies will all look the same as today which is probably good given that my head is about 10 feet away.

Is my math right?:

My 96x54" screen now is 1.78:1. That means that 2.35 movies are 96x41" in size which is 2936 sq inches at 43.6 degree viewing angle.

2.0:1 screen: If I increase the screen width by 1 foot to 108", 2.35 movies become 108x46 which is 4968 sq inches at 48.5 degree viewing angle. The 2.35 movie is now 69% larger. That's a big change. Viewing angle is pushing the boundries of acceptable?

2.22:1 screen: If I increase the screen width by 2 feet to 120", 2.35 movies become 120x51 which is 6120 sq inches at 53.1 degree viewing angle. The 2.35 movie is now 108% larger. That's a *massive* change. I worry that the viewing angle is simply way too much (?).


By only adding 1 foot to the width, it's pretty amazing that 2.35 movies now occupy 69% more space.

Kal


That is close to constant image area (CIA) that Spanky and I mentioned. You do a CIA typically with a 2.05:1 screen.

There are two ways to implement it:
1) Zooming only
2) Zooming and movable anamorphic (anamorphic only used for scope)

The down side of this is the need for 4 way masking (well not NEED but desirability). Something like my simple masking solution does not work well for the 9' wide 2.35 masking.

If you did CIA, then you would likely do a 54" x 110.5" screen.

Honestly, I kind of have a philisophical fondness for CIA. When I went CIH, I thought about CIA as a cool option. However, there were few PJs on the market at that time that had zoom memories and the PJ I selected for a variety of reasons (cost/performance, 24 hz multiple displayback, CR, color accuracty, 1:1 mapping, etc) did not even have powered zoom. So, I went CIH.

In the end, we watch over 2/3 scope movies. Of late it seems like it is closer to 80% so I don't regret the choice. But you might want to seriously consider CIA.

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kal
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Location: Ottawa, Canada

TV/Projector: JVC DLA-RS56


PostLink    Posted: Thu Oct 20, 2011 10:07 pm    Post subject: Reply with quote

Thanks Dave. After I wrote that I thought to myself "Hey! I'm describing constant image area (CIA)!".

Lots of TV (16x9) gets watched as does playing 16x9 PS3 games. So the amount of 2.35 content is fairly low in relation. That said, the TV and games are watched mostly by people other than me, and nobody else in the house cares about image quality as much as I do.

I don't watch much TV. I tend to stick to movies. No idea how many are 1.33 vs 1.78 vs 2.35 however. One of these days I should sit down and go through my favourites and see where they fall.

Masking has never been an issue for me with CRT. The non-image areas are near back (dark enough). I'm assuming (maybe incorrectly) that an late model LCOS machine would give me close to the same.

Kal

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Person99



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PostLink    Posted: Thu Oct 20, 2011 10:16 pm    Post subject: Reply with quote

kal wrote:
nobody else in the house cares about image quality as much as I do.


A common theme we can all relate to!

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MikeEby



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PostLink    Posted: Thu Oct 20, 2011 11:41 pm    Post subject: Reply with quote

kal wrote:


Masking has never been an issue for me with CRT. The non-image areas are near back (dark enough). I'm assuming (maybe incorrectly) that an late model LCOS machine would give me close to the same.

Kal


You would be surprised...Once you watch a scope movie with a masking system or scope screen you will never want to go without it. Even with CRT black levels.


Mike

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WanMan



Joined: 19 Mar 2006
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PostLink    Posted: Fri Oct 21, 2011 12:50 am    Post subject: Reply with quote

BTW, last week I watched Avatar on the KVC while it was zoomed in for 2.35 aspect. I was too lazy to both zooming out and left it there. That was one movie where I do not think I missed any content enough to detract me from other aspects of the film (bad story). While cannot be said for lazy viewing of foreign films with subtitles, I lived with it enough to enjoy it.

I then turned around and watched the last two [available] Harry Potter movies in scope.

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kal
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PostLink    Posted: Fri Oct 21, 2011 1:25 am    Post subject: Reply with quote

WanMan wrote:
BTW, last week I watched Avatar on the KVC while it was zoomed in for 2.35 aspect. I was too lazy to both zooming out and left it there. That was one movie where I do not think I missed any content enough to detract me from other aspects of the film (bad story). While cannot be said for lazy viewing of foreign films with subtitles, I lived with it enough to enjoy it.


I don't know what Cameron did for this movie but he's known in past movies to always shoot somewhat 'open matt' so that his movies can be shown in various aspect ratios from scope all the way down to 4x3. Maybe it's just a habit of his but he may just like to put all the action more or less front and center so that it reasonably well in any AR.

I'm not sure why I got Avatar on Blu-ray ... it's been sitting unopened for probably a year now. Watching it once in the theatre seemed to be enough for me.

Kal

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Boilermaker



Joined: 21 May 2006
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PostLink    Posted: Fri Oct 21, 2011 12:53 pm    Post subject: Reply with quote

Kal - This might be a little late in the game, but you do have another option that will probably be a little cheaper.

First, I went CIH a couple of years ago to a 2.35, 126" wide screen and like it so much that I will never go back to 16:9.

I know you have a Barco crt, so your other option is to pick up one more and do a 10% blend. You have the skills to do it easily and would appreciate the many advantages it offers.

Just a thought!


Bob
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WTS



Joined: 08 Mar 2006
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PostLink    Posted: Fri Oct 21, 2011 1:08 pm    Post subject: Reply with quote

I wouldn't count on having the same blacks on a digital as with your 1200, so you might want to think about a masking system of sorts. I think it would be easier with a constant width screen and then mask the upper/lower screen when using scope movies. I'm not sure how you'd do CIH without the special lens.
Wouldn't it be better to do CIW because the panels in all projectors are 16:9 and when a 2:39 movie is playing it is using the full width but not the full height of the panels.

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kal
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TV/Projector: JVC DLA-RS56


PostLink    Posted: Fri Oct 21, 2011 1:18 pm    Post subject: Reply with quote

Boilermaker wrote:
Kal - This might be a little late in the game, but you do have another option that will probably be a little cheaper.

First, I went CIH a couple of years ago to a 2.35, 126" wide screen and like it so much that I will never go back to 16:9.

I know you have a Barco crt, so your other option is to pick up one more and do a 10% blend. You have the skills to do it easily and would appreciate the many advantages it offers.

Just a thought!

Bob

Hi Bob! My current Zenith 1200 has 7500 hours on it and we put on about 1200 hours/year. So I'd like need to retube it as well as try and find a second Zenith 1200 with good tubes and get a blending solution. No way you can do that for under $3K (the cost of an RS45).

WTS wrote:
I wouldn't count on having the same blacks on a digital as with your 1200, so you might want to think about a masking system of sorts. I think it would be easier with a constant width screen and then mask the upper/lower screen when using scope movies.

Actually I'd think it's easier to do masking on the sides (CIH) instead of top/bottom (CIW). If you did it manually (just stick on with magnets like Dave does) then the CIH side masks would be smaller and easier to store/use since they're the height of the screen not the width.

WTS wrote:
I'm not sure how you'd do CIH without the special lens.

You mean an anamorphic lens? You can do it without one by simply zooming the projector but you'll lose light output and resolution.

Quote:
Wouldn't it be better to do CIW because the panels in all projectors are 16:9 and when a 2:39 movie is playing it is using the full width but not the full height of the panels.

IMHO, people that do CIH do it more to make scope movies feel like scope movies (the SMPTE standard dictates this). It's not about what's easier.

Kal

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Person99



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PostLink    Posted: Fri Oct 21, 2011 3:43 pm    Post subject: Reply with quote

Thoughts on masking.

I'm using a movable anamorphic lens, in a room with VERY dark maroon walls, the front wall is all black velvet except the screen area and I have a 3.5' long black carpeted stage in front of the screen wall.

When I screen a 16:9 movie, there is no light from the projector hitting the right and left sides of the screen, but there is still ambient light in the room simply from the projected image. Does it look horrible without the masking? No, but you can certainly see the screen sides. Does it look better with the masking? Heck yeah.

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PostLink    Posted: Fri Oct 21, 2011 3:44 pm    Post subject: Reply with quote

Kal, if you wanna do the blend let me know, I got a COG board I can get to you. Smile
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WTS



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PostLink    Posted: Sun Oct 23, 2011 12:08 am    Post subject: Reply with quote

Hey Kal if you want to do a blend I got a spare 1200 in mint shape low hrs - I sent you a PM.

I don't want to buy a lens and I don't want to use zoom and lose res, so I guess I'll have to mask top and bottom.

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Boilermaker



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PostLink    Posted: Sun Oct 23, 2011 12:56 pm    Post subject: Reply with quote

Quote:
Kal, if you wanna do the blend let me know, I got a COG board I can get to you


Dave - I'm dying of curiosity - What is a COG board?

Kal - I feel obliged to try once more to convince you to go with a blend since I have enjoyed your "grayscale for dummies" so much!

The cost difference might not be as big as you think. Most good A - lenses I have seen are pretty expesive. Also, you might look at the difference in screen costs. Since a blend requires a screen with a gain of no more than 1.0, I just used a perfectly smooth painted surface that has a gain of about 1.0 and am totally satisfied. With my 126" wide scope screen I am running a little over 14 fl. with contrast settings on both projectors under 50!

Also, the necessary scaling for a digital scope system is 1080/800 which is 1.35 - not exactly ideal! With blending you can run at 1200 lines which is 1200/800 = 1.5, just the same as we all did a few years ago when we scaled 480 dvd's to 720P. Nice and artifact-free!


Bob
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PostLink    Posted: Sun Oct 23, 2011 1:41 pm    Post subject: Reply with quote

Boilermaker wrote:
Also, the necessary scaling for a digital scope system is 1080/800 which is 1.35 - not exactly ideal! With blending you can run at 1200 lines which is 1200/800 = 1.5, just the same as we all did a few years ago when we scaled 480 dvd's to 720P. Nice and artifact-free!


Bob


Based on my personal experience with anamorphic lens-based CIH, scaling-induced artifacts in real-world material are a thing of the ancient past. Both the on-board scaling in the RS45 or an outboard video processor like the Radiance will do an outstanding job of performing a clean 1.33x scale to full panel height with no artifacts. I'm personally not a fan of DVDO/ABT's scaling solutions, as they induce ringing that is visible to me. It's not egregious, but it's certainly there. That was one of my many reasons for jumping ship from DVDO to Lumagen.

Anyways, my $0.02 about scaling for CIH.

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PostLink    Posted: Sun Oct 23, 2011 1:57 pm    Post subject: Reply with quote

Quote:
I'm dying of curiosity - What is a COG board?


Hey Bob, Different Dave but, Convergence On Green.

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kal
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PostLink    Posted: Sun Oct 23, 2011 1:57 pm    Post subject: Reply with quote

WTS wrote:
Hey Kal if you want to do a blend I got a spare 1200 in mint shape low hrs - I sent you a PM.

Thanks Walter but I'm not interesting in doing a double stack/blend.

Boilermaker wrote:
Dave - I'm dying of curiosity - What is a COG board?

Convergence on green. Required if you want to [successfully] stack these projectors.

Kal

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